I found this book to be slightly uneven, a little unsure of what it wanted to be and somewhat disjointed. When it did hit its brief stride, it managed to be mildly engaging and vaguely intriguing but it got there by going the long way round some pretty strange houses. The first part in Las Vegas and the subsequent 'home' section, which included the MC's search for the truth about his murdered girlfriend as well as her ghost providing commentary, seemed to have little in common with each other, thematically or stylistically. There were aspects that seemed pointless, unexplained or just plain weird - why did the MC keep changing his name? What was the point of the Valhalla section? The whole thing just didn't work for me and I had no emotional connection with the characters.

Brilliant. Stuart Evers has contrived a truly original way of telling these two parallel – separate, but connected – stories, with distinct narrators and timelines, that I found completely engrossing once I was acclimatised to it. I raced through this in a little over a day. I unreservedly recommend it.

When Mark left home he thought he'd never go back. Life struck him hard causing a deep trauma and severing his connections. Escaping to America and even leaving his identity behind, he's just delaying the inevitable break.
Going back home is another act of desperation. His last chance to make things right perhaps? Bethany Wilder, the love of his life is his constant companion. The Jiminiy Cricket to his Pinnochio exterior, he might just become real if he listens to her.
I really enjoyed this thoughtful novel. With its contrasting narrative voices, Bethany's story and how the supporting characters reflect back Mark's experience and open up the emotional upheaval of his young life. There is evident despair but ultimately hope for the future, a chance to live again.

I'm so sorry, but this didn't hit the right groove for me. I was really excited to read it and I enjoyed the opening scenes, but the plot felt flat to me. I am sure there are other readers who will appreciate it more than I did (sorry again...)

When he left the UK, Mark Wilkinson also left behind his name and entered the US as Joe Novak. By now, he is known as Mr Jones and selling apartments in Las Vegas. But something from his past is haunting him, he has episodes, hears voices or better: one voice: the one of Bethany, his girl-friend when he was still a teenager and living in England. He is thirty now and Bethany has been dead for thirteen years. He had wanted to leave their sad hometown together with her, to build a life together in New York, but then, she was murdered. After an incident with a client, he returns to England, now to find out the truth about Bethany’s death.

I was eager to read the novel due to the high praise I could read everywhere. After having finished, I am somewhere between disappointed and deeply confused. Either I didn’t get it at all or it absolutely didn’t work for me.

First of all, I had the impression that the first and the second half of the novel didn’t work together at all. It’s like having completely different characters and two independent stories told. In the beginning, we get a lot of clichés about men who are by far too rich and who think they own the world. It might be quite realistic, but not very interesting and ultimately, it leads to nothing for me. The second part, when Mark tries to figure out what happened to Bethany made a lot more sense, even though he hears her ghost talking constantly. I was waiting for the stunning moment when the circumstances of Bethany’s death are revealed, I expected something unusual, unforeseen and really surprising. Yet, this didn’t come. Actually, I didn’t even understand why he had to change his name all the time and what he was running from after all.

Is there one moment in your life that you must revisit again and again in your head until you need to be there? In this gripping book, Mark has lived in America for more than a decade, but knows he must return home to find the answer.

Mark Wilkinson escapes the "trap" of his life (small-town living) and heads for America – only to invent different personalities and back stories there. Upon his return, his past life is awaiting to haunt him. Evers storytelling is quite adept. Including elements of several genres -ghost story, murder mystery and self-discovery. Readers should identify with the protagonist on some level. A good read!

I really liked the opening scene and the sense of loss that pervades the novel. The plot, however, never grabbed me.

Joe Novak is having a bit of a crisis. For the past few years he's been working at the Valhalla, a posh getaway where middle-aged rich men get to have all of their wishes granted and desires realized. Joe likes his job well enough and he's making good money, too--but he's also slowly losing his mind. He is haunted by his past, especially by the memory of his first love, Bethany. He's even starting to "see" and have involved conversations with her. His coworkers are worried about him, and Joe isn't feeling the best about himself either. He's restless and on edge. Eventually a really bad day at work leaves him no choice but to travel back home to England so he can come to terms with his past.

I'm still not entirely sure what to make of this book. I was really into the first half. I liked reading about the Valhalla and the weird Eyes Wide Shut-like fantasy thing going on. It was creepy and gross, but interesting. But after Joe leaves the U.S. to fly back to England, his time in the U.K. has basically nothing to do with the Valhalla at all. The story never even circles back around to connect the two plot lines together. The second half was still strong and kept my interest, but I kept waiting for Evers to tie up the loose ends and he never did.

Ultimately, I was satisfied (for the most part) with the final mystery reveal, but, unfortunately, If This Is Home read like two incomplete stories clumsily smushed together. All the pieces were there, but they just didn't fit like they needed to.

(This review will be posted at the CCLaP website [cclapcenter.com] on February 10th, 2017. For any questions concerning it, please contact Jason Pettus at cclapcenter@gmail.com.)

Definitely the most interesting thing about Stuart Evers' new novel <i>If This Is Home</i> is the ultra-rich Las Vegas condo complex Valhalla where our narrator is working as the book opens, a great symbol for everything wrong with America right now: a glittering house of cards designed expressly to fleece the empty consumerist one-percenters out of their money, prospective buyers are shuttled around to what they are told are the "most exclusive" clubs and restaurants of the complex during their weekend hard-sell tour, not realizing that the other locked rooms they are passing are in fact completely empty; and are given a complex set of rules they're admonished to follow but that are never actually enforced, in order to let these people feel like they're getting away with something they shouldn't because of their wealth and status.

In fact, it often feels like it was Valhalla that Evers first envisioned when starting to work on this novel, and only afterwards filled in a hasty, cliche-filled three-act narrative to justify the book's existence, a shame given how strong the Las Vegas parts are. The story of British expat Mark Wilkinson, who has transformed himself into the cooler, more sociopathic alter-ego Joe Novak in America, the book's structure is basically broken up into three parts -- we mostly stay at Valhalla for the first half, until a "shocking act of violence" (according to the dust-jacket synopsis), which in fact is not actually that shocking at all*, inspires him to go back to his small British hometown for the first time in a decade, where we spend the second half of the novel; then weaving in and out of both these halves is a flashback look at the young-love relationship he used to be in, and whose tragic ending is what convinced him to flee to the US in the first place.

[*And seriously, when you set up a place like Valhalla like the owners have, heavily touted to its billionaire customers as a place where "every desire imaginable is accommodated," I don't know why it would come as a shock when one of them ends up beating up a prostitute; in fact, I would just assume that the first question out of the mouth of every asshole who shows up is, "Say, when do I get to kill a hooker?"]

Like I said, the first half is interesting enough, presenting us with a fully fleshed-out bacchanalian nightmare and letting us glimpse the boring behind-the-scenes grunt work that makes it happen, and teasing us with a backstory about a past girlfriend who had <i>something</i> bad happen to her, even though we don't know what, why, or by whom. But the entire second half of the book unfortunately just kind of falls apart, with Evers seemingly not knowing what to do with the story and so falling back on the most hacky tropes possible; Mark spends literally 150 pages wandering around his old hometown doing nothing in particular, with all his old acquaintances and family members disproportionally furious at him merely for leaving 13 years ago and not dropping anyone a postcard (instead they all react to his re-appearance with the kind of anger you would expect if he had actually killed the woman), and eventually with Mark hallucinating the ghost of his ex-girlfriend following him around, being smartass and challenging to him as a way of pushing him into the family confrontations he came there to have, about the most tired cliche you can even evoke in a murder-mystery thriller.

Most disturbingly of all, though, what is teased throughout the book as a "big reveal" about Mark's girlfriend's tragic end turns out to not be a big reveal at all, a plot development I'll let remain a surprise but that I can assure you has not even the tiniest bit to do with the entire rest of the novel; and in fact this horrific act of violence against her seems to only exist in the first place so that Mark himself can go through an emotional journey of self-discovery afterward, a plain and clear example of the "<a href="https://www.wikiwand.com/en/Women_in_Refrigerators">Women in Refrigerators</a>" phenomenon that's been (rightly) receiving so much critical protest in the last few years. That's a disappointing way to end a novel that started with so much promise; and it's a shame that Evers could never come up with other things as clever and well-thought-out as Valhalla to fill the rest of this noble but often deeply flawed story. It comes with only a limited recommendation today because of that, a book that some will like more than me, but that most people will be generally disappointed by.

Out of 10: <b>6.9</b>