Paul Flynn's gallop through thirty years of gay (male) life in Britain is hugely entertaining. It's a largely personal account of social and cultural changes , beginning with his experiences growing up in 80s Manchester and ranging through various aspects of the subsequent decades of increasing, if still far from total, acceptance. Jimmy Somerville, Frankie Goes to Hollywood, Clause 28, Chris Smith MP, Terrence Higgins, Colin and Barry on Eastenders, Peter Tatchell, Out on Tuesday, Kylie, Brian Dowling on Big Brother, Attitude magazine, Justin Fashanu, Robbie Rogers, Elton John and David Furnish... all this and much more. Like Paul, I was an 80s kid in the Manchester area (though I'm a couple of years older) and there was a lot here I could relate to and some things I'd completely forgotten....

The book's subtitled "30 years of gay Britain"' but really it should be 30 years of gay men in Britain, because women are few and far between in these pages (Kylie notwithstanding) and lesbians are even fewer. For instance we get a fair bit on Eastenders' Colin and Barry but nothing at all on Brookside's equally significant Beth/Margaret kiss. That's understandable - the author is a gay man and writing about his own perspective and experiences. But the cover could make it clearer that the book is very much about the gay male experience rather than any other letters in the LGBTQIA alphabet soup.

I did enjoy Paul Flynn's style of writing, though there are a few odd turns of phrase and word choices. ("Having exempted himself from the admonishment of the closet...."). Then again - he's a successful journalist and I'm not.

All in all I found this a great read packed with observations, interviews and touching/thought-provoking anecdotes, which brought back many memories and provides further compelling evidence, should it be needed, that "gay" is indeed as "Good As You".

Paul Flynn is a journalist and has watched Britain evolve from largely homophobic to largely accepting, passing through the terrible AIDS years. During the thirty years he charts, the country has also been accepting of other minorities such as colour and religion – but not in every case. Things are so much improved, however, and this book follows our progress as a people. I’d like to think it brought more understanding to a wider audience.

I have to say that, as an ancient, straight woman, this book could be considered to hold no interest for me but that’s not true. I read it in a short time, and was totally fascinated with the story it told. The book works forward through the years but not in any strict way. It’s told through the words of many people and contains funny and heart-breaking stories, as well as much common sense and observational detail. I found myself constantly checking on Google as I’m no follower of popular culture but I suspect many people will know the celebrities involved or have followed the television shows. The style is conversational, easy to follow, and it’s like having a chat with a very knowledgeable and well-connected friend. I heartily recommend this book to everyone.

It is an interesting read but not what I thought it was going to be. It is very much one person's view of LGBT history in the UK through Social and Cultural events. I for some reason was wanting a more detailed history . It is still interesting read but at times too personal and should be more objective.

Good As You is a powerful, sometimes funny, and emotional account of British gay culture from the hits of the 80s and the identification of HIV to the legalisation of same sex marriage. Flynn organises this into thematic sections—music, television shows, football, reality stars, politics—with personal anecdotes to introduce each part. There are interviews with various important figures, well-known and less so, and a wealth of detail, both factual and anecdotal, which makes the book a vivid account of the good and bad of gay men and popular culture across the last thirty years.

The format means that the book could be easily dipped in and out of, and it is a light and sometimes humourous read. The different chapters will have varying appeal depending on the reader—for instance, my personal interest leans more towards music and politics—but overall every section is interesting, highlighting things like the ongoing lack of acceptance in football and the connection of reality TV and gay culture in the 2000s. Of course, the spectres of AIDS, homophobia, and mental health loom large, and Flynn on the most part does not avoid them to make a nicer portrait of an upward struggle.

The book touches on most aspects of British culture, showing how ‘Gay Britain’ has evolved and changed over the past thirty years. Due to space constraints and readability, Flynn focuses on specific examples of important moments and figures (which may leave some people disappointed that their greatest influences aren’t included), creating a book that feels a bit like a documentary series, engaging and varied. Good As You is a book that needs to exist, part-personal memoir and mostly a look at the personal and larger effects of British gay culture until the present day.