One of the themes of the 2016 presidential election was the influence of the so-called "alt-right." The problem is that no one really knows what that means, or who was a part of it. Unfortunately, Angela Nagle's Kill All Normies: Online Culture Wars from 4Chan and Tumblr to Trump and the Alt-Right doesn't shed a lot of light.



Part of the problem is that Nagle and others assign labels that the people or groups themselves explicitly reject. Milo, the Proud Boys, and others do not embrace the racist, white supremacist perspectives of many on the alt-right. Further, she seems to attribute to the alt-right outsized credit and influence.



Nevertheless, the alt-right was a part of the conversation in 2016, and Nagle does a decent job of introducing them and reflecting on their methods and influence. Her discussion brings up the larger question of the use of social media to bring attention to people and issues. Unfortunately, this power is used more often for ill than good. Sure, there are feel-good stories that go viral, but when the digital mob goes after someone in a public shaming, there's no turning back. The internet, she writes, "became a panopticon, in which the many lived in fear of observation from the eagle eye of an offended organizer of public shaming."



That's where Kill All Normies is most instructive, as a warning against the abuses of the power of social media and the internet. Curiously, the power of the so-called alt-right has waned since the election, probably because more mainstream sources pay less attention, and when they do, the rest of the world sees the alt-right for the fringe element that it is. The recent "Unite the Right" rally in D.C. drew only a couple dozen participants, whose numbers were dwarfed by people opposing them. Nagle's book is a record of a relatively insignificant blip in America's political history.





Thanks to NetGalley and the publisher for the complimentary electronic review copy!

What a strange book. I've been on both sides so I'm familiar with most of what she writes about.I think this would work better as separate volumes.It is also very of the times so some of it's longevity is doubtful.

Tumblr culture and 4chan and the far right are painted with a horseshoe theory (basically the two side of the same coin argument) I'll agree that identity politics are a part of both but there is a big diffrence between the SJW, Normie Trump supporter and the Alt right.

This would be useful for someone who is new to all of this as it read like a dictionary/encyclopedia than a more in depth analysis.I won't say that it was completely even handed but I will acknowledge my personal in this.

This is a good example of explaining the almost unexplainable

There is a well argued , well researched strong argument about the ongoing issues around the extreme views on the internet .

It is short enough to not outstay its welcome but long enough to cover the issue and raise concerns for the reader

I was expecting to be interested in this, but I didn't expect to be so impressed by it. Angela Nagle writes so even-handedly and with such a fair critical eye about recent iterations of disruptive political groupings on both the right and left. On the right is the now-notorious alt-right, divided between the 'alt-light', typified by meme-making/gleefully antagonistic trolling/use of 4chan-derived argot, and the more genuinely fascistic tendencies often masked by the headline-grabbing behaviour of alt-light figures such as Milo Yiannopoulos. On the left is what Nagle sometimes refers to as 'Tumblr-liberalism', the extremely performative culture of calling-out, victimhood and competitive identity politics that seems driven by (and here I will quote Nagle quoting the late Mark Fisher, as it couldn't be paraphrased any more perfectly) 'a priest’s desire to excommunicate and condemn, an academic-pedant’s desire to be the first to be seen to spot a mistake, and a hipster’s desire to be one of the in-crowd'.

Nagle draws a line through history from the 'culture wars' of the 1960s to those of today, arguing that the transgressive, countercultural spirit historically embodied by the anti-establishment left has been sublimated much more effectively by the modern right. She also undertakes an in-depth (though concise) review of the many, many factions of what is often sweepingly referred to as the alt-right, from 'chan culture' to the alternately pathetic and terrifying 'manosphere'. Not only is this pretty fascinating in itself, it also brings to light the serious theoretical and academic roots of certain strands of this movement – something often ignored by liberal pundits who concentrate instead on clutching their pearls at the outrageous antics of high-profile figures like Milo and Alex Jones. The idea of a handful of demagogues and professional trolls riling up people who essentially don't understand politics has been a common theme (deployed with varying levels of sensitivity) in analysis of the Trump and Brexit victories; Nagle's study shows this to be dangerously reductive.

Kill All Normies is an accessible but unpatronising study, perfectly balancing academic critique, political commentary and assured, intelligent, non-embarrassing writing about the internet and its unique subcultures. It is so refreshing to read something like this, that comes at the topic from a left-leaning perspective but refuses to toe the line with regards to the frustrating, ever-shifting rules of engagement that now seem to define online discourse. The version I read had some typos and needed a bit of tightening up from an editorial perspective, but it was a review copy. And that is genuinely my only criticism. Somehow Nagle also manages to write a conclusion that tears everyone a new arsehole AND ends on a contemplative note.

I thought I knew quite a bit about this topic already, but I learned so much from this book, particularly about the historical context of these movements. Thoroughly and enthusiastically recommended to anyone with an interest in the current political climate as it manifests in online culture.

Just so there’s no mucking about, let me say up front that it is a rare and fleeting pleasure to read Angela Nagle. She is delightfully well read, distills the nonsense of the world calmly and directly, never loses her dispassionate center, and doesn’t descend into pop culture citations. She is effortlessly authoritative. Would there were more like her.

In Kill All Normies, things online have gone unaccountably negative. The internet was supposed to be a giant uplifting community party. Instead, it is a morass of trolls, alt-right, and out and out hatred, from racists to neonazis to feminazis. Even the arts have turned negative, and to criticize them as such just makes you outmoded – and subject to vicious threats. “The whole online sensibility is more in the spirit of foul-mouthed comment-thread trolls than it is of bible study, more Fight Club than family values, more in line with the Marquis de Sade than Edmund Burke. “

Her criticism of her own generation stings. They “come from an utterly intellectual shut-down world of Tumblr and trigger warnings, and the purging of dissent in which they have only learned to recite jargon.” They couldn’t even debate the hollow showman Milo Yiannopoulos; they could only prevent him speaking.

We are approaching anarchy. The right is at least as fractured and disorganized as the left. There is no longer any typical or classical right; every individual colors it their own way. So despite Republicans’ control of all the levels of government, they continue to fight amongst themselves and make no headway in their agenda. Because they can’t even agree on the agenda. Nagle takes an entire chapter to deconstruct the character Milo Yiannopoulos, who embodies all the contradictions in one neat package. The feeling you’re left with is that barriers to entry need to at least exist. Today, the internet offers equal time and space to every flavor of hate and ignorance going.

Nagle doesn’t go far enough. Unsaid is that all of her characters have one thing in common: a tiny bit of power. It is easier to wield negative power than positive power, so they armchair jockey hatred, and laugh at their own cruelty. It is ignorant and outrageous, and that is the whole point. It is a deadly combination of too much time and too little future. The other thing unsaid is that it is infinitesimal. Almost none of the characters has real fame, much less popularity or value. They are their own audience, insignificant in the scheme of things. The occasional Milo is a shooting star than soon fades to black.

I look forward to Nagle leveraging her talents into a deeper examination of a heavier issue. This is a terrific intro.

David Wineberg