A really wonderful and punchy story. I found it original and engaging from start to finish. I also really loved the cover

There was much to enjoy here, but I found I couldn't connect with it. I'd read more from this author in the future though. I also love the cover.

This is a very interesting read - perhaps it's fair to say an acquired taste for some but an awe-inspiring, thought-provoking journey for others.

The novel, which is on the Women's Prize for Fiction longlist 2019, is described as magic realism, set mainly in Romania during its turbulent history of the 1970s. It's about Alina, whose voice tells us - but at times she is talked about in the third person - about her brother's deflection and the horrendous times that followed. Even though I learnt a lot about communism, the trying, extremely traumatic experiences of people in Romania and the scrutiny that they were under, I did find the structure somewhat disjointed - and the 'shrinking mother' incident was too much for me, to be honest, although I realise probably not for others.

Van Llewyn's ending felt somewhat amateurish, too, although it is justified through the reading of the notes at the end. The switching of perspectives is all part of its charm to an extent but did interfere with my enjoyment.

I'm not sure why, but I just really had trouble getting into this one - I found that I couldn't really relate to the characters and felt like it jumped around a bit too much for my liking.

<blockquote>The other teachers slip by her into the break room. They sip their cold coffees in silence, their faces like cassettes with their tape pulled out, unwinding every bit of conversation they had with her in the past few years. [loc. 727]</blockquote>

A short, unnnerving book (novella-length) set in Communist Romania during Ceaușescu's regime. Alina is a schoolteacher who has, according to her mother, married beneath herself. Worse, her husband Liviu's brother went 'on holiday' and never came back. Already under suspicion, Alina stacks the odds against herself by failing to report a pupil's possession of a contraband magazine. All might yet be well (despite the menacing Tuesday-afternoon visits of 'the man from the Secret Service'): but Alina's mother is a good Communist, and thoroughly disapproves of her daughter's choices. So Alina, in desperation, turns to her aunt Theresa, the wife of a powerful politician and a practitioner of the old ways.

Themes of escape and imprisonment thread through <i>Bottled Goods</i>. At the heart of the story are the three women, each trying to gain and keep control or power, each trying to make meaningful choices. The totalitarian regime, and the ways in which it stifles Alina and Lviu's marriage, is depicted in scenes that are both mundane and nightmarish (there are some unpleasant chapters dealing with assault and abuse), and the magical-realist elements are told in an equally matter-of-fact way.

<i>Bottled Goods</i> is composed of many short chapters (some of which have been published independently, as flash fiction), alternating between Alina's first-person viewpoint and a third-person voice. There are chapters in the form of lists ('How to Attract (Unwanted) Attention from the Communist Authorities'; 'A Comprehensive, but Not Exhaustive List of Reasons for Asking for an Italian Visa') and letters ('Dear Father Frost'; 'Postcards to my Mother'). An unnerving depiction of a repressive regime and the weight it brings to bear on every aspect of life: a story about hope, and plans, and lies well-meant and otherwise.

Thanks to Netgalley for providing a copy of this book in return for an honest review!

An elegant kaleidoscope of episodes from different points of view that tell the story of a Romanian woman and her family, their power in society and lack thereof, her fears and anxieties, and her eventual escape to the West. Minimalist, magical realist, and a masterpiece of storytelling.

Bottled Goods is a exploration of life under an authoritarian regime told in snapshots laced with fear, broken relationships and a touch of magic.

van Llewynan writes beautifully, as well as excels at building suspense and making room for it in a story already overfilled with tension and suspicion. I'll admit, I didn't feel the more other worldly aspects of the novella so much. However, the writing was so strong in other areas that I didn't really mind that much.

This was an ARC via Netgalley and Fairlight Moderns Novella in exchange for an honest review. With thanks.

Bottled Goods is story set in communist Romania, dealing mainly with difficult life during this era with bits of magical realism added to the mix. We first meet Alina when she is young girl, wishing for Levi’s jeans and working as a tour guide. She grows up into a woman hating her teacher’s job and having difficult relationship with her mother. She has mysterious aunt Theresa and with her, the magical enters the story.

The book is written in short pieces of narrative, which fit together really nicely and create one compelling story. I liked how the life difficulties in the era, the workings of secret police, and fear and grudges of people were described here. I wasn’t that big fan of mixing realism with the magical realism here, but I must admit that it gave the edge to the story and made me laugh all laud sometimes. I just wish the magical part was more frequent or better explained, so it would made more sense to use it.

Overall, it was really nice, fast-paced read and I definitely would love to read other works from this author.

The Romanian folklore adds a touch of whimsy to an otherwise dramatic novella about societal and familial relationships in Communist Romania.

This is the fourth (and probably final from this series, anyway) novella I've read from the newly published line by Fairlight Moderns (who provided to me a reader's copy).

This one was in the top two of my hierarchy of interest in these novellas, primarily due to it being described as magical realism. I've always been the (admittedly foolish) reviewer who tries (usually vainly) to define the borders of magical realism. For this one I'm going to say that my primary categorization for this one isn't magical realism but rather surrealism, and just flat out magical.

I wavered on this one, which surprised me. Though sold as and encouraged me as a reader under the promises of magical realism and the interesting and unique setting of communist Romania in the 70's (and I did find the setting to be one of the more interesting elements), I found that at its core this story was about the relationship of a marriage and whether it could withstand the destructive societal and political pressures in which it (tried) to grow. Unfortunately for me, I couldn't support or cheer for the relationship because I never felt its strength through a substantial background or insight to its core. In fact, in something like only the second or third (short) chapter in which we discover that they've just been married, the bride is already questioning their relationship and feeling cold and contained and alienated from her husband (though little previously made me believe in the thread between them anyway). So when that relationship is then almost immediately tested by outside forces, I didn't feel like there was much at stake to begin with.

I loved the novel setting and I did like enough of the writing to keep this author in my headlights and consider her again.

Really rather odd. Social history or fantasy?

I would have enjoyed this so much more without the fantasy element. The storyline, until we get to the magic, is excellent and the characters well-drawn. This is a time and a place we know little about, so this was a marvellous introduction and triggers a desire to learn more - but the folklore should have stayed where it belongs, to be told as fireside tales to a willing audience.

Set in Romania in the 1970’s, this portrays life for Alina and her husband, Liviu, under the Communist Ceausescu regime. Life for them becomes even harder when Alina’s brother in law defects to Germany. Her husband is a head teacher and is transferred to a difficult, failing school and seems to rely heavily on the alcohol that he drinks on the long train journey home. Meanwhile, Alina is harassed by a Secret Service agent, and this becomes very sinister.
The bottled goods of the title could be used as a metaphor for different aspects of this story: the perfumes Alina covers from the West; Liviu’s reliance on alcohol; how the couple (and probably their countrymen) bottle up their emotions and desire to defect; and a final, more fairytale bottling up - which I won’t give away.
This was all presented in the form of flash fiction that joined together to make a whole story. I liked this approach. It made the whole book feel uncomfortable (you never quite get in to the swing or the rhythm of the story), probably how Alina and Liviu felt, constantly under threat of arrest.
Many thanks to NetGalley and Fairlight Books for my copy of this book.

I saw this cover and the description which seemed a little magical and I had to request it! The layout of this novel is a little unusual with bullet pointed lists and very short chapters which I wasn't expecting but I did like that format - it's flash fiction and something I'd definitely want to read in the future. Bottled Goods is set during the communist era in Romania during the 1970's which is a period of time I'm not too familiar with. We follow Alina, her family and her husband as they have to deal with the aftermath of her brother-in-law defecting to France. What follows is a look at their marriage, Alina's tumultuous relationship with her mother, the oppressive government regime under Ceausescu and more than a few magical and folktale elements which I loved. The Romanian folktale and magical realism elements were my favourite aspects of the book, at other times it was very melancholic and frustrating but I'd definitely recommend it!

3.5 stars. I am really not a fan of magical realism--if you are, this book is for you!

This is a "novella-in-flash", and I don't really know what that means. I am guessing short chapters/snippets, rather than an extended narrative. A legitimate way to tell a story, but I don't really get the marketing push--my next netgalley book is also "flash"!
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In this novella we follow Alina, from young single tour guide to married elementary teacher--a job she hates--in communist Romania. She does not have a great relationship with her mother (a die-hard communist), and she and her husband are struggling under the weight of his brother's defection to the west, which puts additional scrutiny on them. By the end of the novella, Alina is 50-something.

The author grew up in Romania, though I think she is probably too young to remember life before the 1989 revolution. She undoubtedly has heard a whole lot about it, and this novella has various Romanian foods mentioned and explained. So even though I did not love the magical realism aspects of the book (which is something of the foundation of the story), I very much enjoyed the Romanian flavor.
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Thanks to NetGalley and Fairlight Books for providing me with a copy of this book in exchange for an honest review.

Alina is a teacher in Romania, living in fear under the reign of Ceausescu. A small incident in her classroom sparks a host of encounters with the secret service, which eventually leads to her and her husband planning to escape the country. However, Alina’s mother has other ideas…
A story of betrayal, a story of magic and fairies, a story of revolution, a story of new beginnings.
Short, sharp and emotional, this is a gripping read.

Bottled Goods details the life of Alina through the eventual disintegration of socialist Romania through flash fiction that amalgamates visceral, historical fiction with the tradition of magic realism and Slavic folklore. A Master and Margarita-meets-Baba Yaga Laid and Egg, this novella expertly details the the fear that accompanied the Romanian comrade status in a time when it was dangerous to lack conformity in a skilled way that I have only previously seen portrayed by Bulgakov. Sophie van Llewyn's writing style is clear, concise, and expertly utilises the gaps that flash fiction affords to allow the reader to fill the gaps in a similar, fearful way that I imagine Romanian citizens (and all those living in communist times) must have when their neighbours, friends, and relatives left a gap behind them.

Set during the communist era in Romania, this is not an easy story to read. There are a lot of fear and feeling of trapped inside, a lot of unvented frustration and dashed hopes. But this is not the reason why this book doesn't click with me. I love how it was told in short chapters, the writing works really well for the story, but some threads of the story just lost to me and it's far longer than what I expected.

I was intrigued by the premise of this book: a tale that follows Alina as she grows up in communist Romania and tries to make a life for herself. I enjoy historical fiction, and I have not read much set in Eastern Europe. I was ready to be immersed in a unique plot and different setting. What I was not ready for was the impact that this novel would have on me.

The book jacket and summary note that the book uses magical realism and novella-in-flash formats, but I was struck by how absolutely effective these forms were at conveying intense emotion and an immersive reading experience. Sophia van Llewyn’s style drew me into a story that I read in one sitting...and then made sure to immediately read again.

Novella-in-flash is not a format that I had encountered before, and after the fact I have read about how this style is often used to help set the pace of reading and create an emotional impact for readers. Alina’s story and how she lived behind the iron curtain just trying to get by with what love and sanity she could was engrossing. As she faced obstacles caused by her marriage and brother-in-law, and as the Secret Police slowly began to close in on her, the emotional empathy that the text generated was striking. As we read on, we read faster. We need to know what happens next. We need to see what impact each action has or what paranoia are proven to be true. The unique format also allows van Llewyn to play with time, as each “chapter” or vignette can stand on its own as a story, and as you read them in sequence, bits of time in between are skipped over. This also affected the pacing, making the book read faster and faster for me as I went on. Some sections take a less “traditional” approach, presenting Alina’s experiences as list and/or flashbacks instead of typical dialogue or narrative. I found the change in form between sections especially effective for pacing but also for showing different sides of each character, giving each one more depth.

What it could have been like to live in Romania under those circumstances -- censorship, brainwashing, worries about spies and bugged apartments, family choosing safety and government over loved ones -- comes through loud and clear in a gut wrenching way. Alina is clearly on a collision course, not entirely of her own doing, and as her life spirals more and more quickly out of control, the sense of desperation, hope, hopelessness, rejection, and fear all ring true. I also appreciated that the inclusion of magical realism added more complexity to the story without detracting from the core message. As a reader who has not experienced the level of oppression that Alina does in the book, the events of her life have an almost incredulous or fantastical quality. And as mysticism and fantasy are sprinkled into a reality that is already hard to wrap your head around, they become just as plausible as that reality. The themes represented within the magical realism -- baggage, regret, hope, and (again) desperation -- ring true as they are woven into Alina’s daily life.

Reading this book inspired me to look at writing in a new way and even endeavor, one day, to try the form myself. I highly recommend this for anyone interested in fiction that will guide a reader to explore new emotional perspectives in a truly unique and masterful text.

A fascinating and frightening look at life in 1970s Romania. I enjoyed the author's flash-fiction prose style and felt it perfectly suited the downhill slide into darkness of the narrator's life.

This novella takes place in 1970s Communist Romania. It is a short and fast-paced book and the shifting viewpoints from chapter to chapter were okay, but the magical realism in the final few chapters was not for me and felt too disconnected from where the story was going up to that point. I would still recommend this book for anyone interested in the topic as it does capture the absurdity and terror of living under the regime.