Within the first few paragraphs, the reader is elevated by the richness and depth of the language and prose used to describe the land, the loss, and Starve Acre. I was pleasantly washed along on a tide of beautiful, elegant phrasing that gave life to the bleakness and grief that are the solid foundations of this tale.

Atmospheric and beguiling, this tale of a woman who believes that her dead son still resides in the home, is haunting and unsettling. Yet the reader can be dined out and nourished for a very long time on the refinement and sophistication of the composition of this story.
I was aghast with goosebumps emerging all over and a sense of dread that came trickling up to me with every page I turned; a truly chilling tale.
I highly recommend this new book from Andrew Michael Hurley.

This made me shiver.
So well written and factual, for such an emotive subject as the death of an only child..The book is quite. clinical in its descriptions of events. Story is uncovered gradually, a real page turner with horrifically stunning conclusion.

Set in a remote part of the Yorkshire dales, where communities are built upon generations of families living and working in the same small villages, Andrew Michael Hurley creates an atmospheric story, making use of the desolate landscapes, local folklore and the sense of isolation that being an outsider brings, to create this novel. The sinister sense of suspense builds well from the initial hope of rural idyll, to the point of questioning who among the clearly drawn characters is more unstable.. The ending is very abrupt, which I found unsatisfactory - but that disturbance added to the story.

Starve Acre is a story that carries on growing in the imagination long after the last page, becoming more unsettling as time passes. The characters are skillfully drawn and the creepiness is woven through the story so subtly that you hardly notice it building until you reach the end. And what an end it is!

I have read The Loney, which I loved, so I was expecting good things from Starve Acre. And it didn't disappoint.

Andrew Micheal Hurley has a superb way of writing. He draws you in and takes you on a journey that you don't know you're going on until you've reached the climax.

A sense of unease ran cleverly throughout this novel, which was in essence a story of grief. But it was so much more than that.

Brilliant, thought provoking, and haunting. Highly recommended.

Simply stunning. A beautifully crafted novel with elements of nature writing, historical literary fiction and horror. I found this incredibly effective and am more and more impressed by Hurley's craft.

Creepy as heck. Don't read it alone after dark! I really enjoyed this book although it freaked me out a lot. Why did the son die? What is the dad doing digging in the weird field? What is up with the mum? It's all so wrong and dysfunctional but really really good!

A couple come to live at the husband's childhood home of Starve Acre to give their young son a better life.. Starve Acre has a field where nothing ever grows. The locals tell tales about a malevolent character called Jack Grey and of handgings from a large tree that once grew in the field, evidence of which the husband sets out to find. We know a tragedy has befallen the couple's young son who was displaying worrying behaviour. The couple are frozen with grief. Hurley weaves a dark, bleak nightmarish tale.

This book is very well written, beautiful descriptions, the narrative flows. However, I found I just couldn't quite believe in people's reactions, for example, the main male character digs up a skeleton in Starve Acre that starts to reanimate and he doesn't seem fazed by this in the least. I kind of rationalised it by putting it down to grief but it jarred with me. I also felt too many characters were introduced with no real role in the outcome of the story.

My little @netgalley readathon continues! An excellent short story that I managed to polish off in less than 3 hours this evening but it felt like reading a full length epic. The scenic descriptions, the creation of tension and atmosphere, the looming sense of dread that's woven throughout the story is done effortlessly. This book to me is very reminiscent of 'Pet Sematary' by Stephen King. What appears to be a couple suffering from the grief of their lost son, soon becomes intertwined with folklore and the possibility of the supernatural. I loved the ambiguity of this book and that the ending was left so much for self interpretation and I enjoyed immersing myself into this gothic horror narrative. For me I think the characters could have used a little more depth to make this a real 5star read. 4.5/5 ⭐

From the cold and hostile environment, to the hostility of the locals, the foreboding building of Starve Acre and the barren field alongside it, this is a book where the menace creeps off the page and sets up an uncomfortable creeping across your scalp.
Folklore and superstition entwine with the difficulty of settling in a close village community creating a wonderful sense of paranoia. The grief and guilt that Richard feels for the death of his son contrasts with Juliette's manic refusal to accept that he is gone, and she turns to the supernatural to help her bring him back. This seems to be the catalyst for the chain of events that were set in motion when they moved to Starve Acre to rush towards the horrifying conclusion that there is something very, very wrong with the house they are living in.
This felt like one of the great 1970's horror films brought bang up to date and I know this is a book I will recommend to anyone wanting a book that will have them sleeping with the lights on.

My thanks go to the publishers and Net Galley for the advanced copy in return for an honest review.

*A big thank-you to Andrew Michael Hurley, John Murray Press and NetGalley for arc in exchange for my honest review.*
Starve Acre was a perfect read for this time of year. The story is woven around a folk tale of a tree that was used for hangings hundreds of years ago and which possibly made the soil barren around Starve Acre, a house that has belonged to the Willoughbys for generations. The house now belongs to a couple, Juliette and Richard, who grieve after the death of their five-year-old son. The theme sounds simple, however, everything that surrounds the house and the fields around it is not. In the course of the story we learn about the family past, and about Ewan, the boy who died unexpectedly, and who showed most disturbing traits with regard to his personality.
The novel is creepy and chilling, and the folklore tales incorporated into it add to its atmosphere.

The Loney was one of my favourite books the year it was published & I also enjoyed Devil's Day, so I was really excited to get hold of another of Andrew Michael Hurley's books.

Richard & Juliette live in what was Richard's home growing up. They are still reeling from the death of their five year old son Ewan. Richard tries to continue with his work as a college lecturer but is forced to take some time off although he continues with his archaeological work in their field looking for the remains of an ancient oak tree. Juliette is convinced that Ewan is still with them & is obsessed with trying to capture the moments when she feels his presence. As the story goes back the reader realises that things were not all plain sailing with Ewan & the field opposite seems to have a hold on the family. As the end of the year approaches Juliette's obsession gets worse. Her overbearing sister tries to bring her back to reality but is she too late?

This writer's style is not to everyone's taste(I can't think of another author who makes me check the dictionary so often)However he does have an enormous talent for capturing the atmosphere of a place & a narrative which I find totally bewitching. Thanks to Netgalley & the publisher for letting me read & review this terrific book.

Starve Acre is first and foremost a book about loss. Richard and Juliette Willoughby have recently lost their 5 year old son, and both are struggling to come to terms with their loss and grief in their different ways. Richard has taken to digging up a nearby field, looking for evidence of an ancient oak tree that once stood there. Juliette has just gone into herself and refuses to let Ewan go, convinced she heard him at night.

The interactions between the two, and the lack of interactions, beautifully tell a story of shared yet so personal loss. Neither can truly help or understand the other's loss.

Throughout the story, which is told without chapter breaks, we get a picture of Ewan's short life and the beginnings of odd behaviour, as well as some odd findings while Richard is digging in the field.

There are some very odd, creepy moments in this book, and some very touching moments. However, I felt slightly let down by the ending. There was a good amount of exposition in the last couple of pages (which may sound like a cop-out rushed ending but is well delivered) but the very final scene felt like a missed trick to me. I was expecting a very horror ending, but while what I got was unsettling, there was an element of ridiculousness to it that spoiled it.

A very enjoyable short read.

Richard and Juliette are mourning their son Ewan's death. Juliette is wrapped up in grief to the extent that their friend Gordon organises a sort of psychic to visit and help her find peace. Richard meanwhile is buried in folklore and local legends and digging up his dead field in order to find roots of a gallows tree. The same field that scared his son, the same field that nothing survives in.

So this tries really hard to be creepy and menacing and haunting but it doesn't quite get there for me. It's far too short - I reached the end and still had so many questions about the characters and what actually happened. Was Ewan evil, did he hear voices, what is the menacing presence in the house? If I'd been enjoying it more it would have been frustrating, unfortunately it just made it seem pointless

Atmospheric, full of menace and with disturbing images this is a tale of superstition, folklore and legend, in a dark and unsettling world.

Richard and Juliette have moved to the edge of the Yorkshire moors to live in the house previously occupied by Richard’s parents. It is a bleak environment which is incredibly well portrayed, the windswept landscape, the snow and the rain. The couple lose, Ewan, their young son and are now dealing with his (unexplained to the reader) death in very different ways. Richard becomes fixated with discovering the roots of the Stythwaite Oak, a tree with a violent history, which used to stand in the field opposite the house. Juliette spends her time in her deceased son’s bedroom where she is convinced that Ewan is communicating with her. As they pursue their separate obsessions, their relationship begins to unravel and Richard’s discovery of the bones of a long dead hare and Juliette’s belief in the value of séances create a terrible tension between them and an ambiance of terror and menace.

The combination of grief, psychological disturbance and a belief that something otherworldly has come into the lives of the characters makes for an uncanny and sinister read. The final scene will be etched in my mind for some while. Highly recommended.

Thank you to NetGalley and John Murray for an ARC in exchange for an honest review.

“He says my name sometimes. Tells me to come to the tree.”

Richard and Juliette Willoughby are grieving after the death of their five-year-old son, Ewan, and this may be manifesting itself in different ways. Richard has become obsessed with digging up the field opposite their house in search of the legendary Stythwaite Oak. It seems that Juliette feels Ewan’s presence in their home and after a visit from a group called The Beacons and after Richard digs up the skeleton of a hare in the field and brings it back to the house things take a peculiar and otherworldly turn.

This novel tackles the difficult subjects of grief, in particular losing a child whilst also approaching the subjects of family and tradition.

Andrew Michael Hurley has written Starve Acre beautifully using atmospheric, dark descriptions that make the surroundings leap from the page. The starkness and bleakness of the countryside create a feeling of coldness throughout and I felt as though I witnessed the novel in black and white.

Starve Acre is home to a small cast of wonderfully written and well-developed characters whom I grew to like and dislike in equal measure.
My only complaint is that I would have enjoyed spending more time here, another hundred pages perhaps, and have had the scenes with Jack Grey explored further. But that is just me being greedy.

Starve Acre is a wonderfully creepy, disturbing and beautifully written story with an ending to strike horror into even the hardest of readers.
I thoroughly enjoyed reading Starve Acre and will definitely go back and read Andrew Michael Hurley’s previous work.

Thank you to John Murray Press and Netgalley for the opportunity to read this book.

A chilling, amazing and gripping book that kept me on the edge till the end and I read in one setting.
I loved the style of writing, the writer is a master storyteller and he's always speaking in a quiet voice, a tone that makes the story even more creepy.
It's great how the plot always makes you wonder if you're reading a paranormal story or if it's telling the descent into madness. The grief is one of the main elements, it's so well described that you can feel it.
It's the first book I read by this author and won't surely be the last.
This is one of the best books I read this year, highly recommended!
Many thanks to the publisher and Netgalley for this ARC, all opinions are mine.

This is a story about a couple whose son, Ewan, has died at a very young age.  Following the child's death Juliette stays home grieving for her son, day in day out. Across the lane from the house her husband, Richard, deals with his own grief by digging in their field, looking for evidence of a legendary oak tree that supposedly lived on the property for hundreds of years. After months of finding absolutely nothing in the barren earth Richard comes across the skeleton of a long dead hare.  Richard collects up the bones and takes them home where he shuts himself away in his study and painstakingly reconstructs the animal's skeleton. Meanwhile Juliette falls deeper and deeper into despair, unable to accept that her son is gone from her completely.  When a concerned neighbour suggests that Juliette see a 'spiritualist' that he knows Juliette jumps at the change to maybe have some contact with her son again.  Richard is appalled by the idea, but he has problems of his own with his new 'project'. 
An extremely atmospheric, eerie and ominous story about grief, loss and obsession, with a touch of the supernatural.  It comes as no surprised that this book is published at Halloween...

This book wasn’t anything that I thought it would be from the description. I think the length was perfect because it was short enough to keep your attention but long enough to have a storyline. I’ve never read anything like it before it has such an original story. However I felt that the story jumped between the past and the present and you never really got the whole idea of what happened. This may frustrate some readers but I enjoyed it myself because it allowed me to make my decision of what the link between the characters and scenarios where and what the actual mythological side was trying to say. Personally I enjoyed this book but it is not a light hearted read!

Starve Acre is an atmospheric, eerie story in the modern gothic tradition - just up my street.

In an interesting exploration of grief and dissociation, we witness a couple, Richard and Juliette, grieving for their 5-year-old son, Ewan, searching for closure and spiritual meaning, respectively. The story marshals the key distinguishing components of English folk horror, landscape, isolation, skewed beliefs/perception and offers the obligatory happening/summoning. Traumatised, Juliette is unable to let go of the feeling that her son still inhabits her world. While the story appears to be grounded in rural realism, which distinguishes Richard’s viewpoint from Juliette’s, Richard’s casual acceptance of the regeneration of a skeleton seems a tad off-piste.

While the date of the story is not explicitly set, analogue clues lead us a time frame redolent of 1970s Folk Horror; an Austin car, a typewriter, a Sony recorder. But this careful stylistic location of the story in the past as a believable setting, is fractured by occasional glaring errors; for example, a twinset does not have a blouse as a component. In any era, an academic historian would never speculate that a man might have been hanged for torching hay bales two hundred years before they were invented (unless it was a time slip plot point).

But there is atmosphere and tension and wonderfully observant lyrical passages,
“…but they’d started talking – in the King’s Head or after mass, where he pictured her altruism being broken and shared round like another round of communion bread.”

The tension mounts splendidly gruesomely to what is ultimately an unsatisfying denouement. I realise Starve Acre is in the folk horror short form or novella tradition, and as such, I was prepared for it to be short, but not for it to fall off a cliff at the end. It was as though an invigilator had said ‘pens down in 5 minutes’ and the story was brought to an all too hasty conclusion. I genuinely wanted more. But hey, wanting more from a story is A Good Thing.