Member Reviews

Thank you to NetGalley for a free advance copy of this book in exchange for an honest review.

This charming, well-researched little detective story imagines the Brontë siblings trying to solve the mystery of a woman whose body disappears after her room is painted with blood. Ellis has thought very carefully about accurately tying in the historical details of the siblings’ lives with the fictional account, and a lot of love has clearly gone into recreating their characters. I have read a lot about the Brontës and their works and was convinced by the feisty, well-defined characters Ellis has formed.

Although Brontë purists may strongly dislike this book (as purists are wont to do), they should be best placed to appreciate the multiple hints towards the sisters’ writing in the detective story, particularly Jane Eyre and The Tenant of Wildfell Hall. Even knowing the books well, there were definitely elements I missed until I stopped to think about it, as I was carried along by the story itself.

It was really nice to have a nod towards the fact that in the 1840s detection was very much in its infancy. One of my main criticisms, however, is that though the sisters are from the offset determined to solve the mystery with their own intellect, I felt that the final conclusion involved a bit too much guesswork and being filled in by other characters, which was a little disappointing.

Hopefully it is not giving too much away to say that I did struggle to understand the killer’s motive in this book. Additionally, the mystery of why Elizabeth became so afraid of Chester immediately before their marriage is never really explained. Also I didn’t see the need to have each chapter headed by the sister’s name whose perspective it would be from; as the book is told in the third person we are always told this anyway.

Those minor quibbles aside, this was a great concept for a book and really nicely planned out and written, with the promise of further mysteries for the Brontës to solve.

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As soon as I heard this was coming out, I had that feeling it was the book I had been waiting to read. A book where the Bronte sisters themselves played the role of detectives? I mean why has someone not written this before? I’m pleased they haven’t as Rowan Coleman is the only writer I think who could have done it and made it into this fine mystery.

The brilliant thing is is that she’s not just written a mystery out of nowhere, she’s actually used many real facts and events from the Bronte family life, so it shines with authenticity from the off. It’s set in Yorkshire, at their house in Haworth (now the Bronte Parsonage of course) and it would be perfect for a booktrail! The year is 1845 and it was a time when the Bronte family were once again all together in one roof for at least several months. Even more interesting is the fact that this was also the time before any of the Brontes started writing their books. So you really get a sense that you are meeting these wonderful, real historical people before they become famous writers. IT’s like time travelling and it felt great reading it knowing what became of these women later on in real life.

I could really believe this story could happen and had they all lived longer, maybe it would have done. When the Bronte sisters living in a Parsonage in Haworth, hear about the horrendous crime involving a missing mother, they decide to become "lady detectors" and I was swept up in this magical world from the start.

It was sad to finish this book but then it’s only the first one of a brand new brilliant series and coming from a die-hard Bronte fan, I can’t wait!

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It’s 1851 and the prologue to the book sees Charlotte, now the last surviving member of the Brontë family, looking back on her and her sisters’ lives before they became famous authors. It underlines how tragically short their lives were, Emily having died in 1848 and Anne in 1849. Charlotte herself was to die in 1855.

The book’s very engaging premise is that the sisters were enterprising ‘detectors’ before they were novelists and The Vanished Bride represents their first case undertaken in 1845 (before, for example, the publication of Jane Eyre or Wuthering Heights in 1847). In a clever nod to the fact that the Brontë sisters’ novels and poems were initially published under pseudonyms (Currer, Ellis and Acton Bell) in order to disguise their gender, the author has adopted Bella Ellis as her pen-name for this new series of historical mysteries. That’s only one of very many clever nods to the works of the Brontë sisters that feature in The Vanished Bride and readers who are familiar with any of the novels of the Brontës will have great fun in spotting the allusions. I know I did but I probably missed just as many more. (There is also at least one allusion to another famous fictional detective in the reference to what might be described as a ‘curious incident’.)

The book also makes references to events in the lives of the sisters. There is one especially poignant scene where Charlotte and Anne visit Scarborough as part of their investigation and Anne remarks that, apart from Haworth, Scarborough is ‘the only other place in the world that she ever wished to be…standing on the clifftops, marvelling at the boundless magnitude of the sea, and wondering at what might lie beyond it’.

The sisters take it in turns to relate the story and, as well as making engaging narrators, it allows the reader to appreciate their different strengths when it comes to the art of ‘detecting’, neatly mirroring what you might imagine were their characters in real-life. For example, Emily is all action, emotional and instinct, whereas Anne is methodical and thoughtful, and Charlotte is in her element when dealing with people and eliciting information. Collectively, the sisters find their gender is a positive advantage on a number of occasions, something very different from the position they find themselves in as members of society. Fans of Branwell Brontë will be pleased to know that he also features, although very much in an assisting role.

I wouldn’t want what I’ve said so far to put off readers who are unfamiliar with the lives or works of the Brontë sisters because The Vanished Bride works perfectly well as an engaging historical mystery even without such knowledge (although, I suspect readers may be tempted to pick up one of the sisters’ novels afterwards). The sisters’ investigation involves everything you’d expect from a mystery: examining the scene of the crime, looking for evidence, interviewing suspects, even a bit of undercover work and an early outing for what we’d probably recognise today as psychological profiling. Those with good powers of observation may pick up clues along the way but you definitely won’t know if they were significant or ‘red herrings’ until the final chapters.

The Vanished Bride is an accomplished, entertaining historical mystery that is also great fun for Brontë fans. I shall certainly be looking out for future books in the series.

I received an advance review copy courtesy of Hodder & Stoughton via NetGalley

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I always love a Bronte spin-off and this didn't disappoint. It's a quirky little whodunnit, not too taxing but with plenty of tension and Gothic atmosphere as well as lots of references to the Brontes' lives and elements which may have influenced their later writings. Branwell comes off as comic relief, rather than the depressing failure he is normally portrayed as and the whole thing works pretty well. I would read more in the series, should it evolve into one.

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DNF 50% (my third dnf this week...)

I'm afraid that in spite of the many glowing reviews singing this book's praises I'm not going to finish reading it. I started The Vanished Bride hoping to read a Gothic tale featuring the Brontë sisters...soon I realised that the story and writing of The Vanished Bride were closer to those found in a cozy detective novel.
The sisters themselves were perhaps the most disappointing aspect of Bella Ellis' book. I'm sure that it's not an easy endeavour to attempt to create a fictional tale featuring such literary icons however giving them one note personalities is not the solution.
Charlotte is the serious one, Anne is the sensitive one, and Emily is the supposedly headstrong one. Ellis' portrayal of Emily does the woman no favours. Ellis' Emily is rude and arrogant, and most of her actions seem very unbelievable as she is somehow learned on detective methods that were yet part of the 'popular' knowledge. Just because she's read one article mentioning the appearance of a certain type of policeman in London doesn't mean that she should know what a murder investigation would entail. Worse still is that she was so very grating. The typical child-detective that is a little more than a busybody know-it-all.
Their views regarding the female question were handled in such a heavy-handed way. They seemed walking-and-talking manifestos rather than real women...the way they comment on the gender inequities seemed far too modern...their language and opinions seem far too current and representative of the feminist movement today (perhaps a bit of wishful thinking on the part of today's readers).
There are many cheesy references that make it seem as if the events taking place in The Vanished Bride influenced the Brontë's own novels (for example 'the woman in the attic') that seem so clumsy as to lack any sort of subtlety. I struggled to reconcile Ellis' Brontë sisters with the real ones...
The writing is as simplistic as its story and its characters often resorting to cliché phrases such as “Their world was at once very small and also infinite” and “Charlotte was quiet for a very long moment—a moment into which she compressed a lifetime of agony and rage”.
If you enjoy light-mystery-reads, and you are not as a punctilious reader as I am, you might be able to find The Vanished Bride to be more entertaining than I did.
DNF 50% (my third dnf this week...)

I'm afraid that in spite of the many glowing reviews singing this book's praises I'm not going to finish reading it. I started The Vanished Bride hoping to read a Gothic tale featuring the Brontë sisters...soon I realised that the story and writing of The Vanished Bride were closer to those found in a cozy detective novel.
The sisters themselves were perhaps the most disappointing aspect of Bella Ellis' book. I'm sure that it's not an easy endeavour to attempt to create a fictional tale featuring such literary icons however giving them one note personalities is not the solution.
Charlotte is the serious one, Anne is the sensitive one, and Emily is the supposedly headstrong one. Ellis' portrayal of Emily does the woman no favours. Ellis' Emily is rude and arrogant, and most of her actions seem very unbelievable as she is somehow learned on detective methods that were yet part of the 'popular' knowledge. Just because she's read one article mentioning the appearance of a certain type of policeman in London doesn't mean that she should know what a murder investigation would entail. Worse still is that she was so very grating. The typical child-detective that is a little more than a busybody know-it-all.
Their views regarding the female question were handled in such a heavy-handed way. They seemed walking-and-talking manifestos rather than real women...the way they comment on the gender inequities seemed far too modern...their language and opinions seem far too current and representative of the feminist movement today (perhaps a bit of wishful thinking on the part of today's readers).
There are many cheesy references that make it seem as if the events taking place in The Vanished Bride influenced the Brontë's own novels (for example 'the woman in the attic') that seem so clumsy as to lack any sort of subtlety. I struggled to reconcile Ellis' Brontë sisters with the real ones...
The writing is as simplistic as its story and its characters often resorting to cliché phrases such as “Their world was at once very small and also infinite” and “Charlotte was quiet for a very long moment—a moment into which she compressed a lifetime of agony and rage”.
If you enjoy light-mystery-reads, and you are not as a punctilious reader as I am, you might be able to find The Vanished Bride to be more entertaining than I did.

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~ I was given an advance reader copy of this title in exchange for an honest review, I'm not associated with the author or publisher in any way and the views expressed are completely unbiased and entirely my own. ~

My rating: 3*

'The Vanished Bride' is the first and as yet only published book in the Bronte Sisters Mystery series by Bella Ellis.

It's a suspenseful, atmospheric mystery set in 1845 Yorkshire with fictionalized versions of Emily, Charlotte and Anne Bronte as the main characters. Here they play the part of 'lady detectors' when a gruesome crime is committed near their home and they feel compelled to get the the bottom of the mystery.

The story is told in the third person, however it switches between each sisters narratives which felt a little unnecessary given the latter. I think maybe the story overall wouldve benefitted from one main narrator as the sisters characterisations felt one dimensional, and it was impossible to distinguish between each. Fortunately the plot was compelling enough that this didn't prevent me from wanting to see it through to it's conclusion. It will be interesting to see what the sisters get up to in future insallments as well.

~ Thanks to NetGalley and the publisher for the opportunity to review this title ~

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You can tell that this author loves the Brontë sisters and has done a lot of research about them. It is clever the way she has woven in known facts into this very fictional story. If you are a fan of the Brontë's then you will love this book. I am not too sure as I cannot see the three of them acting in such a 20th century manner.

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What an utterly delightful read! I was totally enchanted by the Bronte sisters and their little adventure as 'detectors'. As well as the lighthearted premise, there is also a very good 'whodunnit' running alongside. This book would be a wonderful Sunday evening costume drama.

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Chances are high that you’ve never though to yourself “What if the Brontë sisters were amateur detectives before becoming famous authors?”, neither did I but after reading the premise to this book I knew that I had to read it.

I’m really happy that I did that as the story is a very well-crafted mystery with enjoyable character and settings. It kept me guessing and trying to solves the clues alongside the characters, and it wasn’t until the very end that I discovered who had done the murder. It was a real page turner and it clung to my mind, as even when I had to go and do other things my thoughts were still on what would happen next in the story.

One thing that made the book really connect with me was, besides from the mystery itself, the three main characters. It really added to the whole thing to experiencing the events trough these sisters eyes as the POV changed between them. I highly enjoyed Emily parts as she’s the most adventurous sister with a affection for dogs, but all three sisters added something good to the mix.

The book is a bit slow at the beginning but gets gradually better, with the last third of the book being such a thrilling read. I was afraid that I would grow bored after a while because it seemed that the whole thing was solved in the beginning. But instead of just dragging on there was always some new twist or turn that kept the story feeling fresh as it progressed.

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This is a unique historical mystery
I loved this book. I loved being able to live alongside the Bronte sisters for a while.
Intriguing, well written and great fun

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This is a clever idea based on the author's fascination with the Bronte sisters. The basic story of domestic abuse and murder rolls on acceptably but the real attraction of the book is in its reflection of the attitudes to women at that time. It deals well with the Brontes' rebellion against these assumptions. The interaction between the sisters and with their alcoholic brother adds humour to the story but it is actually more serious than just that. These scenarios add to the understanding of the frustration of intelligent women at that time. The book has an Agatha Christie feel to it. It is well written and carefully researched.

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Whilst this type of book is not my usual go to genre, it did not disappoint and I am grateful to Netgalley for the opportunity to read this title in exchange for an honest review. I thoroughly enjoyed this book and the premise of the story is simply brilliant

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While I love to watch costume dramas on tv I rarely read anything prior to late 20th century so this was a wee change for me. I have limited knowledge of the Brontë family but the story worked okay despite that and in contrast the authors knowledge of the family fall shone through. In this age of DNA and CCTV it highlights how much effort was involved in being a ‘detector’ historically. A good read which I would think fans of the Brontë sisters would appreciate.

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I've been looking forward to reading this story ever since I first heard about it. I studied English Lit, so have read all the Bronte works (Anne was always my favourite), and so throwing them into a gothic horror detective drama seemed an inspired idea. I wasn't disappointed! This is very, very readable. The chapters just slipped on by as I thought I'd read 'just one more'. I loved the chat (and arguments) between the sisters, and they were all just as I had imagined them for myself in my head (Anne still being my favourite!) It's a real romp of a crime story - the sisters are lying and sneaking and doing everything they can to try to discover the truth of the mystery. I had half an idea part way through, but I couldn't put my finger on it exactly and so I was kept guessing, which is just how I like my crime stories.
It is fiction, obviously, but it's very much based in fact with regards to the life & times & location.
I'm looking forward to more crime-solving adventures for the sisters.

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3.5 stars


I don't know enough about the real life Bronte family to know accurate these characters we're,but each of them stood out as a fully rounded person.
The ladies did well to detect what had happened to the vanished bride,given the restrictions on the fairer sex during that era.

A good plot that revealed itself slowly,and I never fully guessed what was going on,which is always a pleasant surprise.
Definitely be looking out for and reading any more of these books.

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This novel by Bella Ellis is an impressive debut in the new "Bronte Sisters Mysteries."

Although any story that follows the formula of "legendary author solves crimes" requires a hefty suspension of disbelief, this one had much more to offer. For one thing, the characterizations of each Bronte are spot on! This is an author who knows the facts, but who has also been mesmerized by the Brontes to the point where she has a feel for each independent spirit. Charlotte, Emily, Anne and Branwell come to life on the page. The depiction of Emily in particular has a compelling sense of both humor and passion that can't fail to win over the reader.

The mystery itself was not very complicated, and a careful reader will latch on to at least a partial solution before too many pages are past. Still, the mystery isn't the raison d'être for this series. The best part is getting the chance to watch these beloved but mysterious authors walk and talk on the page, thanks to the authenticity of the author.

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The is the first book in The Bronte Mysteries series.
In this story Charlotte Bronte and her siblings become amateur detectives when a young mother is found missing in their neighbourhood.
The story was set in 1945 and reflects the views and language of that time period.
I was invited to read this book by the publisher and found this an interesting change from the books I normally read.
Thank you to NetGalley and Hodder & Stoughton for my e-copy in exchange for an honest review

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What a delightful entertaining book. I'm a fan of the Brontë sisters, and always wished they would have lived longer to give us more beautiful books and poems.
Although this story is sometimes a little over the top (profiling? Seriously?) it is a good read not only because of the characters but also because there is an interesting crime to solve. It is always amazing to see how women were treated then, and so very recognizable how some of them did escape their fate.
I'd love to read more in this series.

Thanks to Netgalley for this digital review copy.

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Well, I was a little doubtful when I received this from Netflix. The Bronte sisters acting as private detectives? Really?

Anyhow, I was completely won over.

First of all - the plot - a great riff on gothic horror, complete with scary dogs, evil villains and plucky heroines. Throw in a touch of feminist sensibility and an awareness of the restricted lives of intelligent women with no money and no prospects, and you have a great read.

On top of that, there's the Brontes themselves, and Bella Ellis cleverly lets their characters develop through the book - wild Emily, determined Charlotte, quietly powerful Anne. They are a great trio. Even Branwell makes an appearance, just starting out on his downward slope, the remnants of his charisma intact.

There's a great sense of place, too, and Ellis obviously knows the area well.

What I liked best, though, was the way the different strands of the plot prefigured the great novels of the trio. You could see how a creative imagination would take these events and turn them into gold. I have to admit that I haven't read anything by a Bronte for years, but even so, I had little thrills of recognition. A real buff would have a great time here.

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This is a cute idea, featuring the Bronte sisters (with the dubious help of Branwell) as "detectors" of crime before they embarked on their novel-writing careers. There are many true biographical facts interwoven into the story which add interest. The personalities of the sisters and brother, their interactions with each other and their father are quite charming. The crime itself is a Victorian gothic style melodrama involving murdered wives, gypsies and madness. There are many references to the plight of women at that time. I thought this had potential but it was actually boring to read, with little depth.

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