This book was given to me by NetGalley, the fact that it was free did not influence my review in any way, shape or form. I would like to extend my thanks to, not only NetGalley, but also Black Library for making it a possibility to read this advanced copy.

Upon finishing this novel I was kind of wondering why this book was not also among in B.L's expanding "Horror" entries. Then I remembered that Gloomspite, the novel came out to promote some backstory to the Gloomspite Gitz, the new miniatures that were brought out in the Age of Sigmar range. I have not started collecting any miniatures in this range, or really, any other range that Gamesworkshop has brought out apart from a starter set a few years ago, of which I still need to get to slapping paint on at some point... I am also happy that I finally got to take another Netgalley book of off that long list I have piled up over the course of the past few years. I am very close to having my piled up books being on only one page as opposed to the 2 it has been hanging at the last year.

What are the Gloomspite Gitz? Initially, in my view, goblins, goblins riding spiders, enslaving Trogoths, mounting squigs, and most importantly worship the Bad Moon (yes Bad Moon Rising was playng in my throughout this novel). The Bad Moon that somehow corrupts all it touches with flies abound and pustules and spores, makes me believe that they are just a gobo cult in sway of Nurgle. I am, Ofcourse, just speculating here as I do not know all the ins and outs of all things Age of Sigmar, but some of the standalone novels are catching my attention.

What made this novel great for me was the people going up against all odds stacked against them were not some godly Sigmar magicked band of unfeeling, uninteresting group. It was a group consisting of many races that also piqued my interest as to how a dwarf (Duardin) can fight alongside an Elf (Aelf) and not want to rip out on another's throats and how well they meshed with their human counterparts. I think that this book appealed to me a bit more because it read more like a D&D story than a Warhammer novel. That is not in any way a bashing on B.L's choice of direction that they went with this one, I am more than happy to read a D&D novel ever now and then. Each person in the "party" had a role, the healer, the warrior, the priest, the engineer and the mercenary, while the whole "band" were initially a mercenary group. This also read very much like a "we stick together through thick and thin and therefore we are family" kind of novel. I do not know, maybe I was just in the right frame of mind to read a "we stand together in a world as grim as A.o.S". 

I gave this a 4 out of 5 on GR. I would recommend to anyone looking for more standalone novels that do not all follow the same plot line as the main series, whatever the main series is these days... I was also reading this as I thought the fact that it had Gitz in it, it would count towards the Orktober event the lads Wudagast and Imperialrebelork are hosting, but now I hope I can at least earn a half mark for participation, if you take that normally where there are gobbo's, there are bound to be an ork nearby...

An interesting read - introduces readers to some interesting characters and settings, and has plenty of action.

I tend not to love Black Library fiction told from the perspective of the greenskins, but Andy Clark has written some of my favourite stuff in the past, so I thought it'd give it a try. He does a good job of highlighting the chaotic nature of the green skins, and also their real oddness.

If you're a fan of gobbos, then I'd recommend this.

"Hendrick’s eyes widened as those who had had the spores fall upon them pushed themselves to their feet and began to convulse. Bloody foam squeezed between their teeth and trailed down their chins, and their veins stood out dark and purple against their skin."

My first Age of Sigmar novel - not that that's especially important, I think, I had no problem following the story. And it certainly is a Warhammer novel - people die. A LOT of people die. Most of the people die. Almost all of them die.

The story is delightfully grimdark and gruesome, with lots of explicitly described gore. Reading the book can feel like a slog, as if the reader him or herself is being pulled slime-slopped sewers.

If I have one complaint, it is that the pacing in the first two-thirds feels too slow - I'm all for building tension and atmosphere, but you can do that without minutiously introducing every character. The last third certainly picks up the pace, but I can imagine readers giving up before then.

I loved this book. Very creepy and spooky. The first half reads almost as a murder mystery as the Swords of Sigmar, an assortment of mercenaries that includes human engineers and warriors, a death magic mage, dwarfs with guns, a waywatcher, and others, strive to solve a mysterious threat regarding the city of draconium and the bad moon. They seek to warn the city and find it experiencing bizarre things such as bugs eating people, strange mushrooms appearing, and other spooky things. The strange events culminate in the appearance of the badmoon and an invasion of the gloomspite gitz. The rest of the book focuses on the battle as the forces of draconium try to survive the badmoon. The book feels desperate and is filled with tension. Each character feels distinct and your mourn them as they fall. A very strong age of sigmar novel.
Thanks to netgalley for a chance to read and review!

Gloomspite

Andy Clark

Black Library

I haven’t read a huge amount of Black Library fiction written by Andy Clark, but what I have managed to read I’ve been impressed by. I’m currently reading his Imperial Knights novel Kingsblade after getting it as part of the recent Black Library Humble Bundle selection, and I’m thoroughly enjoying it. And of course Mr Clark most recently authored the short story Consequences, an event in the Warhammer 40,000 lore that appears to have divided the fandom more bitterly than the Horus Heresy did ten thousand years before the story takes place! That isn’t a huge amount of his work under my belt, but it’s given me an understanding of his writing style, and I was eager to see what other stories of his I could find to read. After reading a review by the veteran reviewer Track of Words, I decided to request a review copy of one of Mr Clark’s latest novels, Gloomspite, and was lucky enough to be sent a copy. I’m becoming more engaged with the Age of Sigmar setting that Gloomspite takes place in, and I was particularly intrigued by the novel’s focus on the Grots, a race I hadn’t known anything about before starting the novel. Track of Words also intimated that I would never look at a mushroom the same way after finishing Gloomspite, and that’s certainly the most unique recommendation I’ve ever come across for an author’s work. So I decided to start reading and see where Mr Clark would take me.

As the back-cover blurb highlights, Gloomspite is set against the backdrop of the isolated city of Dracothium, beset by riots and, plagues and fires inside, and lurking enemies underneath just waiting to strike, all under the sight of the Bad Moon. Captain Helena Morthan attempts to keep the peace under increasingly trying circumstances, and isn’t assisted by the arrival of sellsword Hendrick and the men of his warband, their leader still grieving over the loss of his brother. It’s certainly a potent mixture of elements, and promises to result in a great deal of chaos, disaster and darkness that makes a fantastic read. From the very first pages those promises are fulfilled, as we are presented with an engrossing and perfectly-pitched prologue that thematically sets up the atmosphere and tone of the novel as a whole. Hendrick, sergeant of The Swords of Sigmar warband commanded by his brother Varlen, is forced to watch helplessly as his brother is burnt on a bonfire by a mob of enraged townspeople; they are terrified of his brother, who has been hideously mutated, by a cursed crown he innocently placed upon his head, into a warped, monstrous creature that flails with tentacles and fleshy growths at anything it faces. As it burns it shrieks, Hendrick forced to listen as the thing that was once his brother and leader screams about something called the Moonshadow, which will bring doom to the city of Draconium. It’s a powerful and emotionally-laden opening, one that demonstrates Clark’s writing prowess and his impressive command of atmosphere and character. Hendrick takes up the mantle of leadership of the Sigmarite warband reluctantly, and leads them towards Draconium in an attempt to discover why the monster that was once his brother raved about the city and its destiny.

From there, we’re thrown into the complex, violent and fearsomely chaotic situation in Draconium by Clark, who slowly and teasingly begins to reveal the horrors lurking beneath the fortified city. I admired the way in which Clark swiftly and deftly built up a picture of Draconium so you could picture it in your head as you read: a frontier city, as much fortress as centre of trade, at the ragged edges of Sigmar’s domain and consequently forced to deal with disorder and commotion both inside and out. It’s a rough and ready city that Clark imbues with a great deal of charm despite the horrors he unleashes on it, inhabited by a mixture of races; I got something of an Ankh-Morpork air from it, albeit an entirely serious and grimdark nature. Clark makes it feel distinct and alive, something that existed long before the novel itself was written. Captain Helena Morthan of the City Guard is confronted with an increase of break-ins, disappearances and other mysterious incidents that all seem to involve holes being dug from below; it’s strange enough even for Draconium that she’s forced to investigate. Particularly when the incidents involve officers of the watch being found dead, gnawed to the bone and stabbed dozens of times; or officers going missing without trace. In addition, there are the bad dreams plaguing the population, and violent incidents breaking out for seemingly no good reason even given the generally anarchic nature of the city, and the Realm of Fire in which it resides.

Arriving outside the city, Hendrick and his band are allowed to enter and deliver their warning, only to be met by disbelief and misplaced confidence from the ruling Regent Militant, dismissed quickly and brusquely. Left frustrated and feeling as if he has failed in delivering the warning brought with his brother’s life, Hendrick finds himself and his colleagues reluctantly recruited by Captain Morthan to try and locate the cause of the escalating anarchy, madness and general chaos slowly infecting the city. Tasked with investigating various incidents, the warband swiftly become aware of the dangers lurking below the city and preparing to enact the prophesied doom; Clark has a great time unravelling each aspect of the mystery, expertly doling out occult clues and steadily ramping up the tension as things occur, one after the other. When things do come to a head and the apocalypse is finally unleashed, the pace accelerates to near-break neck speed as the city’s thin veneer of civilisation begins to disintegrate, and the population are forced to fend for themselves against the depredations of the Bad Moon and its followers. The action and chaos is perfectly described, and I was deeply impressed by Clark’s sudden and brutal willingness to sacrifice PoV characters in the middle of the novel to underline the brutality of what is being inflicted upon the city by that terrifying celestial object. It adds another dimension to the story and makes it all the more compelling as a result , even as it moves towards its climax and the revelation of why the Bad Moon chose Draconium

The action is non-stop from the half-say point of the novel, mystery, apprehension and investigation discarded in favour of a tide of greenskins, insects and even fouler creatures that Clark brings to life in a vivid, memorable and thoroughly unsettling manner. There are vile, disgusting, stomach-churning insects and bugs alongside the Gloomspite Gitz, and in many ways they’re the stars of the show, ever-present and lurking in the background even before things turn truly terrible. One sequence in particular early on in the novel, where a millipede is described emerging from a decaying, half-eaten corpse, has stayed with me for quite some time after finishing the novel and moving onto other titles. Indeed, Clark’s peerless work in regards to the general sense of decay and degradation that slowly consumes Draconium is remarkable, to the extent that I cannot look at fungi in general the same way I did before reading Gloomspite; and it will be quite some time before I prepare a meal with any form of mushroom in it.

The brilliant-yet-nauseating descriptions of the fungi and insect-based destruction afflicting Draconium is equally matched by the quality of the characters in Gloomspite. The members of the Swords of Sigmar warband are all fleshed-out, completely believable characters that have backstories, flaws and often complex motivations despite some having relatively limited time within the novel, and I was deeply impressed by them. From dour, bitter and resentful Hendrick who is constantly living in the shadow of his dead brother and is forced into a leadership role he didn’t seek and isn’t sure about, to mysterious wildman Olt Shev, wildling member of the warband, each member is memorable and unique. And on a personal note, as the father to an autistic son, I deeply appreciated the presence of Eleonora as an autistic character, especially one who’s a skilled engineer and entirely capable in her own unique way. With an accurate portrayal of stimming as a coping mechanism, and her difficulty socialising, yet still able to function and work a trade, I found her to be a positive and rewarding character that successfully refutes many of the ignorant and hurtful myths associated with autistic people.

In addition, the city of Draconium almost becomes a character in its own right, each location the characters visit seeming to be distinctive and with it’s own imagery and architecture, meshing together to create an original setting that helps draw you in. And of course no discussion of characters in Gloomspite would be complete without discussing the Grots themselves. While they don’t appear for quite some while, at least directly, they’re constantly in the background influencing events and showing discord and diseases. When they do finally appear, they’re terrifying and chaotic enemies, with Clark deftly bringing out their anarchic, unpredictable nature as they emerge and start slaughtering. Their diversity is fascinating to read about, and such is Clark’s skill at portraying them that I almost want to go out and buy a Grot army myself; only my wafer-thin wallet prevents me from doing so. The Loonking in particular is an awesome antagonist, and I’d love to see a novel focusing on him that would allow Clark to expand on his schemes and machinations in far more detail.

Utilising his deeply impressive writing style and flawless command of the Age of Sigmar setting, Andy Clark brings Gloomspite to shadowy, disgusting and terrifying life, the novel grabbing your attention from the very beginning with a power and energy I rarely see in Black Library titles. Populated with engaging, multi-faceted characters who walk off the page and into your head (and heart), and set in Draconium, a fascinating city with a compelling backstory that deserves further expansion, Gloomspite is one of the most accomplished and polished Warhammer novels I’ve ever had the pleasure of reading. I near-obsessively read it over the course of a few days, finishing it far quicker than most of the scifi or horror titles I’ve read this year, and it deserves – no, demands – to be read by anyone even vaguely interested in Age of Sigmar, or Warhammer in general.

Filled with creepy poems, brutal violence, memorable characters that may even challenge the general awe of Horus, you won't regret picking up this novel. With so much going on, it stands firmly on its own as a standalone work of fiction.

Gloomspite is the latest novel that Black Library has put out in the Warhammer Age of Sigmar universe. Written by Andy Clark, this novel is undoubtedly a horror telling, full of some of the worst things Warhammer and the Age of Sigmar have to offer.
Draconium had been a peaceful city on the edges of the Mortal Realms. Sure, they’ve had their struggles here and there. But nothing like what they are about to face. For the Gloomspite Gitz are plotting. And the Bad Moon is about to rise.

“Some monstrous abomination had burst from within Varlen Saul’s flesh as the crown on his brow pulsed with eldritch power.”

Warnings: Gloomspite is a novel full of detailed imagery. It brings the world to life. Sometimes that is wonderful, other times it borders on the graphic, with depictions of death, decay, festering, and injuries. One injury, in particular, involves an eye, so readers with that sort of sensitivity should bear that in mind. There is also a scene with implied animal death.

Gloomspite was a detailed and ghoulish read. It was spine-tingling and terrifying all in one, and boasted a broad set of characters interacting in a lushly described world. Andy Clark’s story was a highly disturbing one, to be sure. But it was also fascinating, the sort of read that gets your mind going and your heart pounding.
I’ll be fully upfront with you here; Gloomspite is the first novel I’ve read that was set in the Age of Sigmar. Yet I had absolutely no trouble following along. If anything, this novel made me eager to read everything there is to offer.
Gloomspite is not a novel for the squeamish. And you probably shouldn’t be reading it right before bed – or dinner. Not unless you want nightmares or an upset stomach. Clark goes above and beyond in his descriptions, bringing these horrors to life in a way that feels all too and very alarmingly real.
The characters in this novel were varied, with more than just the two named during the description taking part. In fact, there are several perspectives in this novel – giving us ample opportunity to see what is truly happening within the walls of Draconium.
Speaking of, this was an extremely fast-paced read. It seemed like every time I turned the page something was happening. Though admittedly that something was usually not in the best interest of our leading characters.
I couldn’t read Gloomspite fast enough. I loved every minute of it, even the extremely detailed and gore-filled scenes. Lately, I’ve been feeling like my favorite novels from Black Library are of the horror persuasion, and this novel helped to confirm that theory. I honestly can’t recommend this read enough, for it is well worth it.

An amazing book, with the rich tapestry of Warhammer, and still a decent fantasy read, even if you don't know where and who everything is, or if it references anything important.
I loved this book, and found it interesting, engaging and unputdownable. Great characters, great stories, great adventure, great book.

I received this book from Netgalley in exchange for a review.

I am a latecomer to the world of warhammer and I am loving diving into the lore and history, this book was a complete joy for me being completely different to any previous book I have read, it’s well worth reading indeed

I’ve been putting off reading Warhammer books for years as I’m not a fan of books with long fight scenes, and “war” if that makes sense. I requested this book on Netgalley not realising it was part of the series.

I’m really pleased I did. It’s fantastic, I love this type of fantasy. Think along the lines of Dragonlance, D&D, etc.

The characters are likeable, the plot twists and turns, and it’s just a really really good read! I’m definitely going to start reading more of these books and I’m kicking myself for not just trying it earlier. I’ve also been reminded how much I love Dragonlance..I need to binge again on those!

My thanks to Netgalley and the publisher for the advance copy.