We Are All Birds of Uganda tells two storylines of the past and present day. The past is shown in letters from Hasan to his late wife as he struggles to cope under Amins new regime in Uganda. The present day is told by Sameer who is a young professional in London that’s discovering that everything he’s worked for in life might not actually be what he wants.

This is a powerful, thought provoking story on race, religion, family expectations and political history. I was fully engaged in Sameers story as he tried to follow his heart and do the right thing even if it’s against the cultural norm for his family. I did however, really struggle to connect with Hasan and the letter writing which meant I found 50% of the book quite hard to get through. Looking at good reads I seem to definitely be the minority in this!

Thank you NetGalley for this ARC in exchange for my honest review.

Such a fantastic novel and insight into a history that everyone should know about. It digs deep into how the ghosts of colonialism have solidified tensions in Uganda and among cultures and shows how the past informs the present but doesn’t have to define the future.

An Unexpected Gem

This book is a beautiful and intricate journey through life, love, loss and disillusionment.

Gently nudging the reader to compare the political unrest experienced by a family of Indian Ugandans with the pressures and struggles faced by the same family line in modern times through a haunting dual narrative, the experience of characters within We Are All Birds of Uganda both horrifies and intrigues.

The alternating pace of each narrative drives the plot forward, with the faster pace of the modern day juxtaposing with the slower, more intricate and reflective sections.

Despite the invitation to reflect on serious issues including racial prejudice and political unrest, the characters you encounter in the novel will entice you in a different way - they are relatable and likeable, despite their very realistic flaws.

This novel will prompt you to question how much ever really changes, what belonging means and what is truly important in life.

An impeccable debut.

Thanks to netgalley for providing me with a copy for an honest review.

Entirely coincidentally, I read this book immediately after reading The Yield. Both books are multi-generational stories that deal with colonisation (Australia in The Yield, Uganda in this), racial tensions, and belonging. Also, both books use letters as a device for reviewing the historical aspect of their story (one long, serialised letter in The Yield, multiple letters over a prolonged period in this).

The letters in We Are All Birds Of Uganda are written by Hasan over the period 1945 to 1981. Most of this time, he is in Uganda and the period concerned covers some huge upheavals in that country, especially for immigrants from India, like Hasan, and their families. We trace the rise of Hasan’s business until the rise of Idi Amin (https://en.wikipedia.org/wiki/Expulsion_of_Asians_from_Uganda) and then further forward in time.

These letters are mixed into the main narrative of the book which tells us the modern day story of Sameer. Sameer is a talented lawyer working for an international law firm and the book opens with his bosses offering him the chance to be part of the team opening a new office in Singapore. This is the kind of opportunity Sameer has always dreamed of. Of course, things are not that simple. Sameer’s family, moved to Leicester in the UK by the expulsion mentioned above, expects him to return to the family home, marry the right girl and become part of the (successful) family business. This conflict of interests for Sameer is then heightened by a number of further events. I think it is best to read the book to discover how the pressure on Sameer gradually grows. The action moves to Uganda when Sameer takes an opportunity to visit a family friend there and explore his roots (as well as to escape from the situation at home). The people he meets in Uganda come to shape his future and explain his past in ways he did not expect.

For me, the letters sections felt a bit forced. There is a lot of exposition in these letters which feels like it is for the reader’s benefit rather than being realistically what a man would write to the “love of his life”. That said, they are interesting to read and integrate well with the book’s other narrative strand.

Sameer’s story feels very realistic. Whilst I was reading this book, I had a discussion with Gumble’s Yard who read it a few weeks ago, and we both felt that it was good to read a book that presents religious faith in a positive light. Indeed, one of the things this book does well is be sympathetic towards both Islam and Christianity, or, at least, towards people from both those faiths. Sameer is prompted by events to take his Islamic faith more seriously and one of my favourite characters from the book is Jeremiah, a very likeable black Christian friend of Sameer’s who sticks by Sameer and has my favourite line of the book (it probably needs context for proper impact, but ”’You don’t know my guy,’ he says to Angela gently. ‘He’s the smartest person I know, and he doesn’t make decisions lightly. If he says she’s his soulmate, then she’s definitely his soulmate.’”). As well as believable people, the conflicts feel believable as do the locations (even though London is actually the only one I can claim any even basic knowledge of).

For a book that is almost 400 pages, this did not feel like a long book. It is very readable and I’m glad I read it. No spoilers, but the ending is my favourite novel ending for quite some time.

This beautifully written novel is a story of dualities: Black and Asian, past and present, UK and Uganda. Zayyan examines these divisions, and the liminal spaces that exist between them, drawing the reader into the world of Hasan, a second generation Ugandan Asian, and his grandson Sameer, a second generation British Ugandan Asian.

The novel alternates chapters following Sameer, who is drawn to retrace the steps of his grandfather by an unexpected houseguest, with letters written by Hasan over the decades, detailing the changes in race relations and hierarchies as Uganda gains independence and Idi Amin stages a coup.

Zayyan delves into the complexities of race in Uganda and the UK with nuance and grace. I learnt a lot from this book, having had very limited knowledge of African Asians beforehand, but this information was delivered through the narrative naturally and without feeling spoon fed or crammed in.

The characters in the novel are complex and fully fleshed out, and the sense of place in each setting is strong. ‘We Are All Birds of Uganda’ was a captivating read, and I’ll definitely look out for future books by Zayaan.

Thank you to NetGalley and the publisher for providing me with an advance copy of this book in exchange for an honest review.

I struggle with believing this is Zayyan's first novel such is the excellence of the writing. It is truly spellbinding. the story centres on Sameer, a 2nd generation UK resident Asian currently working as a successful lawyer in London, and his grandfather, who having migrated to Uganda in the mid-20th century, was forced to flee from there by the Idi Amin regime and ultimately settled in Leicester in the 1970s.

Sameer, by having opted not to join the family business in Leicester, now feels rootless and something of an outsider. He knows all too well that the offer by his company, to relocate to SIngapore, will serve only to widen this gulf yet, when back for a family visit, he just can't face up to revealing his plans to them. It is on this visit he meets with Mr Shah - a successful Asian businessman - who enthuses endlessly about Uganda and the opportunities it offers. Intrigued, Sameer decides to take up Mr Shah's offer of a holiday in Uganda.

Whilst there he takes the chance to visit his grandfather's old home and receives a warmth and welcome, from the resident family, that he never could have expected. He is also given a package which contains deeply personal letters, written by his grandfather, that gradually reveal not only the backstory of his family's life in Uganda but also the relentless pressure applied by the Ugandan authorities which ultimately forced them and many other Asians to flee. to the UK.

His time in Uganda, the people he meets and the letters, open Sameer's eyes to a whole new range of life choices and, more importantly, lead him to a better understanding of who he really is. This process of discovery is not an easy one as he has to cope with, religious bigotry, racial typecasting and family tragedy along the way. But, bolstered by his new found sense of "rooted-ness", he succeeds in creating a new world for himself where he can be comfortable both with who he is and with those he loves.

This is a seriously engaging novel, told against a true to life backdrop, and I am sure many readers shall be drawn to read more about Uganda and it's history as a result. As for Hasfa Zayaan, I genuinely cannot wait for her next novel. She is definitely a writer with an exciting future.

This was an absolutely beautiful read, the descriptions of Uganda are just amazing, so captivating, set in Uganda and England this story is set both in the past (Hasan’s story) and the present (Sameer’s story). The story looks at a point in both their lives where great change is affecting their story, it focuses on racism, showing parallels for in Britain of the present and the Asian-African tensions in Uganda for Hasan. A beautifully written and moving read, We are all birds of Uganda is a story that will stay with me forever, I am so glad I read this and encourage you to read it too.

Thanks to netgalley and the publisher for a free copy for an honest opinion

I picked this up as I am on a mission to read more African literature, and this is set (partially) in Uganda. Though I didn’t entirely get on with the writing style, I learned so much from this book about the history of Uganda, and its complicated culture.

Zayyan tells We Are All Birds of Uganda through a dual timeline. She writes Sameer’s portion of the story in third-person present-tense and the Ugandan portion of the story in letter format. The letters are written by Hasan, and chronicle his change in fortunes over the course of several decades. Over this time he goes from a wealthy businessman to being expelled from Uganda. This happened because after Uganda became independent, the ruling regime no longer wanted Asians in the country.

I knew nothing of the Asian culture in Uganda, or the fact that those who were forced to leave after the country became independent came to Britain. This complicated cultural heritage was a little difficult to get my head around for a start, but that was largely because of my own ignorance.

I loved the characters in the book. Zayyan manages to write them so well that I could almost believe they were real people. I felt the sense of loss and confusion that Sameer went through throughout the novel, and I empathised with him all the way through.

The plot, though, did meander slightly. I felt that certain parts (especially the ending) were dragged out for longer than they needed to be. I also struggled with the letter timeline at the beginning. Zayann introduced a lot of characters all at once. If she had given me the chance to understand who they were a little more slowly, I think I would have felt less confused.

Which leads me into my biggest difficulty with the book: the writing style. In some parts of the novel, this problem was more prominent than others. But there were moments of awkward dialogue that didn’t sound quite realistic. The words felt forced, almost as if someone had scripted them for the characters to say. There were also a lot of moments where Zayyan told the reader what certain characters were feeling, rather than letting the characters actions/reactions speak for themselves.

For some people, the writing style perhaps won’t bother them. It depends on who you are as a reader. For me, however, it detracted a lot from the story and impacted my enjoyment of it.

Zayyan also includes a list of further reading at the back of the book, to expand your knowledge of the events mentioned. I love this and wish more books would do it.

So if you want to learn about Uganda, and expand your cultural awareness, I do recommend We Are All Birds of Uganda. Just bear in mind that if a ‘telling’ style of writing bothers you, you might not enjoy the reading experience.

I adored this book!
it tells the story of Sameer a high flying solicitor who after growing up in Leicester is living London and hoping to make partner in his firm whilst managing his families expectations that he will join the family business and marry someone his family chooses. Alongside Sameer’s story we follow his Grandfather’s story through letters to his late wife where he tells of south Asian’s expulsion from Uganda.
Sameer visits Uganda and the experience makes him rethink his whole life.
The description of Uganda are just beautiful! The details about the human impact of Asian’s expulsion is heartbreaking. I adored this book.

For fans of historical fiction, here's an upcoming debut that explores complex themes (race, love, belonging, and faith) by depicting the struggles of the Ugandan-Asian diaspora through generations.

The story revolves around two points of view and two points in time. Sameer is a young and successful lawyer in present-day London, whose career seems to have swallowed him whole. Hasan's story is told in epistolary form, letters he's written over the 60s and 70s to his deceased wife, Amira, using them as tools to unload his most inner thoughts and feelings.

Sameer is at crossroads in life; he accepted a professional offer to move to Singapore through his firm, but his family is expecting him to quit his job and work for the family business. Feeling stuck between these two options, neither of which he actually wants, he embarks on a journey to Uganda to visit a family friend, drawn to explore his family history, secretly expecting to find himself.

Racism is a key thread in the book, featuring in both past and present narratives that show a parallel between the experiences of the Asian community in Britain and the Asian-African racial tensions in Uganda.

Faith is another theme that is delicately built in the book, with aspects of Islam laid bare to Sameer at the right moment, and he finds solace in spirituality exactly when he needs it.

Sameer's quest for purpose and finding his identity is moving, but perhaps even more so are Hasan's letters that brim with historical anecdotes about the turbulent period in Uganda under the rule of Idi Amin.

What I found especially admiring is the constant tension in the main protagonists between feeling victimised while also having a guilty conscious. Zayyan has managed to capture something essential here: that there are always two sides to a story, a simple yet often a discarded truth. A truth that gains utmost importance when we try to represent and discuss history.

We Are All Birds in Uganda is a beautifully written, deeply researched, and highly moving novel that will teach you a few lessons.

Thanks to #MerkyBooks and #NetGalley for my advanced digital copy.

This was a pleasure to read. Told in an epistolary fashion between two generations that intertwine brilliantly, Zayyan tells the story of Hasan Saeed, an Easy African Indian in 1960s Uganda, and Sameer, a Muslim living in modern day London who is navigating where he wants his life to lead.

Hasan's sections were really just to give an insight into what life was like for East African Indians in Uganda at the time, a topic I knew absolutely nothing about. Hasan details life under Idi Amin regime, being forced out of the country he called home but he evergreen longing for his country. I was so glad to learn a bit of Uganda's history, and Zayyan tells it with such authenticity that I am keen to find out more.

Sameer is expected to return to the family business but wants anything but. He is a high-flying lawyer in London who seems to have a clear-cut path laid out ahead of him, until his friend is the victim of a racial attack. This catapults the character into a need for understanding, for discovery, and for home.

At times it felt like this story dragged a little and I wasn't sure where it was going, but nevertheless this read was moving and thought-provoking. It is also a uniquely positive portrayal of rediscovering faith, between practising and believing.

Out on 21st January and I've a feeling it'll be talked about a lot!

Thanks to netgalley for my review copy!

Not sure how I feel about this book.
It was an okay read and gave a good back story of Uganda and the Asian settlers. I was immensely disappointed with the ending. Not even sure it was supposed to end the way it did.

Also, the sentences were far too complex with an overuse of semicolons. Drove me mad! Almost gave up on it.

Thanks to NetGalley and the publisher for this ARC.

As soon as I saw the blurb for this book I knew I had to read it. My aunt's family was part of the Asian expulsion from Uganda - it's not a topic that's ever really talked about but I've become more curious over the years and this seemed like the perfect opportunity to learn more. I liked that the historical part is set against a contemporary storyline to help explore the trauma that still remains for Ugandan Asians.

Sameer seems to represent a lot of second-generation British immigrants in wondering how he fits in and where his true place lies in society. I also thought the discussion of racism was well done, and Zayyan sensitively explores the fact that racism can come from many angles. I learnt a lot from this book and I hope it gets the wide readership it deserves.

Within 'We Are All Bird of Uganda,' Hafsa Zayyan explores ideas around family, tradition, identity, individualism/collectivism, religion and colonialism. Zayyan does this using two different, but interwoven narratives. Sameer is a young lawyer, pursuing his career in the present day. Hasan, due to his background is forced to leave Uganda in the 1970s, as a result of Amin's regime.

Zayyan writes very well and intelligently, creating characters that are compelling. However, I didn't find this book got under my skin or made me want to keep turning the pages. It explores the different themes very well, but it remained slightly too academic for me. I can see this book appearing on syllabus's though and it certainly is educational.

Thank you to Netgalley and the publisher for a copy in exchange for an honest review. What a wonderful book. This is a book that stays with you long after you turn the final page and that is the mark of something special.. It makes you think and question history from a period many of us know little about.
The story is told in two perspectives, the past and the present which interweave at the end. It explores love, relationships, culture and race in a complex and beautiful way.

Very highly recommended.

In "We are all birds of Uganda", Hafasa Zayyan explores the themes of identity, racism, religion, family, belonging, and history (and more, but these are the core ones).

Through two points of view, one of young Sameer, living in London and hoping to get a promotion in the law firm where he works and move to Singapore, and one of Hasan, who lives in Uganda and writes letters to his late wife, Zayyan has developed a story that I will keep with me for a long time. I learned so much about the history of Uganda with this book (and a deep dive into Google afterwards). It's described as such a beautiful country with complex relationships with race.

I don't typically give 5-star ratings, but I think this book really deserves it for the way the author embeds the two points of view, for the history lesson that you don't even realise you're receiving, and for the well-developed characters, in addition to superb writing. I think everyone would like this book (except for racist people, probably).

Many thanks to NetGalley and Random House UK for this ARC in exchange for an honest opinion.

I was lucky to receive this book in exchange for a review and I am SO happy I got to read it.

Synopsis:
"1960s UGANDA. Hasan is struggling to run his family business following the sudden death of his wife. Just as he begins to see a way forward, a new regime seizes power, and a wave of rising prejudice threatens to sweep away everything he has built.

Present-day LONDON. Sameer, a young high-flying lawyer, senses an emptiness in what he thought was the life of his dreams. Called back to his family home by an unexpected tragedy, Sameer begins to find the missing pieces of himself not in his future plans, but in a past he never knew."

This book opened my eyes to a part of history that I had a vague idea about but didn’t know the exact extent or implications of the racial tensions. It really is a book about identity and how far your identity, particularly in certain cultures, is influenced not only by how you are seen or treated in society but the expectations of your family as a result of their struggles.

I enjoyed how Zayyan explored the different generations of Hasan and Sameer and how they intertwined at points to show what has changed over time and what hasn’t.

Each character was written so beautifully regardless of how significant they were and that had a massive effect on the story being told. The language and imagery were impeccable and so thought-provoking.

That this is Zayyan’s debut novel makes me excited to see what she will write next and I will definitely be coming back to this book in the future.

This was the final book I read in 2020, and ended up as one of my favourites. The story is beautiful and compelling, with two strands, coming together so wonderfully towards the end. The characterisation is brilliant and Uganda is brought to life so vividly.

This kind of novel sums up why I love fiction so much. It's the perfect example of how a novel can educate and inform, without compromising the story/plot (and without having to read a straight-forward history book!). I knew very little about Adi Amin and Uganda in the 1970s, and more specifically the treatment of the Asian Ugandans. Zayyan's novel taught me so much, and has inspired me to continue to read up on this area of history.

I can't fault this novel, and cannot wait to see what Zayyan goes on to write next. An incredible debut – I'm telling everyone about this book!

At the beginning I really didn’t like sameer story but I was more interested in the story of Uganda through the eyes of family ( I was not sure how they related to sameer), but after couple of chapters I actually was invested in sameer and wanted to see what will he do. Sameer remind me of friends and family members of second and third generation that tried to integrate and flourish but all the times they were reminded of their place by the media or schools and University. They didn’t understand were they belong and had a lot of struggle to adjust. I understood sameer anger and frustration and for that I admire the writer as you can see she understands what she is writing.


I understand why I didn’t like the book at the beginning, I am used to reading historical fiction which at the beginning you are sympathetic to the main character. Someone that in difficult time in history and trying to survive but this was different, I didn’t like sameer as I felt he is entitled but this was not about this . This book was about a character growth and trying to understand his past to decide his future. I really liked how the writer show attitude of our parents doesn’t need to define us.
Also I loved Uganda, and love to visit. Great to read about other countries and experience of other people. Lovely book.


I hope we read more books from this writer , the only negative is I really like an ending .

An exceptional debut and an incredible book to kick off a new year of reading.

We Are All Birds of Uganda is told through two narratives, Sameer in present day London and Hasan in 1940-1980s Uganda with Hasan's POV being shared through letters to his true love. The novel deals with identity, family, religion and independence and is masterfully crafted by Zayyan. I went it to this knowing only the blurb and I believe that is truly the best way to experience it. I did not want to put this book down and when I did I would quite often find myself thinking of the Sameer, Hasan and their stories.

I struggled to believe that this was Zayyan's first novel as We Are All Birds of Uganda is beautifully written, well paced and engaging (as well as educational for me!). I will definitely be keeping an eye out for Zayyan's work in the future.