'So to mortal men, we are monsters. Because of our flight, our strength. They fear us, so they call us monsters.’

My thanks to Pan Macmillan Mantle for an eARC via NetGalley of ‘Stone Blind: Medusa’s Story’ by Natalie Haynes.

I have been anticipating this novel since it was first announced as I was excited to see how Natalie Haynes would portray Medusa, who suffers a cruel fate due to the capricious nature of the Greek gods.

Medusa and her sisters, Sthenno and Euryale, are Gorgans, daughters of sea gods Ceto and Phorcys. Of the three, only Medusa is mortal, aware that she is the only one who gets older and experiences change. Unfortunately she attracts the attentions of Poseidon, who violates her in the sacred temple of Athene.

The goddess takes her revenge on the innocent Medusa, changing her life forever. Her hair is replaced by snakes and her gaze can turn any living thing to stone. The gentle girl is horrified by her new power and condemns herself to live in shadow and solitude.

Meanwhile, years previously Zeus up to his usual antics had fathered Perseus. Later when Perseus is grown, his mother, Danaë, is being forced into an unwanted marriage. In order to prevent this Perseus must undertake a quest to fetch the head of a Gorgon . . .elsewhere the Princess Andromeda has her own problems when her vain mother boasts of her daughter’s beauty and seriously upsets a goddess.

Haynes has said more than once how Ray Harryhausen’s ‘Clash of the Titans’ inspired her. It was an important film for me as well and so I was pleased with her imaginative retelling.

Haynes weaves various other Greek myths into the story. Athene plays an important role throughout, including being ordered by Zeus to join up with Hermes to assist Perseus in his quest. While the central story of Medusa is undoubtedly tragic, Haynes manages to provide comic moments throughout.

Her portrayal of Perseus was savage as rather than a fearless hero, he is spoilt and hopeless, bumbling his way through the quest. Athene and Hermes are always close by providing snarky comments. They are clearly not keen on having to babysit Zeus’ by-blow.

The narrative switches often between various viewpoints; including a chapter in which Medusa’s snakes speak as a chorus; while in others a chatty crow and a grove of olive trees contribute to the story. It is a brilliant, entertaining tale.

I simply loved ‘Stone Blind’. Natalie Haynes’ storytelling skills are outstanding and she writes so beautifully. I felt that her portrayal of Medusa and her sister Gorgans was just amazing, bringing a fresh perspective to these timeless myths.

Highly recommended.

Having read and enjoyed Hayne's Pandoras Jar, I was beyond excited to receive this as an ARC. I have a passion for classical mythology, and it pains me the way that Medusa is commonly portrayed.

But Haynes' has worked her magic and produced a captivating, emotional and refreshing re-telling of the Medusa myth - more authentic than many of the more recent interpretations of the past 100 years. Even the way that Haynes' has captured the individual personalities of the Olympian Gods, matches exactly how I would expect them to be and brings them to life in an unexpected but fabulous way.

Perfect for fans of Circe, I would recommend this to just about everyone. For me, it's pretty close to perfection.

Stone Blind is the story of Medusa with other. Greek myths interwoven and mostly told from females point of view.
The Gorgons acquire a baby sister - Medusa from their sea creature parents. They bring their sister up as if she is their own - although she is much prettier, seems to have no powers and doesn't look much like a monster at all..

It is quite well known that some of the Greek gods including Zeus and Poseidon in many previous stories force themselves upon females and in this book we read some quite horrific things with Medusa and others where they are then punished for the things that the male gods have done to them- Athene is also quite brutal in this story, she kills people and skins giants in wars. She is vengeful and cruel and always blaming women for what men do.

We also hear from Danea, who is locked up at her fathers demands as an oracle has told him his daughters son would kills him and I was interested to find out how this myth unfolded. Would this be true?

Cassiope and her daughter Andromeda are obsessed with beauty and status but when her parents try to make their daughter marry her old ugly uncle can she escape their plan?

I enjoyed reading this book. I found it so interesting to read from different female perspectives. It was funny in lots of parts and I loved some of the conversations that were had between the characters making me laugh out loud on occasions . However at the same time I also found the book to be quite sad in parts as it seems women were the ones always getting hurt. At last they have more of a voice with this re-telling.

I will be recommending to others and looking out for more from this author!

Tried to read this book but sadly not for me , however I am sure others will enjoy it, thought I would give this book a try as it’s not my usual genre

Abandoned on a distant shore by her demi-god parents, Medusa is raised by her sisters, the Gorgons. Medusa is a normal girl until she becomes a source of desire for the god Poseidon who rapes her in Athena's temple. Athena takes her revenge by turning Medusa into a monster with snakes for hair and a gaze that turns living things to stone. Meanwhile Zeus' illegitimate son Perseus wants to prevent his mother having to marry someone she doesn't want to, so he goes to find a Gorgon's head.
Again Haynes has written a wonderful book which turns the myth on its head. Medusa is a figure of pity and Perseus is a petulant boy in this telling. The prose skims throughout, light, knowing and incredibly clever.

Natalie Haynes has done it again! My favourite retelling of recent. I loved that even though not every story line was Medusa's it all led to the same place. I thought the chapters written by the trees and the crows were a really good addition. Just loved it!

Brilliant reworking of the Perseus and Medusa story with the focus on Medusa. Telling the story of her life with her sisters and her beheading by Perseus from Medusa’s point of view opens the story up to a totally different interpretation. Natalie Haynes brings some of her ‘stand up’ material and POV to tell an old story in a new and modern way.

i have already purchased this for our libraries

It’s always good to come across a Greek mythology retelling that has nothing to do with the Trojan War! There have been so many over the last few years (Natalie Haynes’ A Thousand Ships being one of the best I’ve read) and it makes a refreshing change to read about other characters and other myths.

Stone Blind is subtitled Medusa’s Story but is actually written from the perspectives of many different characters, all coming together to tell the tale of the Gorgon Medusa and Perseus’ quest to capture her head. In traditional accounts of this myth, Perseus is seen as the hero, bravely slaying the monstrous snake-haired Medusa whose eyes can turn living creatures to stone. This version looks at things from a different angle, questioning whether it’s really fair to refer to Medusa as a monster and painting Perseus as, if not exactly a villain, a thoughtless, dim-witted boy who ends up fulfilling his quest almost by accident.

While part of the story is told from Medusa’s point of view, we also hear the voices of many other gods, mortals and mythical beings including the other two Gorgons, their sisters the Graiai, who share one eye and one tooth between them, the Ethiopian princess Andromeda, who is chained to a rock as a sacrifice, and even the olive trees of Athens. Some have a lot to say, others appear only for a few pages, but each one has an important contribution to make. This is the same style Natalie Haynes used in A Thousand Ships, but I found it more effective here. Whereas in the previous book the various characters’ narratives felt as though they were appearing in a random order, almost like a collection of separate short stories, here they are ordered in a way that makes chronological sense, with each new voice helping to move the story forward.

Medusa, as she is portrayed here, is a very sympathetic character. The only mortal Gorgon of the three and therefore the most vulnerable, she is raised by her two older sisters, Sthenno and Euryale. Medusa’s monstrous features only appear after she is raped by Poseidon in Athena’s temple and the angry goddess punishes her by transforming her hair into a seething mass of snakes and cursing her with the ability to turn everything around her to stone. Condemned to a life of blindness, afraid to uncover her eyes in case her gaze should fall upon one of her beloved sisters, Medusa’s story is very sad – and we know that it is only going to get worse because, far away, Polydectes, King of Seriphos, has challenged Perseus to bring him the severed head of a Gorgon. Fortunately, Haynes doesn’t dwell on the Gorgon-slaying episode, moving straight on with other parts of the myth.

Despite the tragic elements of the plot, the story is told with plenty of humour, particularly in the scenes dealing with the petty squabbling of Zeus, Hera, Athena, Hermes and the other Olympian gods. Haynes does an excellent job of capturing their fickle, petulant natures and the childish rivalries between them. In fact, I can’t really say anything negative about this book, other than that the title is slightly misleading as this is so much more than just Medusa’s story. I’m looking forward to future books by Natalie Haynes and must also go back and read her earlier novel, The Children of Jocasta.

This is a very readable Greek myth retelling that I raced through. Full of tempestuous gods, flawed mortals and monsters who have a caring side it is a fun novel to read.

Haynes uses multiple voices as narrators, and largely each is distinct and interesting. I think this device became a little overused and gimmicky in places though and may have benefited by being reduced a little.

I also felt let down somewhat by the main threads this novel drew out. I wanted to hear more from Medusa. I wanted to see more grit in her character, strength to balance out the misogyny she was subjected to, and more depth to the pain and suffering of her and her sisters. Instead, I felt that the prose just tripped through the events of the myth, with occasional wry comments in the direction of Perseus and his "heroic" acts.

Enjoyable, but I was expecting so much more.

This honest review is given with thanks to NetGalley and the publisher for this book.

I thought Stone Blind was excellent. I am not a classicist, but I have read quite lot about Greek myths and this seemed to me a fine, readable and thoughtful retelling of the Medusa myth.

We all know the story, I suspect. Medusa was, of course a monster. She was a Gorgon with snakes for hair whose glance turned any living creature to stone, whom the hero Perseus decapitated with divine aid from Athene and whose head he then used as a terrible weapon to save Andromeda etc. Natalie Haynes is interested in far more than that, and especially in Medusa’s origins and the question “Who decides what is a monster?”

Medusa was originally very beautiful, so much so that Poseidon desired her and, in the way of male gods, overpowered and raped her in a temple to Athene. This made Athene angry, so whom did she punish? The victim, because the perpetrator was too powerful to touch, and Haynes paints Medusa as an ordinary, loving woman who has been made into a monster by people and forces over whom she has no control. It’s a point with strong contemporary resonance which Haynes makes dextrously and wittily, while never diminishing its power. She also considers Perseus’s actions and finds him, rather than heroic, to be vain, reckless, incompetent and “a murderous little thug” who “thinks anyone who is not like him is a monster”. Again, it’s thought provoking and has real contemporary relevance.

This is anything but a stodgily politically correct polemic, though. Haynes writes with wit and zing, using various narrative voices, the most powerful of which is Gorgoneion, Medusa’s severed head which became a symbol of protection in ancient Greece. Haynes brings these ancient, mythical characters to life wonderfully; she spares no-one, male or female, their faults, but has a sympathetic understanding of many of them – especially the Gorgon sisters, whose characters are very far from monstrous.

Although it is very different in tone, for me Stone Blind is up there with Pat Barker’s The Silence Of The Girls as a modern re-telling of the tales of ancient Greece – which is very high praise indeed. I thought it was an excellent read which has left me with much to think about, and I can recommend it very warmly.

(My thanks to Pan Macmillan for an ARC via NetGalley.)

I was really glad to be approved for this one ive read a lot of natalie haynes books and i enjoy the way she writes and how she choses characters to focus on the story of medusa has been one of my favourites i liked this version a lot it most sympathetic towards medusa and the other gorgons and takes the power away from perseus who usually gets more sympathy than he deserves but not here as it keeps track of all his flaws and although it goes into other perspectives include those of the snakes i felt that remains on her side throughout and without changing large amounts of the familiar story

Medusa's tale has always been that of a tragedy. Born mortal to Ceto and Phorcys, as a baby she is left in the care of her immortal Gorgon sisters Sthenno and Euryale, the only thing distinguishing her from other mortals being a pair of wings similar to her sisters.

In this insightful and multilayered novel, Haynes once again proves that she is a masterful storyteller as the story of Medusa and much more is brought to life in a fresh and witty retelling.

I enjoyed the exploration of the bond of sisterhood, kindness and the strength of love - most strikingly shown in Medusa's character in her encounter with Poseidon - along with how it can alter perceptions of beauty and make one adapt a life already centuries in the making.

The prose is rich with lyricism and Haynes's trademark humour that I have come to adore within her work.

The author does a marvellous job of taking the traditional tale of the story and flipping it into her own interpretation from exploring the insufferable personalities and whims of the Gods and Goddesses to the "hero's" distinct lack of empathy and finally by making the "villain" relatable.

I can't thank @panmacmillan and @netgalley enough for allowing me early access to this triumphant novel - I also can't wait to pick up my hard copy in the next couple of days in anticipation of seeing @nataliehaynesauthor discuss this book at her talk in Edinburgh at @toppingsedin 🐍

This is a medusa re-telling so I was instantly interested and I'm so happy to say it did not disappoint.

This was an emotional rollercoaster, not for the faint hearted as the story of medusa is in itself heartbreaking and cruel. The author done an excellent job handling this story

https://www.goodreads.com/review/show/4984055801

A sparky, sassy retelling of the Medusa myth which wears its feminist credentials lightly. It's nice to see well rounded female characters brought to the fore, and some of the shine knocked off the traditional male heroes. And the bored, capricious gods, playing with human lives on a whim as they try to while away eternity, are comedy gold (with a serious point in there somewhere about why we need religion to explain the random cruelties of life).

The market for this kind of book is pretty flooded at the moment, but this one is nicely done.

Thanks to the author, publisher and NetGalley for an ARC in return for an honest review.

"But I was always me," said Medusa. "I never changed." "You always changed and never changed."

The beginning of this book was surprisingly wholesome and funny, I loved seeing how the other Gorgons learned to care for Medusa. However, the story soon started to focus more on other characters (which is fair, as it was all connected to Medusa's own story and heartbreaking fate) and the change of pace was a bit distracting. Almost every character seemed to feel a great deal of self-importance, and Athene and Perseus in particular were incredibly capricious and selfish. If the goal was to make the reader dislike them to the point of annoyance, it was very well achieved. Sure, we're supposed to feel sympathy for Medusa and the injustice she suffers at their hands, but when there are only a couple of tolerable characters in the whole book it gets a bit tedious. The writing itself was fine, although at some points it was so straightforward that I felt, as a reader, that I was being treated like an idiot.

I had very high expectations for a feminist retelling of Medusa's story but this was not at all what I expected. The book didn't really focus on her, and Hayne's take on Perseus' character is not one I agree with. If you're interested in Greek mythology you might still enjoy Stone Blind, but if you already know the myths and are looking for a fresh perspective this is probably not it.

Thank you to NetGalley and the publishers for the opportunity to read and review this book.

Stone blind by Natalie Haynes

I received an advance review copy for free, and I am leaving this review voluntarily.

Thank you to netgalley, Pan Macmillan and Natalie Haynes for the opportunity to read this book.

Firstly I really appreciated that the author gave a brief list of characters at the beginning of the book that you could reference if you got confused. Always helpful when it comes to mythology and retellings.

The opener in this is brilliant, gives you a great overview of what's to come (even slight trigger warnings) and it really got me ready to feel all the emotions. And boy did I feel those. I cried a couple of times throughout medusas story and the horrors she faces.

I'm giving this 4 stars because while I loved the story of medusa the side stories, though relevant, did distract from it a little bit. They just didn't hold the same emotion level that hers did and I found perseus and athene insufferable.

Overall if you like retellings I think you'd really enjoy this book and the way it was written. The decision to include an opener that both set the scene and allowed readers a warning of what's to come in terms of potential triggers was a great one. I'd love to see more openings like that as I know many people need them.

I absolutely loved Stone Blind!
I'm a huge fan of Mythology retellings so it was pretty much a given that I would love this one as well.
I'm especially a fan of Medusa so I was extremely excited for this book and it lived up to all my excitement!
I'd definitely recommend this to anyone that's a fan of mythology retellings!
Thank you Netgalley and the publishers for giving me the opportunity to read this book in exchange for an honest review.

What an incredible journey this was ! (Thank you so much to NetGalley for the advanced copy!)

As a novice in mythology, my expectations were pretty open as to the storyline or the "accuracy" of the plot. So I pretty much went in blind (see what I did there ?)

Page after page, I embarked on an adventure with all these characters and lived everything through their own perspectives. Haynes' narration was so perfect that you could feel Hera's disgust, Athene's envy, Perseus' cowardice, Medusa's fear... Pain, tragedy, a sense of destiny were all part of the story as well. However, not everything was dramatic : you will find humor in some dialogues (Hermes and Athene mostly).

But in the end, what stuck with me was the notion of monster. Who is a monster ? What is a monster ? Who can say who or what is a monster ? This to me was what the book was all about. It made you (certainly me! ) (re)think your own definition of monstrosity. It was subtle, but it was intertwined in every story and it was clever.

Bravo on more time for Natalie Haynes' and her marvellous retelling !

I had such a good time reading Stone Blind. I confess to being a bit overwhelmed by the variety of characters at the start, but I got there.

I adored the discussions around what makes a monster and the feminist discussion about traditional male and female roles.

I thought the Gorgons were so well written and I just loved all of them. I enjoyed being embroiled in the lives of the Greek gods, in spite of not necessarily liking any of them.

A proper adventure story that reminds us to question our pre conceived ideas through powerful and entertaining writing.

Another great mythology retelling from Natalie Haynes.

I enjoyed Natalie Hayne’s previous books: A Thousand Ships and Pandora’s Jar, so I jumped at the chance to reading her latest book: Stone Blind, a retelling of the myths surrounding the origins and fate of Medusa.

As in A Thousand Ships, the narrative here cleverly entwines the different strands of Medusa’s story, which is more complicated than the one you are likely to be familiar with (I blame endless holiday TV screenings of the 1981 Clash of the Titans. The Haarryhausen stop-motion Medusa was terrifying!). The version most of us know is that of a hero, Perseus, who bravely kills a horrifying monster and uses its severed head to rescue a beautiful maiden from a sea monster.

As you might expect, the original story is far more complex, and the way Haynes put Medusa’s experience at the centre of her narrative raises interesting questions about what makes a hero and a monster, and how those labels are earned, applied and perpetuated.

I believe one of the reasons the Greek myths have endured and are still getting retold in various forms today is that their gods, though magical, immortal and powerful, are also recognisably human in their feuds, petty jealousies and bursts of anger. Haynes leans into this in Stone Blind, often for humorous purposes, and some of the conversations between the gods are very funny. These moments (a reminder, if we need one, of Haynes’ brilliant comedic talents) also provide necessary moments of levity between the more sombre parts of the story.

The descriptions of the various settings are wonderfully detailed and evocative, drawing the reader into the action. And while I did find the story involving, if I have one criticism it would be that I didn’t find it as moving as I thought I would. Perhaps the narrative voice was a little too detached, but even so it was an enjoyable read.

Overall: fans of Greek myth and retellings are sure to enjoy Stone Blind. Highly recommended.