Zadie Smith’s ‘The Fraud’ follows Eliza Touchet, housekeeper and cousin-by-marriage to author William Harrison Ainsworth, as she, along with William’s new, young wife Sarah, becomes increasingly invested in a trial that consumes the headlines: a trial to determine whether, despite overwhelming evidence to the contrary, the man claiming to be Sir Roger Tichborne is telling the truth.

This novel is densely-packed and difficult to summarise, though that’s not to say that it’s particularly plot-driven. While the scenes following the trial and surrounding events are engaging, and take up a large portion of the novel, it’s clear that what is really of interest to the author is the opportunity this story provides to explore in depth a wide range of heavy themes - from class, to queerness, to womanhood, to slavery and the intrinsic human right to freedom. 

Smith examines class through the relationship between Eliza and Sarah, who is several decades her junior and who comes from a much less affluent background. The power imbalance between them is reversed in a key scene where Sarah takes Eliza to visit her old neighbourhood, and a “dolly shop” within it - to prove to Eliza that, while she might have gone through difficult times, she has no concept of what real poverty is, to demonstrate just how wide the class divide is and just how much people are truly struggling. It’s just one of several such scenes throughout the novel where Smith tackles a big idea in a small interaction, and makes an argument neatly and effectively.

The novel is perfectly structured, with the non-linear structure feeding you what you need to know at exactly the right moment, when it would be most impactful. It jumps around in time a lot, though is never difficult to follow or to place events relative to one another. Before events around the trial begin to feel repetitive, Smith shifts focus entirely for an extended period, bringing new depth to an important side character and to the novel at all.

This is a novel with a lot to say, and one that I think will age very well too. Important, timeless themes and ideas are addressed in a story that is constantly engaging and beautifully written. One climactic confrontation towards the end is so perfectly conceived and constructed that I think it’s destined to stick with me for a long time. If you’re on the fence about this book, I’d really recommend checking it out.

Thanks to Netgalley and Penguin for the e-ARC!

This reads to me like Smith's corrective to the 'fraud' of British Victorian history and literature that has traditionally been endemically white, which has written out so much about Caribbean slavery (as well as other predations of the Empire across the globe), about the abolitionist movement, even about the presence of non-white people in London and other British cities. It's only recently that this history is being prised open thanks to books like [book:Black and British: A Forgotten History|32809816] by [author:David Olusoga|4022846], colour-blind and Black casting in Victorian TV series (Sanditon, Bridgerton) - and Smith's novel serves as a much-needed parallel that re-writes the conventional Victorian novel so that its heart is the story of Mr Bogle and his descendants, trafficked from Africa, enslaved in Jamaica, brought to London to act as witness in the sensational Titchborne court case that itself is built on issues of identity, fraud and authenticity.

It takes some time to get our bearings in this book. The start offers up Mrs Eliza Touchet who seems like a conventional housekeeper in 'the big house' of a Victorian novelist and man of letters, William Harrison Ainsworth, friend and rivals with Charles Dickens. But Eliza has more going on beneath her surface: she's an abolitionist and activist who won't be cowed in discussions with Ainsworth's friends about the economic 'necessity' for slavery - and who also has rather subversive relationships with Ainsworth himself as well as his first and second wife. Her indictments of Dickens who makes a lot of money out of his sympathy for the poor and oppressed, and her friendship with Mr Bogle give her a perspective that is rare to find in actual Victorian fiction.

At times the narrative feels a bit bogged down and directionless but Smith's wit and sardonic sense of humour keep the pages turning, and the payoff, once we can see the shape of this book, is worth it. I found this deceptively easy to read but there's real substance here such as the scene where Eliza, ground down by establishment and authoritarian politics, listens to a choir made up of singers with all shades of skin and finds a moment of human transcendence.

I enjoyed this but I did find it slightly confusing to start off with - it's somewhat abrupt in starting and moving around the past - but Smith's writing is always sharp and enjoyable.

Not quite what I was expecting, and all the better for it. More a historical romp than a drama, with a bit of a Katherine Mansfield vibe throughout. Surely the lightest Zadie Smith to date, and more than likely to win her new fans. Definitely recommended. Thank you to NetGalley for this advance copy, given in exchange for an honest review.

This is my first Zadie Smith. It’s very refreshing to read a historical novel that focuses on the relationship between Britain and Jamaica. The characters are well drawn, and I enjoyed watching the book within a book progress. I’d happily recommend this book.

Zadie Smith's first historical novel takes as its subject the life of the Victorian novelist, William Harrison Ainsworth (best known for Rookwood) and one of the scandals of the age, the Tichborne case.

Through impeccable prose, Smith brings to life this fascinating tale, and into its swirl brings many faces and names that will be all too familiar to the lover of Victorian literature: Dickens, Cruickshank, Thackeray.

I felt fortunate to have received this book to review the day I did, having just started reading Ainsworth's follow up to Rookwood (a novel which gets a critical mauling here, and we'll deserved too!) One doesn't need to know the biographical details of this novelists life to appreciate this novel, though, as in Smith's deft hands we are bought into this world easily.

I thoroughly enjoyed my reading of this. Though it might disappoint her fans bought here by White Teeth or Swing Time (her two best novels, full of their insight into contemporary life), by the time she brings in the Tichborne case, you begin to understand why Smith was attracted to this history and why she felt it a story worth telling.

Thank you to the publishers and Netgalley for the ARC.

Thank you very much. I am excited to read Zadie Smith doing historical fiction for the first time.

I will be sure to include it in chats to my followers. Especially as it's in the running for this year's Booker prize, a prize which I follow closely every year.