The Damages by Genevieve Scott is a good fit for people who are interested in reflecting on the complexities of human relationships, memory, trauma, and identity, and how these themes can be shaped by societal expectations and power dynamics.

Comparisons with My Dark Vannessa will be inevitable but The Damages does an even better job of capturing the zeitgeist of the sexual politics of the 1990s. Like the characters themselves, the reader starts as an innocent bystander and increasingly feels complicit as the layers reveal themselves.

This story is written in two timelines, and provides a take on quite a brave task - that of comparing mores from the 1990s in terms of sexual behaviours and the issue of consent, with the attitudes towards similar issues a few decades later. Inevitably, this brings up a number of key social developments that have taken place since, not least the pandemic and the Me Too Movement.

Ros is haunted by a traumatic event from her university days at Saint Regis University in Canada in the 1990s. A freshman at the time, Ros and her roommate Megan both attended a party, but with slightly different intentions. Megan was a bit of a geek, basically going with the flow just wanting to enjoy herself, but Ros had an agenda - she wanted to get in with the popular crowd.

In the pursuit of her plan, Ros failed Megan when it came to the buddy system put in place for the terrible ice storm that descends on their campus. Megan went missing, and Ros paid a very high price for her error in judgement.

Years later, Ros has an 11 year old son by her ex partner Lukas, who is now accused of sexual misconduct. Lukas was part of the popular crowd that teenage Ros was so desperate to impress. Needless to say, very little now looks quite the way it did at University.

The allegations against Lukas not only leads Ros to question everything she thought she knew about her ex, it also draws her back into unresolved questions from the past.

But can Ros really put the past to rest? Surely, there are no do-overs when it comes to some of the more serious mistakes that people make?

This is an intelligent and thoughtful attempt to come to grips with some of life's questions, especially wrt gender dynamics in North America during these two time periods. In the process, it raises a number of triggering issues, including informed consent and sexual assault. I give it 3.5 stars. An interesting read.

The Damages by Canadian author Genevieve Scott is a superbly written and very affecting book.

The book begins in 1997 at Regis University in Ontario where Freshman Ros is desperate to ingratiate herself with the "in crowd". Roommate Megan is a bit of a nerd happy to drift along and not interested in the drinking and dating scene that most of her peers enjoy. While the girls are different they get on and live together harmoniously.
When an ice storm hits classes are cancelled and students are told to pair up and look after each other for safety. Ros fails Megan at a time of need and with her lies compounding the result both girl's lives are thrown into turmoil.

In 2020 Ros's former partner Lokas, part of that "in crowd" from Regis and the father of her young son, is accused of a sexual assault leaving Ros to have to come to terms with events at Regis, and not least her bad behaviour, of over 2 decades ago.

This is an excellent piece of writing with author Scott getting under the skin of her characters, 18 year-old Ros isn't a bad person ,she's not always a very nice one either ,Megan is a somewhat naive young woman who bumps along quite happily until she's badly let down. There are key scenes where a few words say so much and are more powerful for that.
An exceptional book.

One of those then and now books - then, the main character is trying to fit in at university, making some duff choices but then most people try on a few personalities at university, and they generally aren't ones that we stick with for life. Unfortunately her flat mate disappears for a period of time and this leads to the main character being effectively cancelled by the university community.
Now, she is partnered to one of the students and they have a child together. Turns out he is not the super catch she thought he was at 18.

I found the first part of the book set in the university to be enjoyable, the characters are not particularly likeable, but how many self obsessed 18 year olds make for good company? The second half was interesting, forcing the reader to examine the dynamics of the relationship - how much of it was engineered by the male? Maybe I read the last part too quickly but I am slightly baffled as to what happened, or maybe it is realistic and not much happened, they all just kept bumbling along.

A massive thank you to NetGalley and Penguin Random House for sending me this book in exchange for an honest review.

Anyway, where do I start? In this book. Genevieve discusses the differences in consensual sexual intercourse between the 90's and modern times. And I'm still in two minds about it. I get that sex and consent are important discussions in this day and age but I felt the conversations in this book overshadowed everything else.

Content warning: discussions on gender dynamics, consent, rape and sexual assault take place throughout. The early stages of the Coronavirus pandemic in 2020 are also mentioned alongside the MeToo movement we're still going through today.

Three-and-a-half stars for effort.

Like a previous reviewer The Damages by Genevieve Scott did remind me of Rebecca Makkai's I Have Some Questions For You in that it explores some similar themes. I particularly enjoyed reading the narrator's struggles to fit in and I would definitely want to read more from this author.

The Damages reminded me of many novels I've read recently about American or Canadian women returning to their school or college pasts to figure out why things are the way they are in their lives right now, and whether justice was done back then: Rebecca Makkai's I Have Some Questions For You, Jessica Knoll's Promising Young Women, Jenny Hollander's Everyone Who Can Forgive Me Is Dead. But Genevieve Scott makes a very brave choice: her book is about somebody who really is completely unremarkable. I've long thought that the general moral standard of fictional protagonists is too high, probably in the pursuit of 'likeability'; most people, in real life, don't behave as well as made-up people do, and this especially wouldn't be the case if we had access to the insides of their heads. Ros, the protagonist of The Damages, is pretty shallow and self-centred, but she is realistic. At nineteen, she does wrong but is punished for it beyond anything she deserves. In her early forties, she tries to do right but probably doesn't actually help anyone at all, including herself. There's no big redemption arc for Ros, only the acknowledgement that being told you're a bad person in your teens really can get in the way of you becoming a better person, and I loved it.

I also loved the first 40% or so of The Damages, which is set during an ice storm at a small university east of Toronto, modelled on Queens. I was a kid in the 90s, but I felt that Scott perfectly captured why it was so horrendous to be a teenager in the 90s and the 00s; how you weren't allowed to care about anything, how coolness was all, how any hint of being different was aggressively punished. Ros is absolutely a part of this culture, but she also suffers because of it. Scott also properly evokes the atmosphere of the ice-bound campus and the rising tension when a girl goes missing. The next 60% of the book, which flashes forward to the Covid-19 pandemic, is less gripping (it could have been shorter) but largely necessary. I've read plenty of #MeToo novels, but Scott really picks apart how we handle changing social mores, and how unacknowledged wrongs are still important. It also made me reflect on, despite how times have changed, Ros still doesn't have the language for what was done to her. Other characters rightly call out racism and sexual assault on campus, but Ros's systematic social shunning, which led her to drop out of university, is difficult to voice. A reminder that you don't have to like a character to feel their pain. Another hit from Verve Books (the UK publisher for this Canadian novel), who are fast becoming one of my favourite indies.