Member Reviews
An atmospheric and intriguing gothic novel. Catherine Symonds arrives at Locksley determined to solve the mystery of what happened to her sister Emily, the governess whose shoes Catherine is stepping into. Multiple narratives from the Chartists in Newport to the plight of the mine workers to long held aristocratic secrets combine to form a novel with the most unreliable of narrators and a plot that is dense in the best of ways. I found I would have just decided I was absolutely sure what was happening only to find that my predictions were not entirely correct. Highly recommended.
Mystery, mayhem, deception at every turn of the page. This is a real period drama at its finest.
The big house, to which our protagonist comes as a new governess to the landowners daughter, is full of strange and unfriendly staff and she knows she must tread carefully around them.
Outside of the big house we have the forest, dark and itself full of mystery and tales of other worldly beings seen galloping through the woods at night on strange beasts. No-one enters the forest at night for fear of these creatures and their strange light.
This is a book you wonโt want to put down until youโve got the answers to all the unanswered questions about this house and its residents with the nail biting reveal at the end. Thoroughly enjoyable read.
I am so sorry to say I got 40% in and couldn't continue. I loved the blurb and the idea of the book but I just couldn't get on with it. I have literally no idea what was going beyond Catherine's story line.
๐๐ก๐ ๐๐ฎ๐ณ๐ณ๐ฅ๐ ๐๐จ๐จ๐ | ๐๐จ๐ฌ๐ข๐ ๐๐ง๐๐ซ๐๐ฐ๐ฌ
โ
โ
โ
๐๐ฆ๐๐ฅ๐ฅ ๐ฌ๐ฒ๐ง๐จ๐ฉ๐ฌ๐ข๐ฌ
Catherine Symonds arrives at Locksley Abbey as the new Governess, but what she would really like to learn is the circumstances surrounding her sisterโs death, the previous Governess.
๐
๐จ๐ซ ๐๐๐ง๐ฌ ๐จ๐
โก Historical fiction
โก Elements of horror and mystery
โก Welsh mythology and history
โก Gothic vibes with an occult subplot
๐๐ข๐ค๐๐
I really loved the premise of this book, and when I first dived in, I was delighted by the persistently ominous tone that bought a setting full of shadows and secrets to life and haunted the main character as she settled at Locksley Abbey.
Catherine Symonds was a really intriguing character. She was a perfectly unreliable narrator with a childhood she couldnโt remember and a dead sister she couldnโt forget. Her dynamics were shallow with others as she is determined to hold on to her real identity.
I also enjoyed the Welsh mythology element to this book. I loved how the Wild Hunt and their Cลตn Annwn were described and incorporated within the book. The shrieks, the rattling chains, the baying of the dogs and the foreboding silence that would shadow the characters was a wickedly wonderful way of setting the atmosphere. Additionally, the Newport history of the Chartist Rising is utilised in this book and I liked how RA synthesized both fact and fiction into this book.
๐๐ข๐ฌ๐ฅ๐ข๐ค๐๐
Unfortunately, the execution leaves a lot to be desired. I found the writing confusing and found myself having to reread a paragraph quite often. The pacing was slow and its grip on my attention was loose.
More than anything, this is based on a real setting that sits on the border between England and Wales and is a setting of completely untapped potential. It should have been amazing in the book. The setting was written as as though it had a mind of its own but honestly I feel like the author should have made the setting more of a character than a mere ambience. If you google โthe puzzle woodโ then you can see how the atmospheric and twisted looking setting is the absolute perfect spot for a mystery to be solved. I do think it was given a disservice in this novel and that was such a disappointment to me.
๐
๐๐ฏ๐จ๐ฎ๐ซ๐ข๐ญ๐ ๐ช๐ฎ๐จ๐ญ๐๐ฌ
โ๐ ๐ฐ๐ถ ๐ค๐ข๐ฏ๐ฏ๐ฐ๐ต ๐ด๐ฉ๐ข๐ฑ๐ฆ ๐ต๐ฉ๐ฆ ๐ธ๐ฐ๐ณ๐ญ๐ฅ, ๐๐ช๐ด๐ด ๐๐บ๐ฎ๐ฐ๐ฏ๐ฅ๐ด. ๐๐ต ๐ธ๐ช๐ญ๐ญ ๐ข๐ญ๐ธ๐ข๐บ๐ด ๐ด๐ฉ๐ข๐ฑ๐ฆ ๐บ๐ฐ๐ถ, ๐ช๐ฏ๐ด๐ต๐ฆ๐ข๐ฅ.โ
โ๐๐ฐ๐ธ ๐ต๐ฉ๐ฆ ๐ฑ๐ถ๐ป๐ป๐ญ๐ฆ ๐ธ๐ข๐ด ๐ฏ๐ฆ๐ข๐ณ๐ญ๐บ ๐ด๐ฐ๐ญ๐ท๐ฆ๐ฅ. ๐๐ต๐ด ๐ด๐ฐ๐ญ๐ถ๐ต๐ช๐ฐ๐ฏ ๐ธ๐ฐ๐ถ๐ญ๐ฅ ๐ฃ๐ณ๐ฆ๐ข๐ฌ ๐ฆ๐ท๐ฆ๐ณ๐บ๐ต๐ฉ๐ช๐ฏ๐จ ๐ข๐ฑ๐ข๐ณ๐ต.โ
โ๐๐ท๐ฆ๐ณ ๐ฉ๐ฆ๐ข๐ณ๐ฅ ๐ต๐ฉ๐ฆ ๐ต๐ช๐ฎ๐ฃ๐ฆ๐ณ๐ด ๐ต๐ฉ๐ข๐ต ๐ฉ๐ฐ๐ญ๐ฅ ๐ต๐ฉ๐ฆ ๐ฎ๐ฐ๐ถ๐ฏ๐ต๐ข๐ช๐ฏ๐ด ๐ฃ๐ข๐ค๐ฌ ๐ง๐ณ๐ฐ๐ฎ ๐ค๐ณ๐ข๐ค๐ฌ๐ช๐ฏ๐จ ๐บ๐ฐ๐ถ๐ณ ๐ด๐ฌ๐ถ๐ญ๐ญ ๐ค๐ณ๐ฆ๐ข๐ฌ ๐ธ๐ช๐ต๐ฉ ๐ต๐ฉ๐ฆ ๐ธ๐ฆ๐ช๐จ๐ฉ๐ต ๐ฐ๐ง ๐ธ๐ฉ๐ข๐ตโ๐ด ๐ฐ๐ฏ ๐ต๐ฐ๐ฑ, ๐ข๐ฏ๐ฅ ๐ฌ๐ฏ๐ฐ๐ธ๐ฏ, ๐ช๐ง ๐ต๐ฉ๐ฆ๐บ ๐ฃ๐ณ๐ฆ๐ข๐ฌ, ๐ต๐ฉ๐ข๐ต ๐ฆ๐ท๐ฆ๐ฏ ๐ช๐ง ๐ข๐ฏ๐บ๐ฐ๐ฏ๐ฆ ๐ค๐ฐ๐ฎ๐ฆ๐ด ๐ญ๐ฐ๐ฐ๐ฌ๐ช๐ฏ๐จ ๐ง๐ฐ๐ณ ๐บ๐ฐ๐ถ, ๐ข๐ญ๐ญ ๐ต๐ฉ๐ฆ๐บโ๐ญ๐ญ ๐ง๐ช๐ฏ๐ฅ ๐ช๐ด ๐ฅ๐ถ๐ด๐ต?
๐๐ท๐ฆ๐ณ ๐ฌ๐ฏ๐ฐ๐ธ๐ฏ ๐บ๐ฐ๐ถโ๐ฅ ๐ฃ๐ฆ ๐ข ๐ด๐ญ๐ข๐ฑ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ธ๐ณ๐ช๐ด๐ต ๐ข๐ต ๐ด๐ฐ๐ฎ๐ฆ ๐ช๐ฏ๐ฒ๐ถ๐ฆ๐ด๐ต ๐บ๐ฆ๐ข๐ณ๐ด ๐ข๐ธ๐ข๐บ, ๐ข๐ฏ๐ฐ๐ต๐ฉ๐ฆ๐ณ ๐ต๐ฆ๐ญ๐ญ๐ช๐ฏ๐จ-๐ฐ๐ง๐ง ๐ง๐ฐ๐ณ ๐ด๐ฐ๐ฎ๐ฆ ๐ณ๐ช๐ค๐ฉ ๐ง๐ถ๐ค๐ฌ๐ฆ๐ณ, ๐ข ๐ฑ๐ข๐จ๐ฆ ๐ช๐ฏ ๐ฉ๐ช๐ด ๐ฅ๐ช๐ข๐ณ๐บ ๐ด๐ฐ ๐ฉ๐ฆ ๐ค๐ข๐ฏ ๐ณ๐ฆ๐ข๐ฅ ๐ข๐ฃ๐ฐ๐ถ๐ต ๐ฉ๐ช๐ฎ๐ด๐ฆ๐ญ๐ง ๐ช๐ฏ ๐ง๐ณ๐ฐ๐ฏ๐ต ๐ฐ๐ง ๐ต๐ฉ๐ฆ ๐ง๐ช๐ณ๐ฆ ๐ธ๐ฉ๐ฆ๐ฏ ๐ฉ๐ฆ โ๐ด ๐ฏ๐ช๐ฏ๐ฆ๐ต๐บ ๐ข๐ฏ๐ฅ ๐ฉ๐ช๐ด ๐ฌ๐ฏ๐ฆ๐ฆ๐ด ๐ง๐ฆ๐ฆ๐ญ ๐ญ๐ช๐ฌ๐ฆ ๐ฎ๐ช๐ฏ๐ฆ ๐ฅ๐ฐ ๐ฏ๐ฐ๐ธ, ๐ญ๐ช๐ฌ๐ฆ ๐ต๐ฉ๐ฆ๐บโ๐ณ๐ฆ ๐ฐ๐ฏ ๐ง๐ช๐ณ๐ฆ ๐ฆ๐ท๐ฆ๐ณ๐บ ๐ต๐ช๐ฎ๐ฆ ๐ฉ๐ฆ ๐ต๐ข๐ฌ๐ฆ๐ด ๐ข ๐ด๐ต๐ฆ๐ฑ, ๐ข๐ฏ๐ฅ ๐ฉ๐ฆโ๐ด ๐ด๐ฆ๐ต ๐ต๐ฐ ๐ฉ๐ข๐ฏ๐ฅ ๐ข๐ญ๐ญ ๐บ๐ฐ๐ถโ๐ท๐ฆ ๐ฅ๐ถ๐จ ๐ฐ๐ฏ ๐ต๐ฐ ๐ต๐ฉ๐ฆ ๐ฏ๐ฆ๐น๐ต ๐ฃ๐ข๐ด๐ต๐ข๐ณ๐ฅ, ๐ด๐ฐ ๐ฉ๐ฆ ๐ค๐ข๐ฏ ๐ฅ๐ฐ ๐ต๐ฉ๐ฆ ๐ด๐ข๐ฎ๐ฆ?
๐๐ท๐ฆ๐ณ ๐ฌ๐ฏ๐ฐ๐ธ๐ฏ, ๐ช๐ง ๐บ๐ฐ๐ถ ๐ฅ๐ช๐ฆ๐ฅ, ๐ข๐ญ๐ญ ๐ข๐ฏ๐บ๐ฐ๐ฏ๐ฆ ๐ธ๐ฐ๐ถ๐ญ๐ฅ ๐ฉ๐ข๐ท๐ฆ ๐ต๐ฐ ๐ฅ๐ฐ ๐ช๐ด ๐ด๐ข๐บ ๐ด๐ฐ๐ณ๐ณ๐บ, ๐ข๐ฏ๐ฅ ๐ฏ๐ฐ๐ต๐ฉ๐ช๐ฏ๐จโ๐ฏ๐ฐ๐ต๐ฉ๐ช๐ฏ๐จ ๐ช๐ฏ ๐ต๐ฉ๐ฆ ๐ธ๐ฐ๐ณ๐ญ๐ฅโ๐ธ๐ฐ๐ถ๐ญ๐ฅ ๐ค๐ฉ๐ข๐ฏ๐จ๐ฆ?โ
๐๐ข๐ฆ๐ข๐ฅ๐๐ซ ๐๐จ๐จ๐ค๐ฌ
I found this similar to The Shadow Key by Susan Stokes-Chapman due to them both being historical fiction which incorporated welsh mythology and had subplots of the occult.
I dont know if it is the rather shoddy way this book has been formatted of just me but the story is very disjointed and difficult to read. I tried, I really did, to love this book but the way it was presented made it very difficult to read and I had to keep reading bits over again. I do feel this does the author a disservice as otherwise it did seem to be an interesting tale.
โDeep in the woods, something is stirring...
When Miss Catherine Symonds arrives to take up a position as governess at remote Locksley Abbey in the foothills of the Black Mountains, where England bleeds into Wales, she is apprehensive.
She is travelling in disguise to investigate the fate of the last governess at the house, who took her own life out in the woods. For that governess was Catherine's own sister."
This gothic tale envelopes you in eerie dialogue and mystery. From the brashness of the mines, to the dark sinister Abbey and intriguing characters who live and work there. I honestly did not know what direction the story was going to take from one chapter to the next with twist and unexpected turns being thrown up regularly. I enjoyed the book and the story, particularly as I am aware of the Puzzle Wood area a little.
However, I do feel it had a slow start and that certain chapters could have been entirely skipped. In particular, there is a lot of narrative of the old folk lore from the senior doctor, and the history of the uprising that whilst, I understand it was part of the background to the story it went on for far too long and felt unnecessary, I did end up skipping over these sections and just scan reading them. The ending also felt rushed and in the rushing lost a certain depth and explanation I felt.
Thank you to NetGalley for this advance copy and the opportunity to help support authors and their books
Rating
#bookreviews #bookreviewer #bookreviewsofinstagram #gothicreading
I have recently read Puzzle Wood by Rosie Andrewโs, the concept of the story sounded really good, Catherine goes under another identity to find out how her sister Emily died.
In the meantime there are other stories entwined into the book, you have the miners and what happens with the pit and also the stories and rumours about the local wood.
Great idea but the story didnโt move along nicely, it felt quite disjointed.
Good ending, shame it felt quite hard to get to complete the story.
I desperately wanted to like this book as I loved The Leviathan but unfortunately I couldnโt get interested enough to read any more than the first third.
I was drawn to this due to its synopsis and gothic setting (gothic / historical literature is one of my favourite genres). Unfortunately this book fell flat for me.
A deliciously dark historical novel. The perfect mix of history, psychological thriller, and supernatural happenings. The writing and its descriptions makes this book a very visual read, bringing all the dark goings on to life!
I found this book rather disjointed and somewhat lacking in the anticipated gothic vibe. The main character Catherine was not compelling in any way. The most interesting parts were actually about the miners. Many thanks to Netgalley for an arc of this book.
Catherine Symonds is determined to find out what happened to her estranged sister Emily, she was employed as a governess in the distant Locksley Abbey and she finds the information given incomprehensible. Catherine has applied to be the replacement governess under false pretences in the hope of uncovering the cause of her sister's death. This is a dark tale of intrigue, mystery and supernatural stirrings. The gloomy atmosphere drips from the pages of this book.
So Iโve read Andrewsโ debut novel The Leviathan last year and after reading the premise I immediately requested Puzzle Wood. Unfortunately it didnโt live up to my expectations.
Firstly it takes about 20-30% of the book to get you engaged and I pushed through mostly because this was an ARC and I like to give them a good go even if I decide to DNF. I did finish this book but at some parts the dialogue / monologue was so boring I found myself skipping large sections of it even early on. I appreciated Andrewsโ attempt to bring local mythology into the storyline but she executed it in such a dry way that it felt like reading a textbook.
The book was a strange mixture of interesting โwho dunnitโ as Catherine tries to find out about her sisterโs death but there was a subplot of โChartistsโ (miners who rebelled against the government in Newport) and we almost had a dual POV of country doctor Arthur who looks after the local mining population around the local area. The two storylines link up (kind of) at the end but reading Arthurโs POV and backstory was again, not very interesting when you just want to know what happened to Catherineโs sister.
Another thing I noticed was, early on the transition between Catherine / Arthur remembering a memory or even an event that happened earlier in the day was poorly executed. I had a number of moments reading the book where I had to reread paragraphs as suddenly the guests were entering the dining room again when we already had a large section of them eating dinner earlier โฆ for it to be Catherine remembering how they entered the dining room an hour ago? This happened a few times and was so confusing to read, just chopping and changing between the present and a recent memory but not making it clear for the reader.
Overall it was an okay read, I didnโt enjoy it as much as her debut and my 2* rating is due to the bookโs inability to keep me intrigued throughout. The ending had some good twists but at that point I was happy I was done with it.
(Note for ARC readers / the publisher - Another reviewer mentioned this but the Kindle PDF given out as an ARC is horribly formatted. I get this with ARC a lot so Iโm used to it but this was another level. There were too many spelling mistakes to count, names of people or places not being capitalised and odd numbers and hyphens breaking up the text. This felt like it got no editing and was a rough draft as a result. Not a pleasant reading experience)
Having enjoyed a previous book by this author, I was looking forward to this one. The title and the blurb sounded really good ans historical fiction is one of my favourite genres. Unfortunately, this one wasn't for me and decided to DNF.
๐The Puzzle Wood by Rosie Andrews
Historical fiction is not something that I typically read. I tend to find it overdone and a bit of a struggle to get through. However I really enjoy the areas of history that Andrews focuses on. One of her talents as a writer is in being able to find areas of history that havenโt been focused on all that much and to interweave this with very region specific folklore that plays with superstition and trickery in the gothic tradition rather than fantasy.
Picking up the best of Jane Eyre here we see a woman come to the Welsh borders to investigate the death of her sister, a former governess in a house with a wife confined to her chambers. In amidst this is the legacy of the Chartist uprisings in the region and the young doctor compromised into spying for the choleric yet frightened Sir Rowland. In amidst this are strange happenings in the woods and a dark power that seems to reign over them.
Andrews manages to imbue a now seen as rather dull area of history with the political ferment of the time and to bring new life to it. The supernatural elements of the book are dealt with clever sleight of hand that keeps the psychological intensity and pacing of the book up with falling to firmly on either side. The denouement was a little confused, so many people were revealing their true natures and side plots that you struggled to get a sense of the jeopardy but overall this was a fun and intriguing read for a winterโs night.
Taking a governess job at Lockesley Abbey under false pretences, newly widowed Catherine is desperate to find out what happened to her estranged sister in the same role.
There is something sinister in the woods that surround the Abbey, including noises and lights at night. There are rumours of a monster in the mines.
Sir Rowland Bridewell, head of the family in his fatherโs absence, is a foreboding character with savagely trained dogs. His wife is never present, confined by illness. His daughter runs wild around the halls and his fatherโs ward is a sinister and cruel presence.
Combined with the complex forces at the abbey, something which gives Catherine terrible nightmares lurks in her past, just beyond the reach of memory.
Meanwhile, Arthur Sidstone takes over from his grandfather as Abbey doctor, making a pact to protect the wood that his grandfather is obsessed with from the grasp of the Bridewells.
When there is a death at the Abbey, Catherine turns to Arthur and to Ned โ a miner and the housekeeperโs nephew โ to help unravel the great web of lies and mystery.
A chilling and spooky novel with a clever ending.
What would you expect from a title like The Puzzle Wood? It seems to have come from a list of randomly generated titles: stick a pin in it. My overall impression was, not much puzzle, not much wood. Perhaps I was hoping for a Mythago Wood type mystical landscape; there is a bit of that, but it is buried deep. What it mostly feels like is a long-lost Daphne du Maurier novel.
Weโre in coal mining country: Wales. The novel starts with correspondence concerning the death of a governess. The narrative proper begins with Catherine Symonds, the governessโs sister, en route to take up the position of governess in the same household. Sheโs hoping to uncover the truth about her sister Emilyโs death. This opening scene is reminiscent of Jonathan Harker on his way to Castle Dracula: that vague sense of being conducted towards some kind of threat. An uncommunicative coachman, something in the woods. Itโs tropes all the way down.
Meanwhile, a young doctor with secrets of his own is working (on his grandfatherโs behalf) with landowner Sir Rowland in hopes of persuading him not to develop his land. Trying to curry favour, he agrees to investigate the operation of the local coal mine.
For me, this second plot thread was an awkward fit. On the one hand, we have a 19th century-set gothic novel: a big old house with a locked up wing, an unearthly child, unexplained death. On the other, the brutal mine overseer, pit ponies, andโฆ Chartists?
Of course, the plot wheels turn and things fit together, kind of, but hereโs the thing. It all felt too much like an early draft to me, with some polishing still required. The ARC itself said something to the effect of not being fully formatted. I did find it quite challenging to read, because the PDF I downloaded to my kindle did have rough formatting throughout. For example, there were arbitrary line breaks for page after page where you would read to the end of a line, then two words floating on their own, or two and a half words then another full line, then two words, and so on. Worse still, there were missing capital letters throughout, and every page or so a string something like โ 0 - โ 1 โ, sometimes all together, but quite often โ 0 mixed - โ up 1 โ within a sentence, or coinciding with one of those random line breaks. The best solution I could come up with in the end was to turn the kindle horizontally and then adjust the font size until those random line breaks more or less faded into the background.
All of which was a shame, because beyond all those distractions, this was quite an entertaining gothic horror, albeit something of a pastiche. It even finishes with โA Note on the Typeโ, which is my favourite book feature of all, and the shame of it is, the font in question was lost in the transfer to the e-reader, so that served as a final disappointment.
Thanks to NetGalley and Bloomsbury for the ARC.
I was hesitant about reading this based on the few reviews I read, however I determined that I would form my own opinion. I am so glad I did.
Not being familiar with Ms Andrews' former books, I wanted to read with an open mind. I start by saying that the blurb does not adequately prepare the reader for the story and this may be the reason for poor reviews.
The wood is the key location for the story, the Mine and Abbey closely intertwined. Catherine arrives undercover posing as a governess in order to discover how her sister came to have died while at the Abbey. Critically, Catherine has very hazy recollections of her teenage years and how her sister Emily disappeared from her life.
The other key character is Arthur, the grandson of the local doctor who has returned from overseas to settle back in the area. He has his own memories to face which prove more hard to hide in this familiar place.
Overall this story requires patience and active reading, the plot is winding and complex but so rewarding. I finished it within days as the story was so absorbing. Ms Andrews writes with great skill and huge empathy for her characters and I encourage anyone interested in historical fiction/slightly gothic to invest in The Puzzle Wood. It is a very satisfying read. Thank you to Netgalley and the publishers for an ARC.
"The Puzzle Wood" is a historical mystery novel written by Rosie Andrews.
I was deeply fascinated by the premises of this book, the title and the beautiful cover. I would have enjoyed it, but unfortunately the unfolding did not convince me and drowned the whole thing out. Too bad, because I loved the setting a lot! An eerie, almost empty mansion filled with sinister creaks, insidious drafts, ominous shadows, and mysterious light plays? An isolated place surrounded by ancient dark woods? Help, I went into jujubes over the choice! In addition, I liked the vivid descriptions a lot, as well as the author's evocative prose. The problem is the general confusion that, in my opinion, hovers between the pages. The novel seemed to me chaotic, unnecessarily complicated, as if it didn't quite know where to aim. The characters did not convey much to me, coming across as superficial, which left me rather indifferent and made me lose interest in the events narrated.
All in all, I enjoyed the premises, the setting, and the prose, but unfortunately I didn't like the development!
Thank you to the Publisher and NetGalley for giving me an ARC of this book in exchange for an honest review.
I really liked the sound of this book- an intriguing storyline and historical fiction is my favourite genre, but unfortunately I decided not to continue after 40% as I found it confusing and I was not invested in trying to figure it all out. Thank you to NetGalley for the opportunity to review this book, but sadly not one for me.