Rating: 4.5/5

I thoroughly enjoyed the first two books published under the Ellery Lloyd handle by the husband and wife writing team of Collette Lyons and Paul Vlitos and this third offering is quite possibly the best so far.

Set in Paris, Cambridge and Dubai across three timeframes, "The Final Act of Juliette Willoughby" connects three suspicious deaths over the course of a century. A painting by the deceased artist, Juliette Willoughby, entitled "Self-Portrait as Sphinx" seems to hold the key to the mysterious deaths - but the picture is also a mystery in itself.

As with their previous two novels, the execution of the characterisation by this writing partnership is of high quality, but the duo have created something quite different in style and tone to their previous works. At times this is more akin to what may be deemed to be literary fiction, but please do not think that is merely a way of describing this as worthy, but tedious. Far from it - this is a compelling mystery drama that works on a variety of levels. There are historical aspects, mythology, romance, domestic drama and multiple mysteries wrapped up in an atmospheric, well-constructed and eloquently written storyline. I will certainly be back for book four from Ellery Lloyd.

Many thanks to NetGalley and the publisher for supplying an ARC in return for an honest review.

This is Ellery Lloyd's best yet - I couldn't put it down and read it in one sitting. I loved the historical mystery and the art history threads, which I think can be tricky to pull off in fiction but were absolutely nailed here. 5 Stars!

Absolute page-turner.

This felt a little different to Ellery Lloyd's other books, in a good way (though I love all the other EL books I've read too!)

A huge sweeping mystery that dates from 30s Paris to 90s Cambridge to present day Dubai. Intricately plotted and cleverly revealed. I was absolutely enthralled and I do love a dark academia read.

Highly recommended, thanks for the opportunity to read and review.

This is easily my favourite Ellery Lloyd book so far.

There are so many layers to this book, yet it was very easy to follow the individual character's narratives and the three timelines.

Starting in 2023 with an unexpected arrest for murder at the unveiling of a supposed 'lost' painting, the reader is then thrust back to 1991 with two young art students writing their individual theses on two Surrealist artists and the intriguing mystery they uncover in their research. An uncovered journal also takes the story to one of these artists, Juliette Willoughby and her time in Paris in the 1930's when she runs away from her wealthy family to live with her artist lover.

Throw in a myriad of twists and turns including a family 'curse', missing people, unexplained deaths, secret societies, art exhibitions, mysterious artists, then add a touch of Egyptology and you will finally discover what the Final Act of Juliette Willoughby was....

I highly recommend this.

4.5 rounded up

This complex and clever novel starts in Paris of 1937/8 with the tragic love affair between two surrealist artists, the heiress Juliette Willoughby and her married lover, Oskar Erlich. The pair perish in a studio fire along with their work, including Juliette’s “Self Portrait as a Sphinx”. Moving on to 1991 in Cambridge and two art history students, Caroline Cooper and Patrick Lambert who are about to undertake their final year dissertation. They are encouraged to focus on Surrealism especially to explore Juliette’s story via her aristocratic family’s ancient Egyptian collection known as The Willoughby Bequest. This leads Caroline to making several startling discoveries. In the present day, Caroline is a Professor of Modern Art at Cambridge University, an expert on surrealist female artists particularly Juliette. Patrick is an art dealer based in Dubai which is where the story begins and ends. Three timelines, nefarious deeds, is Juliette’s painting the key to understanding and unlocking more than one mystery?

Wow - I love this novel which is my favourite by this author duo by a country mile! It’s part mystery thriller, part art history and the world of art, part love affair and tragedy, there’s a domestic and family history element , a strong driving force of obsession and also examines how women are painted out of a significant art movement. Sounds busy? It’s actually woven together into one well integrated whole, making for compelling and riveting reading and I for one can barely lift my eyes from the pages. What has been created here is exactly the kind of story that would indeed capture people’s imagination in real life, although of course, being fiction there’s inevitably dramatic license but nothing I can’t wholeheartedly buy into.

The novel is fast paced, it has vivid, colourful and cinematic scenes starring many larger than life characters. It’s richly atmospheric with great locations (Paris, Cambridge and Dubai) and the tone varies from excitement to fear and/or anxiety and on more than one occasion a strong sense of paranoia. To say there are twists and turns doesn’t do it justice as there are multiple pull you up sharp moments if not jaw droppers. It’s a fascinating enigmatic puzzle. What is the riddle Juliette is trying to impart? How to interpret her clues? This takes the storyline into Egyptology - yet another terrific element!

Although I do guess part of it, it’s just great to prove myself right (!) and it certainly doesn’t spoil the exciting outcome. Fantastic!

Overall, an exhilarating, cracking, belter of a read and one I can highly recommend.
Great cover too!

With thanks to NetGalley and especially to Pan Macmillan for the much appreciated arc in return for an honest review.

I LOVED they layout of this book with the jumping about of POV and timelines. It worked so well and left you wanting more. We were given little puzzle pieces in each chapter and they all came together to create the whole picture and it was flawless! The intricacies of the plot and character connections were all so good and so clever.
Overall, an amazing book! I highly recommend.

When History of Art students Caroline and Patrick embark on their final year dissertations at Cambridge, little do they know that their relationship with a particular painting will unite them for decades, bring fame if not fortune, lead them across the globe, and even into prison. What is this painting and who is the artist?
Ellery Lloyd invents the intriguing Juliette Willoughby, painter of ‘Self-Portrait as a Sphinx’, and immerses her in the Surrealism art world of the 1930s. Absconding to Paris with her lover, she dies in a fire and that appears to be that. However, Caroline and Patrick come across artefacts during their research which suggest that not all has been destroyed.
‘The Final Act of Juliette Willoughby’ is going to please plenty of readers. However, whilst it may have been fun to plot such a complex tale with its skilfully interwoven timelines, my overall impression is that the reader is asked to suspend their disbelief just once too often. And call me pedantic, but the use of ‘gotten’ spoken by particular English characters is incredibly jarring. For example, ‘‘There might be, but I haven’t gotten to it yet,’ Caroline said.’ Really? In 1991? That voice just didn’t sound authentic – and it happens over and over.
My thanks to NetGalley and Pan Macmillan for a copy of this book in exchange for a fair review.

Three novels in and husband and wife writing partnership Ellery Lloyd are carving out a clever niche for themselves - ingenious, well-written plots with thought-provoking, zeitgeisty themes ('lost' women in art history serving as a key one here) that never come at the expense of pacing or plot. This one - an art/murder mystery set over three timelines - is another winner from the pair. Loved it.

Another throroughly enjoyable read by the writing duo who make up Ellery Lloyd. I love the male and female perspectives in their book, which always adds a deeper dimension and perspective.
This book plunges us into the world of Cambridge university and Surrealist Art, which i found absolutely fascinating. There were some twists and turn in the book which I did see coming but I felt that this was intentional and that the trail of crumbs had led me to them.
There are three timelines and three different voices - firstly Juilette Willoughby a lesser known surrealist artist ( fictional) in 1938 Paris. Then the story and both perspectives of 2 Cambridge art students in 1991 and then their current situation in Dubai. Just to add to the mystery there are supiscious deaths involved in the scenarios.
The authors deftly weave us through the different time periods and kept me turning the pages. In fact I pretty much read this in one sitting and it did give me food for thought.

This is the third Ellery Lloyd book I've read and found them all enjoyable.

Like the others, this is a slow burn the first two thirds of the book telling the story and laying the crumbs for the ending. Set over 3 timelines, Paris 1938, Cambridge 1991 and Dubai present day with the painting  ‘Self Portrait as a Sphinx’ by Juliette Willoughby at the heart of the story.

Caroline and Patrick, Cambridge art students doing their dissertations on surrealism stumble upon clues that the painting might still exist and in their search they find family secrets, subterfuge and murder.

 A quick, entertaining read.

It’s 1991 and Caroline Cooper and Patrick Lambert are studying the History of Art at Cambridge University. More than a little attracted to each other, they have several attempts at being together, but due to an unfortunate past that she can’t dismiss, Caroline always pulls out of any commitment. However, unbeknownst to each other they are both assigned Alice Long as their supervisor to advise them on their dissertations. From the first meeting they are encouraged to look further into the life of Juliette Willoughby, a Surrealist artist from the 1930s who died in a fire with her lover, the artist Oskar Erlich, in their apartment in Paris. Their works were also destroyed during the fire.

As the young couple delve into the records, discoveries are made.

This is my first book by this dual enterprise and I enjoyed it very much. Although a bit of a slow start, it is well written, with definite shades of The Goldfinch.

A good multi layered read, set over three timelines and told from various POV. Neatly tied up ending.

I would definitely recommend.

Thank you NetGalley and Pan Macmillan

I loved this book so much - the glamorous locations, the Saltburnesque characters, the fascinating history of art detail. This book races along - and takes the reader with it. I learned a lot and so enjoyed it.

The death of artist Juliet Willoughby, who scandalously eloped with her married lover in the 1930s, reverberates through the decades in this gripping tale.

The official account of Juliet's death in a studio fire comes under question as, over half a century later, two art students in Cambridge discover that there may be more to the story. But what Caroline and Patrick discover may bring them into conflict with the secrets that the Willoughby family has carefully hidden over the years...

In the third timeline that appears in this story, set in contemporary Dubai, the last member of the Willoughby family dies under suspicious circumstances. It is Juliet's masterwork that may provide the clues to solving these multiple mysterious death cases. But will the true story ever come to light?

This is an interesting novel, set over three timelines and featuring multiple protagonists. The author does a good job of balancing the stories she is telling whilst maintaining an engaging storytelling process throughout.

I have read both of Ellery Lloyd's previous released books The Club and People Like Me and absolutely loved it, putting them as one of my favourite author's and this book was no different as it had me gripped like the two previous novels.

‘The Final Act Of Juliette Willoughby’ by Ellery Lloyd is an exhilarating, mysterious and layered tale about a lost painting, long buried secrets and obsession. Set across three distinct time periods and locations, we are whisked between Paris 1938, Cambridge 1991 and Dubai in the present day and visit glamorous locations including artists’ lodgings, surrealist exhibitions, academic libraries, country houses, sophisticated galleries and renowned auction halls.

In 1991, students Caroline and Patrick meet with their dissertation supervisor and their interest in surrealism leads to a discussion of the mythic ‘Self Portrait as a Sphinx’ by Juliet Willoughby, which was exhibited for one night only in 1938 and presumed to have perished in a tragic fire along with its painter and her famous artist beau. In the present, Caroline and Patrick are brokering a multi-million pound art deal until a suspicious death and a murder arrest. However, it’s in Juliette’s journal entries from 1938 that the real seeds of mystery are planted… While the world may have viewed her as an English MP’s mad daughter who absconded to Paris and fell in love, she was actually an artist with a terrible secret whose star shone brightly before blazing out and who refused to be erased from history.

This book has so many mysteries to unravel, multiple deaths to explain and an abundance of connections woven throughout. It was supremely satisfying and empowering when everything came together. The final discovery was gruesome and sad, but believable in its simplicity.

I adored Ellery Lloyd’s ‘People Like Her’ but didn’t really connect to the characters in ‘The Club’… I am thrilled to say that the stars of this novel are smart, interesting and motivated, with captivating pasts and hidden depths. I cared about Juliette’s truth and Patrick’s ordeal. I enjoyed the feminist message also.

Five stars and highly recommended!

I received an advance Digital Review Copy of this book from the publisher Pan MacMillan via NetGalley. The opinions expressed in this review are my own.