This is such a clever book, enabling the reader to easily understand five hundred years of Venetian history whilst telling an almost linear family story. The device of moving the time backdrop behind the characters is masterly and instructive, inviting the reader into the world of glassmaking.

The reader is seamlessly transported from medieval trading to a post-covid world. The characters are so beautifully drawn that they and their relationships between each other means that you barely notice the speeded up politics and landscape. In other hands this could be clunky, irritating and tricksy but Chevalier's vision and craft caught me (and held me) in its slipstream.

I thought it was completely fabulous

With thanks to #NetGalley and #BoroughPress for the opportunity to read and review

Another great read from Tracey Chevalier. A historical fictionalisation of the lives of tthe glassmakers of Murano, with an original time-slip element. I thoroughly enjoyed the way that the story was told like the liquidity of melted glass. Great characterisation and plotting and the sense of place was superb. I have never been to Venice , but the descriptions seemed very believable. Thank you net galley for this proof copy.

This is a very wonderful book indeed! It follows the story of Orsola Rosso, who is a young girl from Murano when the story begins, in 1486 and an old woman when the story ends in the present day. Surely that cannot be right? Tracy Chevalier uses a brilliant device, making time in Venice pass slowly, and time in the rest of the world pass much faster. This could be confusing, but it is done so well that the story flows through centuries without a hitch. Orsola comes from a family of glassmakers on the Venetian island of Murano - she has a real talent herself for working with glass, but at the start of the story this is just not something any one of the Murano glass makers would even consider - a girl? making glass? No no no no! As the story moves through time Orsola’s skill grows and she becomes a glassmaker in her own right, with help from a wide cast of beautifully drawn characters, but not always from her own family. The narrative takes the reader through so much of the history of Venice and Murano glass, and it does so with tremendous skill, knowledge and impressive research. This is my book of the year to date - it really should be up for the major prizes!

I was delighted to receive a review copy of Tracy Chevalier's latest novel. It was fascinating to learn about the complex crafting of Murano glass and the hierarchy in the workshops, and to witness Orsola, one of so few women glassworkers, quietly and often secretly making her mark. However, the descriptions of bead-making were too detailed and too frequent.

As time went on tensions in the Rosso family increased as the men battled to be the master and the women struggled to hold the family together through plague, hunger, flood and many other setbacks inflicted upon them through the centuries.

As for the timeline I was at first irritated by the leaps forward through time but then decided to accept them, telling myself that I was reading not only a family saga but also a potted history of the intriguing city of Venice. However, the ending felt completely wrong. Orsola was in her 60s in the 21st century but the returning character who logically would have been a similar aged Antonio was a many times great-grandson. I wonder why the author chose to end the novel with a situation that was so inconsistent with the rest of the book.

As always with Chevalier this novel is immensely readable and meticulously researched, but for me it is not her best.

This is the story of Orsola Rossi, born in the 15th century to a family of glassmakers on the island of Murano. The novel is a mix of family saga, a carefully researched account of how different forms of glass, in particular glass as an art form, are made and also an overview of the history of Venice over the last 600 years as it concludes in the present day.

Orsola and her immediate family and friends age normally, but time moves on without them which allows Chevalier to show us Venice in the plague, Venice invaded by Napoleon, Venice flooded, Venice invaded by tourists and Venice in covid lockdown. I did get used to this but found it slightly unnerving.

The family saga aspect is well done, full of small details about family rivalries, the difficulty or otherwise of accepting new family members who marry in as well as the confinements of women and the ways in which Orsola is gradually and rather grudgingly allowed to make glass (but only beads) of her own.

Definitely a good read. Many thanks to the publisher and Netgalley for a review copy.

This beautifully written historical novel/ family saga follows the Rossi family of glassmakers, focusing on Orsola Rossi, who in a time when glassmaking was a man's world, breaks tradition by making beads to support her family.

The novel spans several centuries ( the characters age slowly while the world around them changes rapidly) - initially this is confusing but quickly becomes a natural part of the storytelling. This is an absolute must-read for lovers of historical fiction or even those who have a soft spot for Venice.

This latest novel by Tracy Chevalier, with her wonderful characters and vivid depictions quickly transported me back into the scenic waterways of Venice, and its alluring charm and glass pieces.

The novel follows the captivating story of a family of Murano glassmakers whose lives are intertwined with Venice's history. Murano, with its timeless atmosphere, provides the backdrop for the Rossi family's journey.

At its core is Orsola Rossi and her family, navigating through challenges and triumphs. In a traditionally male-dominated glassmaking industry, Orsola breaks conventions by venturing into bead production to support her family, echoing the pioneering spirit of Maria Barovier.

Set against Venice's historical backdrop, the family experiences love, tragedy, and illness. The narrative intertwines with Venice's evolution from a bustling trade hub to a tourist destination, facing plagues, invasions, and environmental challenges like floods. Despite these, Venice preservers, relying on its charm to attract admirers.

Through compelling storytelling, the novel portrays Venice's resilience and the Rossi family's legacy amidst the currents of history.

I loved this book and am so grateful to Net Galley and HarperCollins UK for providing an advanced reading copy. This is one that I will purchase so that I can read it all over again after it is published. If you enjoy literary historical fiction and have a passion for Venice like I do, you won't want to miss this one

A beautifully written, well researched historical novel, set in Venice & the island of Murano.

We follow Orsala, from the age of nine & the people that are important to her, from 1486 to the present day. We learn how she adapts to these changes ranging from the Plague to Covid. This sounds confusing, on first thought, but the way the time line has been written makes the reader move along with it, with such ease.

The author gives wonderful descriptions & intricate detail of glass making, Venice & Murano.
I have read previous books by this author & once again she hasn't disappointed!
I highly recommend this book & I know
the characters will stay with you, long after you've finished reading.
Thank you to NetGalley for my ARC in exchange for an honest review.

I loved this book for the way it magically transported me to Murano and into history . The lives of the glassmakers and of Orsola Rosso who sets out to make glass against all traditions in a bid to save the family business are so exquisitely described , you can feel the heat from the furnaces and see the glass flowing . A skimming stone is used to transport the reader to another century and another chapter in the history of glassmaking , it is used in a way to ensure that the reader finds it natural that Orsola witnesses all the events., The way Tracey Chevalier weaves the story together makes it easy to forget that someone alive during the Renaissance could not possibly be around to see Venice turn into a major tourist destination in the Twentieth Century.
This is both the love story of Ursula and to the tradition of glassmaking on Murano.

Thank you to the publisher for gifting me an advance copy to review ,this is a book that I look forward to reading again once its published and shall be recommending to my reading group.

I haven't read a book which has this kind of timeline before. For Orsola Rosso and her family time moves slowly, whilst life in Venice and the rest of the world moves quickly. The Glassmaker is set against the backdrop of Murano and Venice and everything that happens to the city over 500 years, is mirrored in the fortunes of the family. 

Tracy Chevalier is a master of her own craft, and The Glassmaker is vivid, inventive, spellbinding: a virtuoso portrait of a woman, a family and a city that are as everlasting as their glass. I've always enjoyed her books, some of my favourites include The Lady and The Unicorn, Girl with a Pearl Earring, A Single Thread and Remarkable Creatures. I love that they feature so many crafts and skills, and that she often learns the very crafts she writes about. Glass blowing is fascinating and I enjoyed the opportunity to learn a little more about it.

Like some of her previous books I found the details of the glass making slowed the pace initially. I found a similat problem in the book about Winchester Cathedral.

Another classic from Tracy Chevalier! Thus great slice of women's historical fiction focuses on a family of glassmakers on the island of Murano, just outside Venice. It discusses their relationships and business problems, while weaving in so many historical details about the glass trade and Venetian trade. I particularly liked the scenes set during plague quarantines, which were clearly influenced by Covid and brought the repeated terror of the plagues in Venice to life. One really interesting choice was that the author repeatedly skips forward in time, but instead of moving to another generation, simply has the main characters skip forward too, in an almost magical realist way. This could have been very jarring, but it actually served to show how little changed in the backwater of Murano, and how people were essentially living in a medieval way for centuries. Thoroughly recommended.

This is a glorious read! I was swept away to Venice and became fully immersed in life there to the point of not wanting to step back into my own life when I had to put the book down. I love Tracy Chevalier’s books and this is now my favourite. She has created a wonderful opportunity for the reader to move through time with spirited Orsola Rosso and her family, learning about the craft of glassmaking and experiencing life in Murano and Venice at important times in history. I found it absolutely captivating. The way that the characters move forward in time without ageing at the same rate is so clever. The members of the Rosso family are appealingly flawed and genuine. I felt invested in their lives and wanted them to succeed. The sense of place is incredible throughout and made me feel as though I had been transported to Venice and Murano, and was experiencing the sights, smells and sounds with the characters. I won’t forget this book any time soon!

As usual in my reviews, I will not rehash the plot - instead I recommend that you read this for yourself!

I've read several books by Tracy Chevalier, and this is my favourite!

As usual, the author has clearly done huge amounts of research into the history and background of her settings and characters, and it shows.

The story uses a clever device to explain how we are able to follow Orsola Rosso and her family through the centuries. I always love a timeshift novel, and this was really beautifully handled - time moves differently on the island of Murano. This allows us to travel through notable periods in history, keeping step with a growing cast of characters with the Rosso family members at the centre. Truly inspired!

Having been - for a few years a while ago - a maker of glass beads myself, I really enjoyed reading about how the process was done in the past, and also the huge amount of detail describing other forms of glasswork. I was sorry to reach the end of the book if I'm honest, and would love it if there were other stories about this family.

Looking forward to reading more by Tracy Chevalier!

Recommended if you like your historical novels with timeshifts!

My thanks to NetGalley and the publishers for an ARC. All opinions my own.

Classic Tracy Chevalier.
I thoroughly enjoyed this book.
Orsola is the daughter of a glassmaker in Murano. Glassmaking is men's work, and women are expected to know their place and keep the home running, but Orsola wants to learn the art. She meets one woman who has made her way in this man's world and learns the skills from her.
The story travels through time with Orsola, starting in the 15th century. Chevalier plays with time, using the device of a stone skipping across a lake, stopping at different time periods when the world has moved on, but Orsola and her family have aged only slightly. World events, such as the great plague, the First World War and even Covid are experienced by Orsola.
Fantastic detail about glassmaking, and a compelling narrative, together with descriptions of Venice and Murano, make this a really good read.

Orsolo Rosso lives on Murano, part of a glass making family. Starting in the 15th century, this story follows her life as she learns her own style of glass making to help keep the family afloat.
Whilst the story of Orsolo moves gently on, the background time jumps ahead in leaps and bounds, ending in the present time. This is an interesting technique that contrasts the everyday routine and hardships of the family with the major events affecting Venice and the world at large.
This book was a gentle read. I found the beginning of the book quite slow to get going. There was clearly a lot of research done into glass making but this was overly described at times. The pace of the story was a bit stop and start. It felt a bit stuttering as each leap in world time was made.
Overall it was reasonably enjoyable but her other books are better.

It’s another gem from Ms Chevalier!

As you come to expect from her books you are not only transported to a time and place, but completely immersed into the lives of her characters. We follow Orsola Rosso, a Muranaise glass bead maker. The fact that it is so unusual for women of the time to be allowed and accepted in the world of Murano glass making is no accident as it is Orsola’s strength determination and stoicism that dictates the story we follow. As each chapter in he life concludes we are taken via the analogy of a stone skipping over water to another time and whilst our protagonist ages naturally, the backdrop of Venice and its islands skip through decades and centuries. I found this concept hard to grasp initially but once I realised what was happening, embraced it and became eager to see how Orsola would adapt to an ever changing world. Most of the female characters are strong, made all the more obvious by the accurate descriptions of the male dominated world they revolve in.

As usual, the attention to detail is unsurpassed and you really have to credit Chevalier with being one of the best fiction researchers around today. I find her use of the English language to be ideal for a book to be enjoyed and not just studied, it is accessible and yet so descriptive, without becoming bogged down in unnecessary detail or becoming too verbose.

The story loosely follows a lost love and the fallout from it but it is so much more than a romance. It details the intricate workings both physical and political of the world of glassmaking and yet is so much more than simply a history book. It describes Venice through the ages but is more than a travel guide (although I can guarantee you’ll be thinking about a trip there soon!).

Not sure if you’re interested in glassmaking? Give it a go, you’ll be surprised!

How long until the next one? 😂

The Glassmaker is a truly astonishing work of historical fiction. Tracy Chevalier is a gifted writer with an incredible eye for detail and in this book, as in others, she has brought a specific and little known skill to life in an ingenious way. Centred around glassmaking, Orsola makes glass beads. I was fascinated by the process and it adds an amazing factual perspective to glimpses through time as the beads skip over some six centuries. Retaining a simple singular viewpoint, the story weaves around other important events and their impact including plague, Napoleon, the First World War and Covid. It’s a clever and imaginative literary device and works seamlessly here.

Chevalier is adept at bringing things to life, be it places or people. I felt I was in Venice when it was a trading centre of the world some five hundred years ago. There’s a vibrancy and elegance to her writing which never seems laboured and her characters are so real. Without doubt, she’s one of the greatest living authors and this is destined to be a best seller. Simply outstanding and totally immersive.

Lots of interesting facts about the historic glassmaking methods on the island of Murano, told through the eyes of the young Orsola Rosso. Tracy Chevalier uses an unusual way of moving the story through the centuries which increasingly becomes a harder premise to believe until it becomes very irritating. One of the eras covered included the plagues that ravaged Europe and yes the story reaches the present day and the obligatory comparing and contrasting with Covid.
I’m left with very mixed emotions about this book.

The Rossos are a family of glassmakers in 15th century Murano. Orsola, the daughter of the family yearns to be a glassmaker herself in the male dominated world and is inspired by the one woman glassworker on the island to teach herself to make decorative beads, at which she comes to excel. The story skips from century to century towards the present, as the family has to deal with accidental death, plague, competition from abroad and war. Across time the family dynamics are central but there are important and shifting trading partners to deal with. Beautifully written and utterly compelling, its a must read.