Member Reviews
I thoroughly enjoyed reading this story - each character was beautifully written and felt like a unique person. I felt as if I was also in the French countryside, sitting on the farmhouse terrace or in the studio.
I was completely hooked from the moment I started reading the book. I want to express my gratitude to the author, publisher, and netgalley for providing me with access to this advanced reader copy. As a fan of 20th-century art, I knew I had to read this book as soon as I read the synopsis. The characters are beautifully complex, and the pacing of the book is perfect. Although the book starts off a bit slowly, it quickly picks up and becomes even more captivating after a couple of chapters. I particularly enjoyed the appearances of famous authors and personalities in the story. This book truly excels in character development, making it a brilliant and engaging read. It's definitely one of the best books I've read this year.
Stunning book. A story that slowly evolves, drawing you into the lives of Joseph and Ettie. One could feel the heat and suffocation of both their respective situations and the southern France summer. Somehow, the author pulls off the feat of developing the story slowly but intensely. Masterfully done!
Such a beautifully written book. The descriptive language is mesmerising. You are completely immersed in the world of Ettie, Joseph and Tata. I highly recommend this book.
Thanks to Netgalley for sending me an Arc in return for an honest review.
1920, England
Joseph's life choices have never been good enough for his father. Joseph is opposed to violence and is a conscientious objector. He avoided the Great war, unlike his brother Rupert who fought bravely. Joseph attended a prestigious art school before becoming an art critique, and writing columns for an art magazine.
Joseph finally receives a reply to his letter requesting to interview the famous, reclusive artist, Edouard Tartuffe. A friend of Van Gogh and mentored by Cézanne, he is Joseph's favourite artist. The letter says one word "come" and the artist's signature. He immediately packs a few essential items, and some clothes, and begins the journey from his home in London to France to interview Tartuffe. Nobody has been given permission to do this before.
1920 France
Tartuffe, or Tata as he is known by her, is Ettie's tyrant uncle whom she both loves, but at times, hates. He is selfish, bossy, and can be grumpy if she doesn't have his wine ready. The misanthrope is notorious in his small French village, living in a rambling farmhouse with his niece. The artist's temperament is something Ettie has learned to manage. She does everything for him, from cooking and cleaning, shopping and feeding him, and preparing his studio ready for his next masterpiece. She has been doing this since she was seven years old, when her mother left her behind. But Ettie has been keeping something hidden, at night, she lives in a world of her own making.
I loved the slow pace of the writing echoing the Summer of Provence. It is a peaceful setting which takes the reader to the open fields, the artists studio and the home that the main characters share. But sometimes the peace is shattered, and this is well represented.
Each of the characters in this book are wonderful, but I especially loved Ettie's calmness balancing with Tata's storminess. There is so much more to Ettie than we first realise. As the story goes on, we begin to see how this little mouse of a girl has developed into someone strong and in some ways, independent.
Although Tata is brash, rude, and hard to understand, there is also an underlying insecurity to him which explains his mood swings. He is the quintessential artist, and I found him interesting to read.
Joseph and Ettie's friendship is frustrating at times. They skirt around each other with their feelings just visible under the surface. But this is the 1920's, and etiquette is followed, which makes them resistant to their emotions. They have an underlying bond through art but also through the difficult relationship Joseph has with his father, and Ettie with her Uncle.
For me, one of the most touching parts of this book are the stories Ettie and Joseph recall of their experiences during WW1. They are both incredibly honest and heart wrenching.
Raimondi, the artist's agent and Harry, the magazine's editor, are wonderfully depicted. In their own ways, they are important to the story and this is presented well.
I will be looking out for more from this author in the future, she has captured me with this debut novel. I would recommend this book to art lovers and those who enjoy historical fiction.
The Artist is a beautifully crafted novel set in 1920s Provence, exploring the lives of three deeply connected individuals—Ettie, the niece and caretaker of reclusive artist Edouard Tartuffe, and Joseph, an ambitious journalist seeking to write about the famous painter.
As the story unfolds, it becomes less about Edouard Tartuffe’s art and more about the emotional journeys of those living under his roof.
This novel is ideal for readers who appreciate literary fiction in particular, those with character-driven stories. I found it to be a rich, immersive read and look forward to reading more by this author.
A clever study of three people living under the same roof; Tata the elderly famous artist, now far removed from the bustling art world of Paris, his niece Ettie looking after all his needs, and Joseph, the summer visitor there to write articles about the great artist. It’s an evocative novel uncovering the background to their individual lives and experiences, releasing emotions and secrets. The storyline is unique and makes compelling reading, emitting tenderness and love, revealing the desires for freedom to be at peace with one’s self and unleashing the hold imposed by others.
My thanks to NetGalley and the publishers, John Murray Press, for this ARC in return for an independent review.
Thank you NetGalley and John Murray Press for an e-arc of this book.
I had not heard of this author nor am I an 'art' fan, it is different from my usual genre - however I was really intrigued by the description.
What an absolute delight this book was to read. We follow aspiring writer Joseph, as he manages to secure an exclusive invitation to the home of reclusive artist Edouard Tartuffe. Joseph intends to write an article and be on his way, however, he ends up drawn into the life Edouard shares with his niece, Ettie, and soon the crackling tension brings out the best and the worst of everybody.
This book had wonderful pacing, with the dual POV and three distinct sections we are taken on a journey that blends the past and present exquisitely. The way the author describes the paintings and and their subject matter is beautiful - in particular the food.
The character development we witness - in particular of Ettie - felt incredibly genuine and there is such a vast and heartbreaking demonstration of human feeling. Yet at the same time we get real moments of joy and freedom.
This book is not necessarily one for us to figure out the plot and feel satisfied with 'knowing' but, more about the journey we go on with the Ettie, Joseph and Edouard to get there.
Would recommend putting this one your TBR!
This is an interesting story and Lucy Steeds writes well. It is an easy read.
A young male journalist, Joseph, secures an interview with a famous French artist who notably does not go out into the world. Tartuffe, the artist, lives secluded with his neice, Ettie, who does everything for him, including all the preparation for his acclaimed canvases. He does not speak with anyone else.
The story gradually unfolds to reveal secrets and lies, love and loss.
The descriptions of the painting process are particularly fine. The landscape also comes to life.
I would recommend this novel and hope to read more by this author. I read a proof copy provided by NetGalley and the publishers.
It's been over two days since I've finished "The Artist" by Lucy Steeds and I'm still lost for words... This book is a masterpiece and have raised my standards so high that I'm afraid to start another book (and that ladies and gentlemen was never a problem). I'm not going to share a blurb, as if you are looking at my review, you've probably saw it and would scroll down anyway, and if you haven't I hope what I have to say will make you to look it up for yourself.
Main characters are Ettie, Tata(Eduard) and Joseph. Everything takes place in 1920s Provence. Let me stop here for a moment. The writing style and language used, takes you, my dear reader, to France, whether you want it or not. Descriptions of meadows, streams, wind in your hair along with smells of flowers or rotten food are so perfect, that you can feel it as if you would stand beside any character or look at everything through their eyes.
Let's move to Ettie or Sylvette if you wish. She represents, for me anyway, every woman that had dreams squished or pushed into a corner by a family member or society in general but despite it, she still keeps the flame going and slowly builds it up into a roaring fire.
I feel like no matter what words I'm going to use, they'll never be enough and won't give this book a justice. It's impeccably crafted, epic in every sense of the word and one that you'll lose yourself in.
Massive thanks to Netgalley to provide me the early copy in exchange for an honest review
I was consumed by this novel from the first few pages. Set in the isolation of a rural home in Provence, France, the characters of Tata, Ettie and Joseph are so convincingly depicted.
Beautiful atmospheric and brimming with life and light and energy, the author's writing is vivid and polished.
Perfectly plotted, from beginning to end there was never a relief to the relentless pace.
I highly recommend The Artist.
Thank you to NetGalley for providing me with an ARC.
A fantastic book—layered, deep, and beautifully written. A must-read for 2025. The Artist is a story set in 1920s France, told from two perspectives: Joseph, a young British journalist who arrives in a Provençal village to write an article about a renowned yet enigmatic painter, Eduard Tartuffe, and Effie, the painter’s niece, who has spent her entire life serving both his work and Tartuffe himself. Effie is quiet and withdrawn, unfamiliar with the world, and has never received a formal education. Yet, over time, Joseph begins to realize that the greatest mystery of the small Provençal cottage isn't really the reclusive painter but a woman living under the same roof.
I must start by saying that this book is a must-read not only for art lovers but also for those seeking a deep sensory experience—you can literally feel the scent of the Provençal summer, see the colors of the paintings, taste the food, and experience the emotions the characters are going through. This is truly the fantastic value of this novel.
The book includes a mystery element, but the author doesn't aim to shock the reader—we can guess what’s really happening from the early pages. The real goal is to accompany the characters as they discover themselves, learn what art means to them, and understand how much they are willing to sacrifice to feel free and break away from the hardships of the past. Getting to know the characters and following their growth is really the essence of this story, with everything else serving as a tool to achieve this goal. That being said, it doesn't mean that the book can't surprise you. When I first picked up this novel, I expected a well-written but fairly simple story about an artist and a young man admiring his work, with the rest being secondary details. However, the author took the plot in a less obvious direction. With each page, I became more convinced that this is, above all, Effie’s story.
What particularly moved me in this book was the depiction of the experience of the Great War—so different for Effie and Joseph, yet deeply traumatic for both. The psychological trauma following this conflict is a topic of interest to me, and I greatly appreciate how the shadow of war added an additional layer to the already complex experiences of the main characters.
I highly recommend this book and eagerly anticipate the author’s future works, as she shows great potential in the historical fiction genre.
I went into this book thinking it was Joseph's story... or Joseph telling the story of Edouard Tartuffe, but the further in I got, it became Ettie's story.
Her story, how she grew up, and what circumstances have made her, and how she fights back against that.
I applauded her every second of the way.
The author brought the location and characters to life, I was all for popping into the national gallery later this week to see if they had some Tartuffe on display.
Excellent book
When young art journalist Joseph escapes grey post-war England, the recent death of his mother, his oppressive and disappointed father, he leaves his much-loved shell-shocked brother: damaged by the Great War and he runs towards sunlight, art, beauty and freedom. He escapes to the south of France. There he stays with reclusive and irascible painter 'Tata' who controls his silent helper and 27 year old niece Ettie. Ettie is a marvellous character and this book is fascinating in the way that it examines love, power and dependency.
Writer Lucy Steeds captures the stultifying heat and the stillness of waiting; the ripe to bursting fruit, the isolation that is both a prison and an Eden. Steeds layers unsettling threat beside beauty and fleeting moments of sensual joy. There is poison and rot amongst the living, youthful and luscious in this painterly, richly visual and sensory book.
What an interesting and layered book.
Set just after the first world war, we are submerged in a new microcosm in the South of France. Joseph, an art journalist wants to interview the famous Edouard Tarfuffe (60). A student of Cezanne and friend of van Gogh. He has been a recluse in a large country house and studio, where his niece Ettie (27) is his assistant, chef, cleaner, shopper and much more.
The book has languid pacing which makes you feel like you are in a hot summer field in Provence. I think both Ettie and Joseph are well rounded and interesting protagonists. I found their memories of WW1 very interesting on a human level, also the most touching parts of this book.
I recommend this book to lovers of historical fiction and artists.
A true tour de force. Aspiring journalist Joseph has been invited to interview reclusive artist Tartuffe, known as Tata. There he meets Ettie, Tata's niece and housekeeper. Tartuffe never leaves his home and thinks only of his art but Ettie has a secret. As Ettie and Joseph grow closer, he learns what really makes her tick, how tyrannical Tartuffe can be and what determines the true worth of art. In turn, Etta discovers Joseph's story and why he chooses to have an extended stay with them. A fiery conclusion and slightly ambiguous ending complete this magnificent book.
Phenomenal. I was gripped by this book from the beginning.
Set in the south of France, an artist called Édouard Tartuffe and his niece Ettie, live isolated in a big house in the middle of nowhere with almost no contact with the outside world. Until one day, a young journalist from London reached out to ask for an interview with the artist. He gets a reply with one word only: “come”.
I thought the writing was incredible. The way Lucy Steeds talks about art is almost like she understands how art speaks to one’s soul. The characters are complex, and she writes with an intimacy, sensuality and meticulousness that makes someone’s heart skip a beat when she describes emotions like longing or craving.
“The greatest lesson his mother taught him was not to worry about understanding art. 'Just let it wash over you,' she used to say. 'Don't worry about what it means. Just look, and take whatever you need from it.'”
I really enjoyed this book and would recommend it! Thank you the author, the publisher and NetGalley for letting me read a copy in advance in return for my honest review
As someone who enjoys art and particularly reading about art history, I was immediately drawn into this book. I found it to be fast paced and was interested throughout. I loved how the author connected the start of the book to the end, although I wish there were more regarding the ending as I found myself interested in all characters and would have liked to see them in the conclusion.
Overall, a great read! 4.5/5
Lucy Steeds' writing is very atmospheric and often quite poignant. Her characters are flawed human beings, each vulnerable in their own way and burdened by the emotional baggage of their individual experiences. Steeds expertly conjures up the oppressive heat of a French summer, the claustrophobic ambience of the household in which the young journalist, Joseph, finds himself a guest and reluctant model of the reclusive fictional artist, Edouardo Tartuffe. The references to real artistic figures like Paul Cézanne and Sergei Diaghilev lend the novel a sense of realism, period and historical backdrop in a story that is otherwise entirely fictional.
An excellent debut by a potentially promising author whose work I shall be looking out for in the future.
Many thanks to the publishers and to Netgalley for the ARC.
The book that I have just finished reading is a book set in the French countryside and follows an aspiring journalist, Joseph, who gets invited by his favourite artist to travel to his home and write an article on him, or so he believes. When Joseph arrives he finds that the artist had no idea he was coming and he was in fact invited by the artists niece, Ettie. They reach a deal however. Joseph can stay and write his article if he agree’s to be the artists model.
I can’t tell you what drew me to this book. It’s been a while since I’ve browsed through NetGalley and I saw this one in the general fiction section and something about it just stood out to me. Without knowing too much about it I requested it and started reading it soon after I got accepted and it had me in it’s grasp from page one.
This book is so full of intrigue and it’s so steadily paced. Throughout it has these little reveals that keeps the story going and keeps making you want to turn the page. It’s a very isolated setting so you get to know these characters quite intimately and by the end I found I had come to really care about them, especially Ettie.
Through Ettie, Steeds explores a women’s place in an artists world. This is historical fiction set post WWI which is one of my favourite eras to read about anyway, and a very interesting time in the feminist movement. Steeds explores a very Virginia Woolf, Room of One’s Own feminist message which I think made me love this book even more. I’ve read books like this before where authors make the creative decision to keep these female characters silent and in the background to reflect their situation. Steeds wasn’t afraid to make this Ettie’s story, give her a voice, a fire in her belly.
“When nobody is looking she can do as she pleases, living in the freedom that comes when other peoples eyes are turned away.”
There is also a beautiful romance that blossoms and a mystery with a very satisfying conclusion. This book has a lot of heart to it and it is written with a beautiful tenderness. Steeds has a way with words and it makes me quite sad that this is her first novel. I am impatiently waiting for her to write more, and her debut hasn’t even been officially released yet.
“It is she who commissions the frame and returns a week later to carry it home, slung over he shoulder as if she herself is a painting.”