It's a tricky one! I loved the writing of 'Smoking cigarettes in bed' but this collection was so much longer, and also so much darker. I struggled to read it in a continuous way because it was getting too depressing, so I had to take bigger breaks between the book. Great atmosphere and the sense of dread, but perhaps too downbeat for me at times.

As is her style, this was a short story collection of weirdness and body horror that I found to be good but not as good as The Dangers of Smoking in Bed which I loved.

A Sunny Place for Shady People cements Mariana Enriquez’s reputation as one of the most compelling voices in contemporary literature. Her stories are visceral, moving, and haunting, lingering long after you close the book. For anyone who appreciates literary horror with emotional depth, this collection is an essential read.

this is the first book ive read by this author and i cant wait to read more! haunting and spooky and realistic while also incorporating supernatural aspects. the writing was so vivid and descriptive, to the point i had to skip a couple of the stories bc they got in my head too much, would definitely recommend!

Thank you, NetGalley and Granta, for the opportunity to read A Sunny Place for Shady People in exchange for an honest review.

Enriquez crafts a dark, haunting collection in A Sunny Place for Shady People, with each story delivering chills in an addictive way.

Having read and loved Enríquez' 'Things We Lost in the Fire' and 'Dangers of Smoking in Bed' I was very much looking forward to this new collection. And whilst I did enjoy it, I found myself finishing a story and wondering what was new about it. Yes, she writes well, and the underlying menace that permeates her work is there, in a beautifully crafted story. But it just felt all very samey to me.

Short story collections sometimes need just to be dipped in to now and again. I think this is one of them. Well written but a little at a time is probably best.

(With thanks to the publisher and NetGalley for an ARC of this title.)

I had high hopes for A Sunny Place for Shady People by Mariana Enriquez, especially since I loved her previous book, The Dangers of Smoking in Bed. But this one didn’t quite hit the mark for me. It’s a collection of horror stories, some inspired by real events like the Elisa Lam case at the Cecil Hotel, but many of the stories felt underdeveloped or unfinished. I often found myself confused at the end, wondering if I’d missed something. While Enriquez’s talent for eerie, unsettling atmospheres is still there, I was left wanting more from the stories overall.

another great hit from mariana enriquez! <3

thank you to the publisher and netaglley for sending me an arc!

A fascinating collection of short stories, but I don't think it's my vibe.

It's my first book from this author, and maybe I should have done some research because I didn't expect this amount of body horror, which is not my thing. So that's one me.

Some of the stories were excellent and I enjoyed reading them. But some felt unfinished? Like it was just a draft, maybe it was on purpose. The ideas for the stories are all really good, and I could clearly feel what the author meant.

The stories are really visual, and while I didn't enjoy the body horror in some of them, I appreciate the way I could feel the characters' distress. It's been a while since I actually felt scared by a book, but this one did it more than once.

Overall, it's not a bad book, but it's not something I really enjoyed. Make sure that you like these types of horror before reading.

Mariana Enriquez’s latest collection A Sunny Place for Shady People is comprised of 12 short stories that are unpredictable and unsettling. The two quotes that open the collection “A wound gives off its own light” and “Doesn’t have arms but know how to use them. Doesn’t have a face but it knows where to find one” establish the tone from the outset as Enriquez weaves mythical and mundane, uncanny and ordinary. I found some to be a slow burn but worth the effort; others grabbed me straightaway and stayed with me for days. Different Colors Made of Tears, The Refrigerator Cemetery, Night Birds and Metamorphosis were my particular favourites.

Mariana Enriquez has cemented herself as one of my favourite authors in the recent years.
'A Sunny Place for Shady People' is yet another captivating and dark short story collection. It felt slightly different from her previous two collections which I found very exciting and refreshing.
The stories in this collection feature ghosts, body horror, creepy clowns and the occult.
The stories explore themes of feminism, generational trauma, morality and racism with an unsettling twist.

I found 'A Sunny Place for Shady People' to be a solid collection of stories. It's not my favourite of the three, but still very enjoyable and entertaining.
Like with any short story collection, I loved some stories more than others.
'Julie', 'Night Birds', 'The Suffering Woman' and 'The Refrigerator' were my personal favourites.

Huge thanks to Netgalley and Granta Publications for the free digital ARC in exchange for my honest review.

I’m not a horror fan and I didn’t think I would be so creeped out and so mesmerised but this book, eeek!

A perfect balance of lots of themes; between feminism, folklore, stories of abuse, horror. Everything packed in this collection of short stories by Mariana Enriquez that will make your skin crawl.

From some really interesting almost non horror stories to lead you into the more creepy and and thought provoking ones.

From the lady that can interact with the dead in her neighbourhood to poor rotting girl living with her family and never going out.
The range of stories was amazing and intriguing, leaving every chapter a surprise.

The almost unresolved ending of each story wasn’t my favourite as it really left me wondering more (exactly what they’re meant to do of course) and I really got fond of a few characters and I was hoping to learn more.

I have definitely been late to the ARC as the book is already out and I do really recommend it if you’re looking for something more fast paced that won’t bore you ;)

This is another fantastic short story collection to get lost in! Definitely staying as one of my auto-buy authors

Mariana Enriquez's A Sunny Place for Shady People is a dark, mesmerizing tale that expertly blends mystery, suspense, and a touch of the supernatural. Enriquez crafts a haunting atmosphere, drawing readers into a world where beauty and danger coexist, and secrets lurk beneath the surface of an idyllic setting. Her vivid and evocative prose captures the complexities of her characters, each with their hidden motives and troubled pasts, creating an intricate web of intrigue. A Sunny Place for Shady People is an enthralling read that explores themes of morality, identity, and the unsettling allure of the unknown, leaving readers captivated until the very end.

She is undeniably one of the most gifted writers, and once again, she proves it with this latest work. A brilliant yet profoundly dark book, it offers twelve unsettling stories that showcase her mastery of contemporary Latin American horror. The genre that established her as one of the finest Latin American writers sees her triumphant return, and she does not disappoint.

A warm thank you to Granta Publications and NetGalley for providing me with an Advanced Reader Copy of this book for an honest review.

An eerie and unsettling collection of short stories. Enriquez is brilliant at creating worlds that feel shifted off centre - familiar yet uncomfortable, something that eats at you and has you checking your surroundings. This collection falls a little short of reading like true horror, and while each concept was intriguing, not all of them followed through on being totally captivating. I look forward to reading more of Enriquez’ work, and have Our Share of Night on my bookshelf, doubtless watching me sleep until I work up the courage to crack it open.

"A Sunny Place for Shady People," is a dark and haunting collection of stories. The author, Enriquez, has a knack for sending shivers down your spine in the most captivating way. The collection is divided into two distinct halves. The first half stands out for its emotional depth, going beyond mere storytelling and featuring some exceptional stories, with the first story 'My Sad Dead' being the standout and ‘Night Birds,’ amongst my favourites. However, the second half feels somewhat lacking the emotional impact of the first set of stories and veering towards more conventional writing. The recurring themes and use of Gothic and horror elements to explore social and political issues start to feel somewhat familiar. Despite this, it's a solid spooky read that will undoubtedly appeal to horror and thriller enthusiasts. I want to extend my gratitude to NetGalley and Granta for providing me with an eBook in exchange for my honest opinion.

I do always find this author's work intriguing, so when I saw her latest collection on Netgalley, I asked if I could read it and I'm glad I did as we get a new collection of weird, dark and political stories that reflect the lives of different women in horrifying and twisted ways.

I do think the stronger half of this are the first two stories - the characters she creates and shines a light on, are people I think I've met and so many I've met, that these stories feel like you're walking into a scene of people that you know and that she has written with pinpoint precision into these stories which make for story that really pull you in and allow you to live in them.

The tone in these stories vmake you feel like these stories are being told to you and just you alone, like you are in on this book from the beginning and something important is being shared with you on every page. This sort of autumn campfire energy creates a sort of menace in these stories that draws you in, especially in Face Of Disgrace in particular, which builds the tension until the very last line of the story.

Sure there are stories where I'm sat there thinking 'what did I just read?' but all in all this is a great collection that took me some time to read because these stories can really get to you. I'd definitely check for trigger warnings with these stories as they cover a range of things that effect women, violence against women in particular is something that is a major part of many of these stories.

I need to read something light after finishing this.

(Thanks to Netgalley and the publisher for the ARC for honest review).

Argentine author Mariana Enríquez’s title stems from Somerset Maugham’s nickname for the French Riviera, a place with a perverse underbelly –explored by writers like F. Scott Fitzgerald. That notion of half-buried perversity works well to convey the flavour of Enríquez’s latest short-story collection. It taps into her ongoing fascination with ‘the dark side of the everyday,’ and the ways in which ‘horror flows from the real.’ Less pronounced horror, more weird fiction, Enríquez’s preoccupations here are consistent with earlier work. So, there’s an emphasis on the Junta’s legacies, unsettling echoes of its atrocities reverberating through an Argentina that’s never fully confronted the past. But equally Enríquez’s intent on exploring contemporary Argentina’s fault lines from femicide to corruption, urban decay and deep-seated, social inequality.

Enríquez opens with “My Sad Dead” set in a middle-class Buenos Aires enclave - indirectly referencing Rudolfo Fogwill’s writings about Argentina’s marginalised. Emma, divorced, former doctor, lives alone in an apartment complex. Her neighbours are obsessed with staving off local inhabitants they consider a threat - out to rob or terrorise them. I suspect their investment in gentrification, their security systems, their right-wing diatribes, their insistence on eye-for-an-eye justice, will be familiar to many readers, not just those linked to Argentina. For Emma this place is a potent reminder that ‘fascism starts with fear and then turns into hatred.” But Emma’s grief over her mother’s recent death opens her up to other ways of seeing. She’s accosted by ghostly presences who spark an awareness of harsh realities facing the less affluent communities close to Emma’s own. All of which forces Emma to contemplate her likely complicity in the crimes witnessed from her windows. It’s an admirably disciplined piece, meticulously detailed, moving and unsettling.

The title story that follows mirrors aspects of “My Sad Dead.” Enríquez fixes her gaze on contradictions inherent in American society, exposed through the experiences of an Argentine journalist visiting Los Angeles to research a feature. Enríquez draws on the real-life mystery surrounding the 2013 death of Elisa Lam, found decomposing in a water tank on the roof of the seedy Cecil Hotel. The Argentine journalist’s there to interview members of a cult that’s grown up around Lam, people camped out around the water tank awaiting the dead girl’s messages. The woman journalist travels through nearby streets filled with evidence of drug addiction, poverty and extensive homelessness. L.A. seems not that much different from Enríquez’s earlier portrait of Buenos Aires, except that L.A.s geographical divides between the haves and have-nots are that much wider.

The sinister “Face of Disgrace” centres on the policing and brutalisation of women, gender inequalities, damaging family dynamics. The frustratingly sketch-like “Julie” is inspired by the life of occultist Marjorie Cameron. Enríquez probes stigmas around “non-normative” bodies, while delving into colourism, as well as conflicts between those who stayed in Argentina during turbulent times and those who left. “Night Birds” moves away from Enriquez’s brand of skewed realism towards gothic, fairy tale. It’s set in Paraná famous for birds and bird-watching. But in Enriquez’s Paraná birds have an otherworldly appearance, seemingly transformations of human women. Enríquez’s narrative brings in Tupi-Guarani mythology for a macabre reimagining of surrealist artist Mildred Burton’s early life – here known as Milly. It’s a fragmentary piece that possibly works best viewed as an oblique tribute to an artist known for her commitment to human rights: her work with the mothers and grandmothers of those “disappeared” by the military junta; her artworks highlighting gender-based murder. Themes of gender and transformation are also central to “Metamorphosis.” Influenced by Cronenberg, it’s a vivid account of a woman undergoing medical menopause which constructs a searing critique of the treatment of women’s illnesses, the near-routine dismissal of their pain. But this particular woman finds a unique way to transform disregarded suffering into shining celebration.

In the powerful but uneven “Hyena Hymns” a gay couple temporarily escapes their stay with censorious parents to explore an abandoned building. Enríquez based this on an actual castle in the Argentine Pampas, once requisitioned for a concentration camp, one of many torture and detention centres scattered over Argentina during the military dictatorship. In a variation on stone tape theory and/or notions of place memory, the couple’s uncanny encounter inside its walls reflects Enríquez’s compulsion to address Argentina’s collective amnesia. Her story’s centred on notions of the repressed, troubled past spilling over into the present, invested in going beyond its facts to examine feelings these might stir. She combines this with observations on contemporary problems from poor urban management to corruption resulting in contaminated water supplies. “Different Colours Made of Tears” takes its name from the Velvet Underground’s “Venus in Fur.” But here the glamourous garb of a long-dead woman, offered to a vintage clothing store, harbours secrets of male domination and malevolent misogyny - Enríquez’s attempt to represent violence against women without reproducing it. It’s filled with striking imagery but feels a little underdeveloped as does “The Suffering Woman” which deals with fears around frailty and death.

The eerie “The Refrigerator Cemetery,” with its exploration of denial pierced by moments of devastating guilt, also blends the horrors of Argentina’s past with those of its present. It’s a striking piece set in an urban wasteland, its references to legends of immurement and child sacrifice suggestive of inverted folk horror. In the deliciously Lovecraftian “A Local Artist” a holidaying couple in an isolated spot get more than they bargained for when they visit a local artist whose reputation’s close to that of outlaw saint. Enríquez's final piece edges closer to full-on horror. “Black Eyes” follows a group of workers, assigned to feed a large homeless community, suddenly besieged by two bizarrely unnerving children.

Although not always entirely successful, Enríquez’s mutated realities are never less than arresting. Intriguing, sometimes outstanding, takes on generational trauma, on mortality, precarity, the silenced, and the displaced. Translated by Megan McDowell.

Excellent stories, a very balanced collection. As always, Enriquez delivers. Cannot wait for more of her stuff to be translated into English