Blending illustration, song, and text, this stands out as a unique memoir. Learning about Zintka was eye-opening.

Not their story to tell. When requesting, I didn't check on the authors: white men with no connections to Zintka, Lakota people, or the Pine Ridge Reservation. I understand their intention is to create beautiful art to raise awareness around the story of Zintka, but they are white folks imitating ledger art, mixing their own "inspired" drawings with actual Native-made ledger art (a style specific to Native communities and oppression.) No Native people are credited for directly contributing to the book (co-writing, interviews, etc) or accompanying film. The majority of their suggested resources are texts written by white people - including their primary inspiration, Renée Sansom Flood. This isn't the type of book that hypes how alive and resilient Lakota people and projects are. The book format is quite confusing as a standalone piece, with collage art in the front, and a timeline in the back. 2 stars because the compilation of Native-made art is, of course, amazing and interesting.

*Zintka: The Lost Bird* tells a heartbreaking yet powerful story of a Native American girl caught between two worlds. Born during the Wounded Knee Massacre, Zintka was found alive after a brutal blizzard, only to be adopted by a prominent white couple. Despite her upbringing in high society, she faced rejection both from the Lakota people and the white world due to racial prejudice. The book follows her troubled journey through show business, her tragic death, and the eventual rediscovery of her story decades later. With a mix of illustrated lyrics, a brief bio, and a QR code linking to a short film, this 48-page book is an intimate look at a forgotten life and a poignant reminder of the history of Native American children. It's a touching read for anyone interested in history, culture, or stories of resilience.

This was an interesting book about a tragic figure from a tragic point in American history who I had unfortunately never heard of prior to this work.

Zintkala Nuni was a troubled individual, and I'm very saddened by how she was treated during her lifetime. I'm glad that she was eventually laid to rest properly and with the respect that she deserved. It breaks my heart that she kept trying to connect with her heritage throughout her life, but was unable.

Credit has to be given to her original biographer, Renee Sansom Flood, for giving her back her voice.

All that being said, the format was a little difficult for me to get into, with the majority of the information being conveyed through a timeline. It felt more like a presentation than a book and would have preferred it being a bit more fleshed out.
I personally felt as though the images seemed more natural when in motion, but I enjoyed learning that the images utilized were (or inspired by) traditional Native American ledger art, something I had been unfamiliar with prior to this.
In addition, I feel like the fact that this was a companion piece was relied upon a bit too heavily, and the work was unable to truly stand on its own.

Still, I am grateful to have read this and to have learned about Zintkala/Zintka.

Thank you to NetGalley for the ARC.

I don't think I have words to accurately describe how touching and important this book and the accompanying short video and song are. In a time when we as a nation are reconciling the damage done to indigenous Americans through Indian boarding schools and genocide, this book is a timely snapshot of the losses experienced by Zintkala Nuni.

The first thing I hope to convey is the stunning artwork and use of collage (described as a moving montage or "animontage" in the film--which is a must-watch to fully appreciate this accompanying book.) The art is both inspired by ledger art, and uses original art from Lakota artists of the era (Including Battiste Good, Yellow Nose, and other anonymous artists. The authors also used photographs of Zintka and the colonizers to show her age progression. There is also a beautiful collage effect in which the images are transposed over broken treaties or photographs of the aftermath of wounded knee.

The next important thing is the timeline, which gives a detailed account to Zintka's life and losses. The fact that she was treated as a trophy of war, and stolen from her people is just the beginning. Over the course of her life, Zintka is treated as an anomaly, neither fitting in with her tribe, nor that of the white family that adopted her.

The book includes a score for the song, which could have a greater impact if the reader is musically inclined. I am not, so I went directly to deepmagic.fun, the authors' website which shows the short film to watch the full musical art piece. It was stunning in its clarity and brevity. I hope to see more films and books from Brad Colerick because this will stay with me for a long time.

Thank you to Net Galley for the ARC of this book. I shouldn't be surprised by the fact that I have never heard of the Lost Bird of Wounded Knee, or her story, but I guess that is par for the course. This was a heartbreaking and moving story and I'm glad to have met her. I do wish there was more though.

Thank you to NetGalley and Deep Magic Song & Drawing Co. for the eARC of this beautiful book.

4 stars out of 5.

Zintka! by Brad Colerick and Scott Feldmann is a non-fiction book about a stolen, orphaned Lakota (Sioux) baby girl named a many a thing. Over her lifetime she had many names and the only one unknown is her birth name given to her by her slaughtered parents.

Brad and Scott join together to tell the story of Zintka and the unstable path she traveled upon in her young life of approx. 23 years.

The font was very tiny which gave the book itself a tiny feeling, leaving me wondering why her story is as short as her lifespan. This has led me to start looking for more books and information to read.

That's what a book like this should have you doing when you're done
Success!!

The Ghost Dance was a Native American dance of renewal. It was a prayer for both dead relatives and the buffalo to return, a prayer for the restoration of Indian culture and their way of life. The combination of sensational newspaper headlines and memories of Custer’s Last Stand, created fear among the settlers. The US government called for the arrest of Ghost Dance leaders including Sitting Bull who was quickly assassinated at Standing Rock Reservation on December 15, 1890. The massacre at Wounded Knee Creek in South Dakota would soon follow.

At Wounded Knee, Indian braves were disarmed and killed, women and children slaughtered. A detail was sent to bury the dead, however, an icy blizzard and sub zero temperatures delayed the burial by four days. A weak cry…a baby discovered…the body of her dead mother had kept her warm. Named Zintkala Nuni (Lost Bird) by the Lakota, the infant was taken by Brigadier General Colby as a trophy of war. He had used trickery and barter, then adopted the baby by forging his wife’s signature. Clara Colby, was a devoted mother to Zinta despite being away six months a year working with suffragists in Washington, DC. She was an associate of Susan B. Anthony and Elizbeth Cady Stanton.

Zinta was always on display at numerous receptions, a curiosity to most in attendance. Set apart from other children, she grew to question her identity. She liked to frequently examine her baby moccasins and bracelet. Running away from home, she traveled to Standing Rock Reservation in search of her birth family. Having been snatched from the Lakota people as an infant, she did not understand the language, traditions and spirituality of Native American culture. She was unable to communicate.

Seventy years after being buried in a pauper’s grave on February 14, 1920, Zintkala Nuni was repatriated. Observing proper tradition, she was reburied, honored and mourned at Wounded Knee on July 11,1991.She had come home.

The story of “The Waif of Wounded Knee”, lost between two worlds came to life through the award winning “Best Mixed Media Short” called “Lost Bird” screened at the Sedona International Film Festival in February, 2024. The seven minute animated film presents a multifaceted view of the cost of forced assimilation on the identity and emotional well being of native children adopted away from the reservation.

Zintka! is described as a hybrid format book. An emotionally descriptive song written by singer/songwriter Brad Colerick, the book’s co-author, tells Zinta’s story. Co-author Scott Feldmann creates an animontage, illustrations in an animation style. Ledger Art in primitive drawings follow the Indian tradition of drawing their history. Winter counts show pictographic calendars of historical events. The Ledger Art is superimposed on a background of newspaper articles, historical photographs and handwritten military reports of casualties. Feldman supplies biological information as well as a timeline of Zinta’s life. The sheet music and words for “Little Bird-Lost Bird of Wounded Knee” are included.

Zintka! by Brad Colerick and Scott Feldmann presents “the troubled tale of a Native American girl caught between two worlds, accepted by neither during her lifetime.” A magnificent, highly recommended read.

Thank you Deep Magic Song & Drawing Co. and Net Galley for the ARC in exchange for an honest review.