Joseph O’Connor’s series based on the ‘Choir’ in the Vatican operating the ‘escape line’ for allied forces escaping the nazis is both fascinating in its evocation of Rome under the nazi occupation, and a hugely entertaining thriller. This second part focuses on the Contessa, and a particular tension with Hauptman, the nazi with responsibility for Rome. With a large group of supporting characters - both those in the choir, escapees and Hauptman - there is a real opportunity to become immersed in the challenges faced by escapees, the risks taken by many of the local population living under occupation, and the problem for the choir of keeping their hidden charges under control…
O’Connor creates a wonderful sense of place, and writes with both wit and tension. I understand this may be a trilogy which is hugely exciting - I’d assumed My Father’s House was a one off, so more are a real luxury.

I enjoyed this book even more than the previous one (My Father's House).
I am looking forward to the last of the trilogy.
The story is (just about) believable, the characters excellent, the storyline just the correct blend of light and darkness.
Having never been to Rome or the Vatican, I enjoy the description of the location, which transports the reader there in wartime.
My thanks to the author for the hours of enjoyment that the book has brought me, I received an advance review copy for free, and I am leaving this review voluntarily.

This is a sequel to My Fathers House.
Whereas the first book concentrated on Father Hugh O'Flaherty, this time the focus is on Contessa Jo Landini, with two threads running through the book, that of her relationship with the Gestapo boss, Paul Hauptmann and the desire to save one particular allied prisoner. An excellent book which is worth reading. Recommended.

I would still give this novel four stars for its varying POVs and great ways of playing with form - transcripts/present tense/looking back etc. But, for me, it wasn't as good as My Father's House which I absolutely adored. I think the problem - for me - was that the huge ensemble cast meant that it takes a long time for the actual story to get going, and it was difficult to know who you were meant to be focusing on because although the plot eventually weaves together, it took more than half the book to get there.

Set in 1945, this continues the fictionalised account of the Rome Escape Line which began with My Father's House. The 'choir' are now living together within The Vatican City and embark on a dangerous mission to save a Polish airman. Gestapo boss Hauptman is closing in on them and it is increasingly difficult to operate. We mainly follow the character Giovanna Landini but again it is told from multiple POV, with a cast of distinctive voices. It's atmospheric, full of suspense, thrilling and incredibly moving. A fab sequel that would also work as a standalone.

A sequel to My Fathers House. Another really interesting and well written book illustrating the bravery and dedication of those who risked their lives to help allied solders escape from under the noses of the Nazi occupiers.

My Father’s House by Joseph O’Connor is one of my favourite reads of this year. Listed for the Walter Scott Prize for Historical Fiction, it told the story of the Escape Line that was operating during Nazi-occupied Rome, and how they managed to rescue nearly 6,000 prisoners of war, Jews and others from persecution by the Nazis. Their leader, Monsignor Hugh O’Flaherty, operated from neutral Vatican City, with a group of people known as ‘The Choir’ who would help extract, move and save ‘Books’ from the pursuing Nazi forces.

Whilst the first book focussed mainly on O’Flaherty, the second, The Ghosts of Rome, zones in on Contessa Giovanna ‘Jo’ Landini; widowed, aloof, nerves of steel. It’s a wonderfully, breath-taking ride through occupied Rome, with danger breathing down your neck in every alleyway. I started this yesterday and simply couldn’t put it down.

O’Connor has deftly blended fiction and history together, creating well-drawn characters that are completely real, even that of the SS Commander, Paul Hauptmann, who dreams of his wife and children whilst interrogating prisoners. I cannot wait to read the final instalment and surely this must turn into a Netflix series at some point!

Out in January 2025. Thank you again to Vintage Books and Harvill Secker for my NetGalley ARC.

I enjoyed this book for its unique writing style, which captivated me from the beginning. The author creates a vivid ambience, expertly describing perfect scenes that draw you into the narrative. I particularly appreciated how his writing sometimes takes on a lyrical quality, especially during the interviews, adding a poetic touch to the reading experience. However, I did find that it could be challenging at times due to the shifts in the characters' points of view. Despite this, I believe it is an overall good book with a solid sequence that keeps the reader engaged.

The next book in the author's series about the The Choir, the escape line based in the Vatican during the Nazi occupation of Rome. The focus shifts from Hugh O Flaherty who is a more ghost like presence in this novel. It is now Spring 1944 and the Nazi occupation us taking a toll on everyone. The author's sparse style adds to the tension as the choir cope with the nverending flow of escaping prisoners coming to Rome for sanctuary whilst dodging the Gestapo and trying to manage the 100s of allies they have in hiding. At the heart of this story is the battle to treat one injured soldier.
An exciting well plotted and written story that will jeeo yoh on the edge of your seat.

I enjoyed His Father's House and pleased to receive.an arc of the sequel. The historical detail is impeccable but I found the swapping of narrative styles and multiple characters very difficult to navigate as a reader.

The Ghosts of Rome is about the efforts of a group of patriots based in Vatican City to help a large number of allied soldiers and airmen escape from Rome during 1944 when it was under occupation by fascist Germany. It incoporates several historical events of the period into the fictional narrative and refers to ancient sites and place names throughout the book.
Having recently returned from a week exploring the sites of ancient Rome on foot, I found the book fascinating and an exciting read. It is the first book I have read by Joseph O'Connor but it certainly won't be the last.

‘The Ghosts of Rome’, (Rome Escape Line Trilogy,#2),by Joseph O’Connor,is simply outstanding and emotionally overwhelming.
After the exceptional ‘My Father’s House’,it feels like a blessing to read this.The first superb instalment felt truly like a one-off and then this turned out to be equally spellbinding.
This book is truly atmospheric, capturing the sense of being trapped in an occupied land.
The depiction of time place and the portrait of the main characters
feels grippingly realistic .
This is fascinating fictional storytelling based on the real life heroic efforts of Monsignor Hugh O’Flaherty, renowned for his involvement in the smuggling of fleeing Jews and escaped allied prisoners out of Rome during World War Two.
The returning characters from the first book are so wonderfully written that it is like meeting old friends after many years and resuming conversation as if they’d only left the room for minutes.The threads of this tale are multilayered and contain so many levels like Rome itself.
It is haunting,suspenseful,thrilling,enlightening,moving and hopeful in almost equal measures.
Many thanks to Random House,UK,Vintage,and NetGalley for a preview copy.

Oh I absolutely adored this book! Set in Rome during WW2, the novel centres around the work of a group of Escape Line activists known at The Choir. The novel is packed full of fascinating characters and I was grateful for the character list at the beginning, which I needed to refer to quite a lot!

There are so many characters and interweaving plots that it's difficult to summarise in a review. What I will say is that this was so beautifully-written, so atmospheric and so rich in character descriptions that I couldn't put it down. It was also incredibly moving and I wept buckets at the end. I didn't realise this is the second of a trilogy and I will certainly be reading the first book now.

An absolutely wonderful novel that will stay with me for a very long time.

Joseph O'Connor is.a superb writer of character driven novels.

Classics such as Star of the Sea and Shadowplay deservedly gained plaudits.

In 2023 the start of the Rome Escape Line Trilogy was published- the excellent My Father's House .

Now the second novel The Ghosts of Rome arrives-featuring the same disparate group of brave individuals - The Choir- who plan the rescue and survival of allied forces trapped and injured in Rome during WWII.

This new story is as good as the first if not better as the key figures are now familiar and the dynamic between them more defined. The plot evolves around the rescue of two American soldiers and Polish pilot. The Contessa takes centre stage in the plot and is tormented by her nemesis the Gestapo leader Paul Hauptmann. The tragedies to the people of Rome and the cruelties of war are not hidden.

Joseph Connor again uses various stylistic devices in his writing- the descriptive scenes exude a poeticism and the use of radio interviews many year after the events to recount what happened to individuals add further interest. The energy, fear and desire to resolve and support from the group is crafted beautifully in dialogues and actions. Although fictional the period details are excellent and moving.

A worthy sequel and really enjoyable WWII story -Highly recommended

Looking forward to the final book in the series

I did enjoy this book, it was interesting and kept me engaged.

I’m new to this genre so still finding my feet.

I wondered if the author could add to what he had already written in his first volume, 'My Father's House'. I should not have worried. This second novel takes up the story of the Choir some months after the first, and life has become much more difficult for all the members; now living in cramped quarters in the Vatican City, their covers blown, under constant threat from the Gestapo, they nevertheless continue to manage the escape line, providing their 'Books' with shelter and support.

This time round the focus is less on Father Hugh O'Flaherty and more on Contessa Jo Landini, who provides a note of creepy fascination to the Gestapo boss, Paul Hauptmann. An injured Polish airman provides the catalyst for some very bloody intrigue and danger to the Contessa and the other members of the Choir. As in the first book, there is plenty of ingenious plotting, sympathetic characterisation and a real sense of personal danger for the protagonists. It's a great read. One thing I liked especially well was the recurring imagery of Rome as a city of ghosts, its age, its shadows, its hidden depths.

‘The Ghosts of Rome’ is the follow up to Joseph O’Connor’s very well received ‘In My Father’s House’. It is February 1944 and The Choir, a disparate group of activists who run the Escape Line out of Rome for all trapped Allied soldiers, is still operating but under more and more constraints.
Gestapo commandant, Paul Hauptmann, has displeased Hitler with his inability to control the citizens of Rome effectively. His family has been sent home and he is on a mission to demonstrate his power, fearful of what the Fuhrer could do in retaliation for ineffectual rule.
This story has at its centre a wounded parachutist who lands in Rome and does his best to live inconspicuously whilst looking for a means of escape. Who is he? What language is he speaking? How much can he be trusted? When, eventually, he is so badly wounded that he will die on the street if not gathered up by The Choir, what can be done with him?
Whilst ‘The Ghosts of Rome’ is not as immediately involving as ‘In My Father’s House’ – we are already aware of the situation in Rome and what everyone risks losing, it is an enjoyable read. Rome continues to be a vital character in all its bombed decrepitude: ‘Forgotten squeeze-throughs, old back streets, ruined walkways, lost pavements. Tunnels from the long ago, sunken aqueducts, sewers, manholes. The burrows beneath the church of San Nicola in Carcere and the passageways off the Largo de Torre Argentina where Julius Caesar was murdered. Ossuaries. Vaults. Undercrofts.’ All of these are part of the Escape Line. And O’Connor is very successful in ramping up the tension during moments of peril. If you have read ‘In My Father’s House’, this is an involving and sometimes moving sequel.
My thanks to NetGalley and Random House UK, Vintage, Harvill Secker for a copy of this book in exchange for a fair review.

This was an incredibly interesting book, with a stellar premise and cast of characters. It would have been a very enjoyable read, had it not been for the overwriting and the telling not showing aspect. The book starts with a massive info dump of historical context, which I understand is necessary. But as the book goes on, the info dumping carries on and takes away from the plot and emotions of the book, I found. The characters were well written however, and thats what kept me reading.

My Father's House" by Joseph O Connor, the prequel to a" The Ghosts of Rome" , is one of these literary historical thrillers that will stay with you for a while. 

 I was thrilled to be able to read the netgalley of " Ghosts of  Rome" which continues with the work of "The choir", a group of exceptional individuals trapped in the Vatican,  helping people to escape certain death during the Nazi occupation of Rome in 1943/44.   The writing in different voices depending on the background of certain characters is what captured me as did the story although I have to confess to me it lacked the  brilliance of the first book.  Coming in January 2025..

Thank you to NetGalley for my ARC of this book.
I was very intrigued by this book as it wasn’t my usual genre, but the description and the backdrop of Rome drew me in. Though the storyline was interesting and the characters appear full bodied and well thought out, the writing style made it a DNF for me.
I understand that the author uses a different writing style for different perspectives which, in theory, is a very good idea, I just don’t think it worked for me. The short, sharp sentences definitely helped with converting a sense of anxiety and desperation in some areas, but the extensive descriptions made it feel impossible to imagine where the characters even were at some points. From what I read, this made it difficult to connect with either the environment or the characters.
I do think I may have benefitted from having read the first book in the trilogy, but the description of this book made me believe that wasn’t necessary.


Overall, I don’t think I can give an entirely fair review given that this style was not suited to me, as it may be perfect for other readers.