Thank you to Netgalley for the ARC in exchange for an honest review! Spoiler-free.

This book ticks all of my nerdy little boxes in the best way possible. A book about the occult and Egyptology was bound to capture my attention, and it opened my eyes to life in Egypt during the early 1900s while not info dumping on you. The adventure, romance, intrigue and mystery kept me engaged in a way I have not been while reading in a long time. This book gets a 4/5 from me!

Sadly, I really couldn't get into this book... in fact I am 72% of the way through it and just can't see myself finishing it.

I love the location, era, history... but am finding it far more a romance fantasy than the supernatural fantasy I was hoping for. I'm not saying that makes it a bad book... just not the book for me.

There is a clear understanding of Egyptian history, beliefs, and culture within this book, but from the title and blurb I was hoping for more of the haunting and ghosts, and less of the flowery prose of eternal love and devotion.

I rarely enjoy a soppy romance, and this book steered too close to that for me to want to see how it ends.

My apologies, I am clearly the wrong reader for this book.

This is an unusual situation for me in that I just about never rate a book at one star. But this book is so self-indulgent I can't in good conscience recommend it to anyone. Having worked through the gratuitous sex scenes, I found out that Black Rose Writing is a 'vanity' publisher. Looking at the book in that vein explains so much about the book itself and why it was published.

What surprised me the most, was that NetGalley would agree to offer the book. NG is usually much more circumspet as to the books they offer.

"The veil is so thin in Egypt."
"The veil? the veil between us and [the ghosts], you mean?"
This pleased him. "The same!" Then, noting the lack of introduction, he said, "Aleister Crowley -- a pleasure to make your acquaintance. [p. 31]
Albion Stanley is a young Englishman returning to Egypt in 1902, after many years' absence and a degree at Cambridge. Since childhood, when he encountered the spirit of legendary architect and physician Imhotep, he's been surrounded by ghosts and terrified of the dead. But anybody who's drunk of the Nile will return to Egypt: and Imhotep assured him, as a child, that he would be waiting.

Meanwhile Albion finds himself caught up in the occult experiments of Aleister Crowley, the wickedest man in the world: he and Crowley have history, but Albion is less enthusiastic about their liaison now that he's in Egypt, awaiting his reunion with Imhotep. He has so much that he wants to learn -- and he's suspicious of anything that Crowley wants to teach him. In Egypt, the dead are very much present, and Albion discovers that the ancient myths of Egypt have not faded away into dust. But he has to keep his occult explorations completely separate from his work as a translator for the Antiquities Service.

Dead Egyptians is a rambling novel, first in a projected series: the ambience of Cairo and the early twentieth century -- with the glitter of fashionable society and the taint of colonialism -- is beautifully evoked. Albion's interactions with Imhotep are intriguing, and he learns of past lives in which he was ... not an Englishman. And the author has used hieroglyphic symbols as dividers, to indicate various plot themes and nuances: I was doubtful at first, but this definitely added to the reading experience.

There are quite a few typos and homonyms in the second half of the novel (for example, 'horde after horde of 12th dynasty jewellery' or 'an uncommon site in the museum') but the wealth of historical detail kept my attention, even when Albion's adventures with the eponymous 'dead Egyptians' did not.

Thanks to the publisher and Netgalley for the advance review copy, in exchange for this full honest review. UK Publication Date is 24 AUG 2024.