Your guide to bridging the gap between belief and reason in the 21st century. This is a book to bridge about religipus thinking and atheis secular thinker.

Gasson's approach to apologetics is quite different from the mainstream; his is initially an intriguing invitation to read and understand seminal works against Christianity. Gasson argues that there are truths about God which can be mined from four great works: "Thus Spoke Zarathustra," by Nietzsche; "Writing and Difference" by Derrida, "A Brief History of Time" by Hawking; and "The God Delusion" by Dawkins. Gasson makes a few claims which Christians should definitely consider, for example: "Christians often assume that because someone doesn't believe in God, they can't be a moral person..." He refutes such erroneous reasoning rightfully. Yet his approach to theology is unorthodox, and even the *very few* Church Fathers and theologians he quotes from would likely disagree with such assertions as the argued validity of panentheism, theistic evolution, and the supreme unknowability of God's Word and purposes. Gasson goes so far as writing that "it doesn't really matter how you conceive of God because it is always bound to be wrong."
There's a sense of nihilism and unorthodoxy in Gasson's conclusions, as if his engagement with the texts inform aspects of theology proper, divine revelation, and bibliology more concretely than thousands of years of theology. While I do agree that some aspects of theological liberalism may be entertained while maintaining theological orthodoxy, Gasson does little theological scholarship here outside of making popular and fraught claims with few liberal theologians (or other theologians, for that matter) to support him.
Arguing that "The God Delusion" is a striking reminder that Christians have been, and can be, evil at times, is a new way to make an old claim, but I wonder if the theological claims about interpreting these atheistic works falls under Derrida's criticism which Gasson embraces: "What if we were forced to accept that their [ancient texts] meaning is fluid and indefinite?" Could that undermine Gasson's points and interpretations presented in the rest of his text? I believe so.
While the premise is admirable, the execution lends to theological ground-giving. "I thought about it," Gasson writes toward the end of the book, "and decided that we can never understand the meaning of eternal life...we should love him [God] and his creation without understanding the purpose." In the end, this work was less a theologically orthodox assessment of atheistic works, and more a concession of points and grievances regarding the Church, theology proper, and revelation. It is neither scholarly or theologically rigorous enough, nor engaging enough to compel Christian readers to assess great works well for the growth of the Church.

Christopher Gasson’s The Devils’ Gospels: Finding God in Four Great Atheist Books invites its readers to secure and develop our relationship with God by tackling the challenges presented by some of Atheism's most ardent supporters. This book is a new venture for the self-professed ‘amateur theologian’. Gasson is an established journalist who owns and publishes Global Water Intelligence magazine, making him an authority on global water finance and markets. He also contributes articles on finance and economics for the New Statesman. So why has this Oxford Alum decided to write a book about God?

Gasson’s motivation is two-fold: First, the book is a written version of the Sunday School discussion group he held at University Church, Oxford, in which he discussed these ‘Atheist Gospels’ with a group of motivated and erudite youths ranging from eleven to eighteen years old. Gasson described the questions these books raised for the group and the answers their discussions generated. Secondly, Gasson hopes that by engaging with the criticisms of Atheist thinkers, the Church can save itself from sinking into permanent irrelevancy in our modern moment.
However, the final analysis will show that this book falls starkly short. There are positives to Gasson’s work; he chooses texts that are not always designated as ‘Atheist’ texts; his descriptions of his Sunday School discussions are engaging and hopeful; and Gasson’s passion for his faith shines through. However, a lack of deep analysis of his primary corpus - opting for more description than argument - and his jarring insertions of modern ‘buzzwords’ like “Culture War”, “Identity Politics”, and “Virtue Signalling” in his introduction and conclusion leaves the reader with a sour taste.

The Devils’ Gospels is a novel and intriguing concept which rings true to much of what the Church needs to do today. The Church cannot hide away from the arguments of ‘the other side’ and can, in fact, increase its relevance by revealing the various ways we can turn to God by reading these texts. Gasson’s experience as a journalist has clearly made him a good writer. His explanations of challenging concepts are clear and inclusive, but theology requires more. The lack of deep analysis of his primary corpus and the sparse references to religious analysis are disappointing. For instance, the Augustinian Theodicy could have provided him with a far better answer to the Problem of Evil than the references to God’s ‘unknowability’.

Therefore, I must agree with Gasson’s description of his theological credentials. Amateur.

*The Devil's Gospel* is a gripping and thought-provoking novel that delves into the complexities of faith, morality, and the human condition. Set against a backdrop of rich historical detail and suspenseful intrigue, the story unfolds in a world where the lines between good and evil are often blurred.

The plot centers on a mysterious manuscript believed to hold dark truths and ancient secrets. As the characters race to uncover its origins, they confront their own beliefs and the consequences of their choices. The narrative is skillfully woven, with multiple perspectives that add depth and complexity to the story. Each character is well-developed, bringing their own struggles and motivations into the mix, making them both relatable and compelling.

What truly sets *The Devil's Gospel* apart is its exploration of moral ambiguity. The author adeptly challenges readers to question their understanding of right and wrong, prompting deep reflections on faith and the nature of evil. The philosophical underpinnings of the story are profound yet accessible, ensuring that the themes resonate long after the last page is turned.

The pacing is brisk, keeping readers on the edge of their seats as secrets are unveiled and tensions rise. The atmospheric writing draws you into the setting, immersing you in the characters’ world and heightening the sense of urgency throughout the narrative.

The incorporation of historical elements adds an intriguing layer to the story, grounding the fantastical aspects in a rich context that enhances the overall experience. The author's extensive research is evident, and it lends authenticity to the events that unfold.

In conclusion, *The Devil's Gospel* is a captivating read that blends suspense, philosophical inquiry, and rich storytelling. It is a thought-provoking exploration of the darker aspects of humanity and a powerful reflection on the choices we make. This novel is highly recommended for those who enjoy gripping tales that challenge their beliefs and provoke deep introspection. Prepare to be drawn into a world where the struggle between light and darkness is both universal and deeply personal.

Very informative and raised points I never thought of definitely worth a read or listen to if the audio books available