Euphrosyne Doxiadis dives headfirst into the mystery of London’s National Gallery’s Samson and Delilah, claiming it’s a copy, not an original Rubens. With historical evidence on her side, she takes on the British art world, only to hit walls of stubbornness and secrecy. This isn’t just about one painting—it’s a bigger commentary on how some institutions cling to outdated traditions over transparency. Equal parts detective story and cultural critique, this book is a must-read for art lovers and skeptics alike!

A detailed account of a fascinating case of art forgery. The author describes in a very personal and emotional way her decades-long struggle to expose a fake Rubens purchased by the National Gallery in London. The story itself is mind-blowing, and as I read it, I kept thinking that it could be the basis for a fascinating book written by an experienced journalist - but I also appreciate that it is written by the heroine herself, even if she can be a bit chaotic and I would like to have more background information included.

Thanks to the publisher, Eris and Columbia University Press, and NetGalley for an advanced copy of this book.