The Last Song Of Penelope is the final book in The Songs Of Penelope trilogy by award-winning, best-selling British author, Claire North. Odysseus is secretly back in Ithaca, posing as a filthy, smelly beggar while he checks out what Penelope’s been up to during his twenty-year absence. Telemachus has returned from his year-long search for his father empty-handed, from which the hundred suitors for Penelope’s hand deduce that Odysseus is dead: now is their time!

Odysseus and his son are plotting: the suitors must die. But Penelope isn’t fooled by the beggar rags or the act, and she’s quickly worked out what Telemachus and his father are up to. The odds look terrible, and even if they manage to slay all the suitors, that isn’t going to go down too well with their families and leaders. It’s bound to be a bloodbath with few survivors among them. So the clever Queen of Ithaca consults with her midnight council of women, and they make some contingency plans.

Some of the suitors describe Penelope as “tricksy” (there was that thing with the burial shroud for Laertes) and one of those tricks makes it easier for Odysseus, Telemachus and their tiny band when they carry out their massacre. Of course, the inevitable happens and soon they’re holed up at Laertes’s farm when the angry fathers turn up for revenge with mercenaries in tow.

All this time, Penelope is furious, about his distrust of her, and about the fate of some of her maids, so she’s denying Odysseus, never actually accepting that this man is he, referring to anything about her husband in the third person, which makes for some interesting conversations as she gets to comment on his twenty-year absence, and his poor behaviour, with some impunity.

It does take him some time to realise just how canny his wife is: “She was a woman alone, a widow in all but name, and Ithaca needed a strong king to guard its shores. This being so, naturally she would not turn away anyone who sought her hand, not least because if they were busy wooing, they would not be busy plundering, raiding or enslaving her peoples.”

There’s plenty of humour, especially when Laertes or Priene are participating: Priene tells Odysseus “Penelope is right – the isles need to have a king. You are the least awful choice. The one with the greatest story.” There’s also a bit of heartache when Penelope has to send the Egyptian packing, and her moving eulogy for one very close to her can’t fail to bring tears to the reader’s eye. And there are battles, with plenty of bloodshed despite some clever tactics.

This time, North uses the goddess Athena as her narrator who, with her emphasis on war and wisdom, offers quite a different perspective from that of Hera and Aphrodite. Odysseus may have been her favourite for a long time, but she’s coming to respect Penelope and see her intelligence and her worth.

North’s quick summary of the situation that many other poets describe is refreshingly frank, and quite delightful, at times almost tongue in cheek. Athena’s commentary on events and players, on the affairs of gods and mortals, is irreverent and often darkly funny, but also insightful. She observes: “Wisdom is not loud, is often unseen, unpraised, unremarked. Wisdom is rarely easy, too often an unwelcome guest.”

Even novices to the Greek myths and legends will be able to, with perhaps only a cursory check of Wikipedia, thoroughly enjoy North’s treatment of Penelope’s story. This is Greek myth at its most palatable and entertaining. Highly recommended!
This unbiased review is from an uncorrected proof copy provided by NetGalley and Little, Brown Book Group UK.