Member Reviews

Van Veen’s debut novel was one of my most surprising reads of 2024, and Blood on her Tongue was no different! Perfect eerie, full of unexpected horror so perfectly executed that I refused to read this book in the dark 😂 it was gruesome and enthralling, always keeping me on my toes and Van Veen just has such a unique narrative voice that you can’t help but be riveted by every word… even every gory detail.

I can’t wait for what she produces next!

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I've come to realise I love a good gothic horror novel. I was expecting this to be a dracula novel, but what I got was just as good. I won't ruin it as it's a really good twist.

This book is macabre, it has elements of betrayal, love, deceit, body horror and a splash of sapphic love. Lucy travels to her sisters home following some letters she receives of her sisters ill health. While there she discovers not everything is as she expected and that there is something drastically wrong with Sarah.

Lucy was very flawed. She had a deep love for her sister, but she was also very jealous of her and this lead her to do things she wasn't proud of. In hindsight Sarah was also very flawed and, I believe, was also jealous of Lucy.

I hated Michael and while I didn't necessarily hate Arthur, I hated that he seemed to have no backbone when it came to the twins or Michael. He could have been a fantastic ally but ultimately was a man and believed he was entitled to certain things that Lucy couldn't provide.

The twins relationship was flawed, as every sibling relationship usually is, but the two loved each other fiercely and despite everything happening with Sarah you could tell how much they loved one another.

Thank you to the publishers at Poisoned Pen Press for giving me the opportunity to read and review this book.

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Blood on Her Tongue
Horror
Johanna van Veen
⭐️⭐️⭐️⭐️⭐️

• ꜱᴜᴘᴇʀɴᴀᴛᴜʀᴀʟ • ɢᴏᴛʜɪᴄ • ᴘᴏꜱᴇꜱꜱɪᴏɴ •

I really enjoyed My Darling Dreadful Thing by Johanna van Veen so I was looking forward to reading this one!

I found this book to be quite slow to start with. The letters between Lucy and Sarah did confuse me a little but they soon made sense.

I couldn't put this book down! The plot drew me in and I finished reading it in about 3 hours because I was so eager to find out what really happened to Sarah.

There were many twists and turns that I didn't see coming. I kept trying to predict the plot twists but I was wrong every time.

The characters were great and I felt sorry for Lucy. Especially because Michael was so misogynistic and prone to outbursts. I was glad when a certain character got what he deserved. I wish it had happened sooner 😂.

The vibes were perfectly gothic and creepy at times.

Johanna van Veen is a brilliant writer and she has become another of my auto buy authors.

*Thank you to @Netgalley, the author, and the publishers for providing this ARC. This is my own opinion and an honest review, which I am leaving voluntarily*

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I found it to be a dark gothic/horror and suprised myself that i actually enjoyed it!.
Thank you for the arc.

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“Finally,” she said. “I’m fucking starving.”

3.75 ⭐️

Thank you to the Author, NetGalley & Poisoned Pen Press for this ARC in exchange for an honest review!

I enjoyed this read, I felt like it definitely hit the gothic/horror mark & at times I was almost audibly going “ewwww” at some of the gore. I enjoyed the morally grey main characters - it feels like in the end, none of the characters really were truly ‘good’ and were all flawed which made for interesting reading experience, seeing their character growth and their flaws exposed layer by layer.

I did struggle to sympathise with Lucy towards the end… I think that the theme of sisterhood is definitely prominent in this book (as it claims to be I guess) and I think that it’s the main focus of it, it almost describes that unconditional love and loyalty, that despite all the things that happened and the fact that Not-Sarah is not quite Lucy’s sister anymore, Lucy’s loyalty and love for her sister is so strong that she’d do anything for her. However, it did make her seem like a bit of a pushover which was a bit frustrating to read.

Overall, I thought it was an easy, dark & gothic horror read! It was slightly slow to begin with and picked up just after halfway.

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Frankly, this was freaky as hell and I cannot recommend this to anyone who is squeamish about eyes, blood, self-harm, and did-i-mention EYES.
However, if you're interested in Dracula by Bram Stoker, 2024 Nosferatu, or you ever studied bog bodies in your secondary school history class, you'll love this to bits. From the first line this book had my attention and I found it hard to put down - although I won't lie towards the end I had to take a few breaks for my weak constitution because, as I may have mentioned, there was some pretty yucky stuff in here (or maybe I just haven't picked up a horror in a while? Hard to tell tbh). The pacing in this was fantastic and there wasn't a single moment that I wasn't either horrified at the situation the characters were in, or more often horrified at the characters themselves. A wild ride from start to finish, definitely interested in reading more of van Veen!

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One of the first books to make me go "<i>oh god, EW</i>" out loud while reading, and GAG!!! (COMPLIMENTARY)

I loved this book - a sort of Dracula inspired paranormal horror that's not really about vampires but uses them as a starting point. I loved how inventive this was! I can't go into too much detail for risk of spoiling it.

I thought this book was gripping with so many twists and turns and stomach churning moments, the characters were fleshed out (ew) and their relationships toxic and fascinating. My only issue was the pacing dropped a little in the middle.

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This was harder for me to get into but when I did I couldn’t stop reading! Thank you NetGalley and the publisher for a copy of this book.

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Oh Johanna van Veen I adore your dark and twisted gothic stories so much!!

THIS is how you handle gothic horror. It's eerie, mysterious, and yet so emotional. I truly loved the philosophic discussion about what makes us... US? Our memories? Our emotions? "What was a person if not the sum of all they had ever been through?" UGHHH so thought provoking and fit so well into the dynamic between Sarah and Lucy. (I wish I could go more into it but I don't want to give away any spoilers)

At one point I actually felt frightened and that hasn't happened to me in a LONG time. It was the ending of a chapter where Lucy had figured out what was going on - if you know, you know.

Also, I need to mention how perfect Johanna van Veen's author's note was at the start of the story. PLEASE do not skip it, especially if you are new to this genre. This is gothic horror... it's going to be full of extremes, it's going to be emotional, and strange, and maybe not for everyone.

CW's: sickness, death of a loved one, body horror/gore, the stigmatisation of the mentally ill, misogyny, sexual abuse, domestic abuse, cheating, and toxic co-dependent relationships.

Heavy on the gore by the way, even I couldn't handle the eyeball popping erghhhh

Anyways, to wrap this up - I think this is one for the girlies who enjoy a weird and unhinged story that's full of dark and creepy things!

I do find myself thinking that there is something more I would have liked for this story... but I can't quite put my finger on it. Possibly a little more work/depth into Michael as a character? (he is an absolutely horrific person by the way, be warned) Or maybe more show rather than tell.

But either way, I am LIVING for Johanna van Veen and her creepy gothic mind!!

-Sarah

*Thank you NetGalley + Sourcebooks UK for the e-ARC in exchange for an honest review

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I went into Blood on Her Tongue with high expectations, hoping for a deeper, more unsettling take on vampire mythology. Unfortunately, what I found was a novel that promises a lot but never quite delivers. While it’s certainly atmospheric and the prose can be haunting, the story itself lacks the depth and complexity I crave in a vampire novel.

The protagonist, a woman struggling with monstrous urges, is intriguing in theory, but ultimately falls flat. There’s an intimacy in Logan’s portrayal of hunger, but it’s more poetic than meaningful. I want to feel the tension of a vampire struggling with their nature, but here, it’s mostly an excuse for overly descriptive passages that often slow the pacing to a crawl. The writing is lush, but it leans too heavily into atmosphere rather than building real tension or giving the characters any real emotional depth.

The treatment of the vampire mythos is where this novel really lost me. There’s an attempt at reimagining the classic vampire story, but it feels more like surface-level experimentation than an evolution of the myth. The vampire lore is muddled, and instead of offering new insights or deepening the horrors inherent in vampirism, the book gets bogged down in metaphor and mood. The result is a hollow version of the myth that never really digs into what it means to be a vampire in the way that I would expect.

The characters also never really rise to the occasion. The protagonist is more of a vessel for the story’s atmosphere than a fully realized person with inner conflict. I never got the sense that her struggles were anything more than narrative devices to prop up the book’s aesthetic, and the supporting characters feel just as disposable. This lack of depth in the people you’re meant to care about makes the whole book feel more like an exercise in style than substance.

Overall, Blood on Her Tongue doesn’t have the bite I was hoping for. It’s more style than substance, more mood than meaning. If you’re looking for a vampire novel with rich mythology, complex characters, and psychological depth, this one might leave you feeling empty.

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This book was everything I wanted it to be! So dark, atmospheric, gothic and compelling.
Beautifully written.
Would love to read more from this author!

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"She imagined hell as an eternal waiting room whose doors would lead to planes of pain hitherto not experienced."

Johanna van Veen's novel is set in The Netherlands, 1887. Lucy's twin sister Sarah is unwell. She refuses to eat, mumbles nonsensically, and is increasingly obsessed with a centuries-old corpse recently discovered on her husband's grand estate. The doctor has diagnosed her with temporary insanity caused by a fever of the brain. To protect her twin from a terrible fate in a lunatic asylum, Lucy must unravel the mystery surrounding her sister's condition, but it's clear her twin is hiding something. Then again, Lucy is harboring secrets of her own, too.

This was a gripping mysterious thriller that I could not put down. Straight away the reader gets the sense that things aren't quite as they seem. There's people and events to be suspect of and Sarah's decent into madness comes into question until things begin to somewhat make sense.

Is this all a delusion shared by two sisters or is there something darker lurking? From chapter to chapter I could feel the creepy and disturbing behaviours of Sarah and other characters leading to something devastating.

This was an addictive and disturbing gothic horror novel that I would definitely recommend.

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Blood on Her Tongue is a compelling and atmospheric read that will appeal to fans of gothic horror. Johanna van Veen’s ability to intertwine psychological depth with supernatural elements results in a novel that is both unsettling and profoundly moving.

Slow to start, however it continued to pick up pace throughout.

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A young woman must investigate her sister’s mysterious madness which is brought on by the discovery of a bog body at their secluded country estate. Fast-paced, atmospheric and creepy, this is a gothic body horror which nods to Carmilla. Not as strong as Van Veen’s debut, My Darling Dreadful Thing, it’s still a wonderfully gory romp through the Netherlands during the late 1800s.

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Blood on her Tongue
Johanna Van Veen
UK release date 25th March

'I'm in your blood, and you are in mine ...'

From the author who bought us My Darling Dreadful Thing comes a Gothic horror promising us atmosphere, fear, dread and vampires. The cover is stunning and the synopsis intriguing but I found myself being a little disappointed with this book - it really wasn't what I was expected.

Yes there are some themes in this novel that we would associate with the Gothic but aside from the author referring to the vampire as a parasite there really isn't much in this book that's very original with a storyline that's similar to books already published. Based in 1887, the language used is very modern and up to date, occasionally flipping back and forth which just felt a bit uncomfortable and clunky. It is a very fast paced story with a few moments of tension and suspense, however, it didn't really scare me or give me the chills - it just seemed to lack a bit of oomph if I'm honest.

There is a lot of gore and a lot of scenes that could have been very dark but instead of being shocked or disturbed I did find myself laughing quite a lot. I'm not sure if there was a certain wit to the authors writing and I was supposed to laugh or the authors storytelling just wasn't for me? For a book filled with many dark subjects such as infant death, grotesque murders, insanity and cannibalism i just felt the writing was very childlike and I did speed read through a lot of the chapters.

It's not a particularly bad story but it's not a particularly good one either if that makes sense. The ending was too rushed, far too neat and tidy and didnt make much sense. The synopsis had me expecting so much more but unfortunately for me this story didn't deliver - it won't stop me reading her first book though as, apart from it's brilliant reviews, the author herself has said she had many, many difficulties when wtiting this particular book. Worth a go if the synopsis interests you but I would say more Gothic satire than Gothic horror ... 🌟🌟

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Lucy receives word that her twin sister Sarah is unwell after becoming obsessed with a centuries-old corpse that was recently discovered on her husband’s estate. The doctor diagnose her with insanity, even suggesting she be placed in an asylum for her own safety, but Lucy knows that is a death sentence that awaits her twin. So she must discover the mystery around her sister’s condition before her condition turns sinister. But Sarah isn’t the only sister with secrets and the guilt within Lucy eats her alive. As Sarah condition turns deadly, Lucy learns something else inhabits her sister and Lucy must face this monster head on – or risk losing Sarah forever.

I saw the cover on Netgalley and was enchanted! Read the synopsis and was even more excited! A gorgeous gothic horror of love, deception and betrayal.

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Dark, intense, and beautifully written, Blood On Her Tongue is an atmospheric thriller that grips you from the very first chapter. Johanna Van Veen crafts a suspenseful and unsettling tale, blending psychological depth with a chilling mystery. The prose is sharp and evocative, making the tension almost palpable. While some plot points felt slightly predictable, the execution was strong enough to keep me engaged throughout. A compelling read for fans of dark thrillers.

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Set against the eerie backdrop of 1887 Netherlands, "Blood on Her Tongue" delivers a captivating narrative that I found utterly gripping. Lucy is plunged into turmoil as her twin sister, Sarah, descends into madness, spurred by an unsettling obsession with a centuries-old corpse on her husband’s estate. As Sarah faces confinement in an asylum, Lucy’s determination to save her sister unravels a web of dark family secrets. The novel deftly explores themes of sisterhood, identity, and the supernatural. With its richly Gothic atmosphere and suspenseful plot, "Blood on Her Tongue" keeps readers questioning the fine line between sanity and the spectral. This book enthralled me from beginning to end, making it a must-read for fans of psychological spooky books

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Sarah and Lucy are twins, and they hold secrets.
This book has a gripping start, where Van Veen does the mood and the genre justice.
I enjoyed the macabre, the rage, and some aspects of the story world.
I was not keen on the ending, and my breakdown goes:
plot 3
characterisation 3
prose 3
mood 3.5
topics 3.5

I was very hopeful about this book, and had high expectations. Personally, when a theme and premise have been done multiple times before, I value literary prose, complex characterisation (as in Sarah in this book, and not so much Lucy and other characters), and a well-executed plot.

That being said, I can totally see that this book will be well-liked by many, and I understand its appeal.

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"It smells like a slaughterhouse in here."

4.5 ⭐ rounded up. A gothic novel, set in the Netherlands in 1887, which leans into weirdness, horror, and the macabre. The voice is great. There is a glint of humour and self-aware playfulness with the genre, and by the end the story gets quite messy and deranged. The sensory descriptions are vivid - sometimes gruesomely so.

There are some lovely touches - such as the gothic-themed trigger warning at the start ("In your hands, you hold a work of gothic horror.... I do wish to warn you so that you may prepare yourself accordingly before you wander into its darkness wearing only a flimsy nightgown and holding a dripping candle to light your way...").

Many thanks to the publisher and NetGalley for the advance copy.

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