What an extraordinary woman Una Marson was – and why is she not better known? I hope this excellent biography will bring her back into the prominence she so clearly deserves. I’d never heard of her and I hazard a guess that not too many other people have either, even though she was so often in the public eye in her time. She was a pioneer, a trailblazer, always pushing boundaries, way ahead of her time and this long overdue tribute is a must read. Born in colonial Jamaica in 1905, she was ambitious right from the start, and soon began to make a name for herself through her writing. She made her way to London – the mother country – where against all the odds she got a job with the BBC where she became the first Black woman broadcaster. She was an activist for gender and racial equality, travelled the world, was in demand as a speaker and her achievements and contributions are many. She was also a poet and I see that a book of her poems is available on Amazon. What a shame that she has been so much neglected. The authors have managed to reconstruct her life although she left few personal papers. Although at times they have had to speculate about her thoughts and feelings, they do this sympathetically and with insight, not least because she suffered from mental health problems through much of her life. She could also be very difficult and tried the patience of many of those who befriended and employed her. The authors also set her against the political and historical background to great effect, so that the book becomes as much a history of the era as well as a fascinating biography. Highly recommended.

Una Marson is a name I'd not heard of before I picked up this book, but one I won't forget having read. What a remarkable character, and what a life lived. Una's story is one pushing boundaries and challenging the status quo. It's astonishing that Una Marson's name has seemingly been forgotten and there's so little evidence to mark such extraordinary life. I found this a very interesting topic, but didn't particularly gel with the style of some of the inner monologue personally. Overall, a very worthy read.

Thank you to Netgalley for the ARC in exchange for an honest review.

Una Marson was born in 1905 in Jamaica, then a British colony, a place still reeling from the aftermath of slavery; plagued by high levels of unemployment and poverty for many years to come. A situation that had a profound impact on Marson’s later political beliefs. After leaving home, Marson settled in Kingston, trained as a typist but rapidly cycled through a range of potential careers including social and community work, before carving out a role in magazine editing and publishing. In 1932, Marson relocated to London where she became a prominent figure in the Black British activist community, partly through working with organisations like the League of Nations. Clearly a tireless, questing individual Marson produced plays and poetry, befriended fellow writers like Winifred Holtby, developed an interest in budding anti-colonialist movements, and promoted the cause of Black Jamaican women through her involvement in wider feminist circles.

Marson briefly returned to Jamaica in 1936 but was back in London by early 1938 where through happenstance her journalism attracted the attention of a BBC producer. Initially a TV researcher she segued into radio when the outbreak of WW2 led to the shuttering of British television. There Marson debuted as a programme maker and on-air broadcaster, the first Black woman ever to do so. Marson produced and presented the Caribbean Voices segment of the series Calling the West Indies – devised as a morale booster and bridge between wartime England and the West Indies. Through Caribbean Voices Marson promoted emerging West Indian writers airing a diverse selection of their poetry and short fiction. The programme was a great success and Marson forged close ties with other writers at the BBC including George Orwell and T. S. Eliot. But her time there was often exhausting and sometimes turbulent – some of which likely stemmed from her isolated position as a woman of colour in an overwhelmingly white, male-dominated institution. Marson had some kind of major mental health crisis which was labelled as ‘schizophrenia’ and was sent to a psychiatric hospital for treatment. She never returned to broadcasting. Her later years were markedly difficult, made more so by intermittent mental health crises. Marson lived in Jamaica, but spent some years in America scrabbling for a living and grappling with the grim realities of segregation. Eventually returning to Jamaica, Marson travelled for a short time but declining health led to her death aged 60.

Details of Marson’s personal life are relatively obscure, she wasn’t a diarist, few of her personal papers remain intact. So, June Sarpong and Jennifer Obidike’s biography often relies on a complex process of recuperation, drawing on what little archive material’s available, Marson’s interactions with public figures and groupings provide a framework through which to reconstruct her personal journey. So that this becomes as much an historical account of the events in Jamaica, England, and elsewhere, that shaped Marson’s era. It’s an intentionally accessible piece although the blend of dry fact and novelistic elements could be frustrating and distancing. But as a slice of Black history and an overview of Marson’s life and work it’s invaluable. It’s also the first title from newly-formed imprint Akan Books. Overseen by June Sarpong, Akan’s explicitly dedicated to writers from “underrepresented communities with a focus on giving a voice to unpublished writers from ethnic minority backgrounds, as well as authors from working-class backgrounds and those with disabilities.”