A moving novel which is stronger in parts and lacks flow in others. I'm not sure if it is due to the translation that I felt this book got a bit confusing and difficult to follow at times. However, overall I did enjoy it and found the plot to be emotional and raw.

I’m really sorry to say I just could not get into this book. The writing style was not for me and it was disjointed and confused. It’s probably a me problem. Love the premise, love the front cover but I just couldn’t get into this one.

Back in the Day is a tough read - both in terms of the subject matter of teenagers taking and selling any drugs they can get their hands on, but more fundamentally in the structure and language used. Translated from Norwegian into a specifically youth / drugs dialect I struggled at times - it’s not a book you can keep putting aside as you need to tune in to the phrasing. Added to this is a fragmented and fractured structure - most paragraphs start with their own heading (some of which repeat in themes / linked events), effectively giving a series of stuttered mini-chapters. It’s both gripping and alienating.

I’m not entirely sure I’d have kept reading if it wasn’t such a short novel- I’m glad i did, but I feel I’d have set aside a longer book. Worth giving the time to- it’s an insight into a different environment.

"how much death we gotta see before we get to live"

Oliver Lovrenski's debut novel is a coming of age story about three friends living in Oslo. At the age of thirteen they began dealing drugs and from there things escalated fast. Although one of them eventually wants to become a lawyer and settle down, their day to day life consists of addiction and crime. This story is a glimpse into how these boys navigate the challenges of growing up in the outskirts of Oslo.

This book really surprised me. I didn't read too much into what it was about just that it was a coming of age story based in Norway. There are so many ways in which this story being told is unique and impactful.

It's told in almost like a stream of consciousness which was the perfect way of experiencing each character's point of view. Their raw portrayal of trauma and addiction will stick with the reader. Although it addresses some serious themes there is a lot of humour between the pages as well.

Reading this you would think you were reading about the lives of boys living in the UK through the slang language that is used, this element is one of many that makes this story feel that much more real.

I really enjoyed reading this book, there were many memorable moments both tragic and funny. A unique read that I would definitely recommend.

While this book tackled some incredibly important subjects, I really struggled with the writing style. I found myself have to reread entire passages to fully understand what was happening and this took me out of the story frequently and I grew frustrated with the writing. I did enjoy the story and the characters but really wish the writing was a little easier to read.

Oliver Lovrenski's *Back in the Day* is a compelling coming-of-age novel that delves into the lives of four boys growing up on the outskirts of contemporary Oslo. Drawing from his own experiences, Lovrenski offers an authentic portrayal of youth navigating a world marked by challenges and camaraderie. The narrative captures the essence of contemporary city life with both intensity and rawness.

Back in the Day is the coming of age story of two friends, Ivor and Marco. The story is told from Ivor’s perspective, and is set in Norway. He reflects on their eventful childhood and teenage years, alongside their friends Jonas and Arjan.

It’s written in what feels like a stream of consciousness, which feels very fitting, as it really encapsulates the intensity of adolescence. It’s a really compelling story, and covers some very challenging topics. But, there’s also a lot of humour throughout.

While the book is set in Norway, the writing style and slang used made it feel like it was set in the UK. I really enjoyed reading this, and I’m intrigued to read other books by this author in the future.

With thanks to NetGalley, Hamish Hamilton and Penguin for the ARC.

Teen addiction, difficult themes, fragmented narrative; this could have turned out terribly with all the risk present, but luckily with Lovrenski's wonderful craft and the translators' wonderful job, we have an interesting novel.
Ivor, Marco, Jonas and Arjan are only teenagers when they find themselves in world of addiction and criminality: pure chaos.
The themes and topics of migration, youth, disadvantaged backgrounds, and challenges of modern life are well told in this potpourri of a book with many layers and flavours.
It gave me glimpses and details of lives that I would otherwise know very little about.

Set in Oslo, Lovrenski’s episodic, fragmented novel follows four boys through their school days onto the streets into a life that will likely lead to an early death. It begins with Marco’s call to Ivor telling him one of the four has died. Ivor’s friendship with Marco goes back to their earliest school days when Marco had just arrived from Somalia. They’re bright boys, but by fifteen they’re carrying knives, dealing drugs and sampling the merchandise. Jonas is regularly beaten by his father while Arjan has ended up in institutional care, his drug binges frequently landing him in hospital. Four months after Marco delivers his shocking but unsurprising news, grief and remorse have led to a turning point.
Lovrenski tells the boys’ stories through Ivor, whose Croatian background he shares, delivering his narrative in brief vibrant fragments written in lower case with little punctuation and in a slang that takes some getting used to. It’s an arresting style and not an easy one but if, like me, you persevered with HBO’s The Wire, you’ll know that patience pays dividends. Ivor and Marco are like brothers, often tender with each other and protective of Jonas’s vulnerability. Ivor is twice poleaxed by grief, the death of his grandmother marking a change which leads him from misbehaviour into trouble. They’re persistently failed by a system that doesn’t understand them, repeating tired old adages and threats until, finally, delivering some plain speaking. It’s a tough but rewarding read, an intensely moving novel made more so by Lovrenski’s declaration: ‘I’ve seen them die, I’ve seen them live, but I’ve never seen their story told’. Kudos to Nichola Smalley for a fine translation which can't have been easy.