Lingua Cosmica

Science Fiction from around the World

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Pub Date 4 Jun 2018 | Archive Date 8 Jun 2018

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Description

Anthologies, awards, journals, and works in translation have sprung up to reflect science fiction’s increasingly international scope. Yet scholars and students alike face a problem: Where does one begin to explore global SF in the absence of an established canon?

Lingua Cosmica opens the door to some of the creators in the vanguard of international science fiction. Eleven experts offer innovative English-language scholarship on figures ranging from Cuban pioneer Daína Chaviano to Nigerian filmmaker Olatunde Osunsanmi to the Hugo Award–winning Chinese writer Liu Cixin. These essays invite readers to ponder the themes, formal elements, and unique cultural characteristics within the works of these irreplaceable—if too-little-known—artists. Dale Knickerbocker includes fantasists and genre-benders pushing SF along new evolutionary paths even as they draw on the traditions of their own literary cultures.

Includes essays on Daína Chaviano (Cuba), Jacek Dukaj (Poland), Jean-Claude Dunyach (France), Andreas Eschbach (Germany), Angélica Gorodischer (Argentina), Sakyo Komatsu (Japan), Liu Cixin (China), Laurent McAllister (Yves Meynard and Jean-Louis Trudel, Francophone Canada), Olatunde Osunsanmi (Nigeria), Johanna Sinisalo (Finland), and Arkady and Boris Strugatsky (Russia).

Contributors: Alexis Brooks de Vita, Pawel Frelik, Yvonne Howell, Yolanda Molina-Gavilán, Vibeke Rützou Petersen, Amy J. Ransom, Hanna-Riikka Roine, Hanna Samola, Mingwei Song, Tatsumi Takayuki, Juan Carlos Toledano Redondo, and Natacha Vas-Deyres.

Dale Knickerbocker is Distinguished Professor of Foreign Languages and Literatures at East Carolina University. He is the author of Juan José Millás: The Obsessive-Compulsive Aesthetic.

Anthologies, awards, journals, and works in translation have sprung up to reflect science fiction’s increasingly international scope. Yet scholars and students alike face a problem: Where does one...


Advance Praise

"Lingua Cosmica introduces Anglo scholars to a rich tradition of science fiction around the world. An exciting new perspective on a genre we thought we knew, Knickerbocker’s volume sets a new research agenda for global sf studies."--Sherryl Vint, coeditor of The Routledge Concise History of Science Fiction 

"If you’re looking for excellent scholarship on 'global' science fiction, Lingua Cosmica should be your top choice. Its offers very perceptive essays on a broad variety of non-Anglo-American sf authors and cineastes written by some of the most respected experts in the field."--Arthur B. Evans, editor of Vintage Visions: Essays on Early Science Fiction

"Lingua Cosmica introduces Anglo scholars to a rich tradition of science fiction around the world. An exciting new perspective on a genre we thought we knew, Knickerbocker’s volume sets a new...


Available Editions

EDITION Paperback
ISBN 9780252083372
PRICE US$29.95 (USD)
PAGES 272

Average rating from 6 members


Featured Reviews

Lingua Cosmica: Science Fiction from Around the World is an academic book. This isn’t a novel or even a generic non-fiction title. This is a book by academics about science fiction writers from countries other than the United States. These authors are giants of the genre, the sort of authors whose works change science fiction in that region.

Some of these authors are familiar or half familiar names, people like Cixin Liu who won the 2015 Hugo Award for Best Novel. Others I’d never heard of despite being the sort of authors I should have, either due to particularly prolific careers, having immense influence on science fiction, or simply because the books outlined within these essays sound like the exact sort of book I usually love. Not all of these authors have their works translated into English. In fact, the vast majority have not. Cixin Liu is an outlier in this regard. Many of the others do not have many or, at times, any of their books translated into English. This is a great shame and is, in part, exactly why Lingua Cosmica exists.

Certain essays I enjoyed more than others. Despite being very interesting in their own right, I felt as if one or two of the essays strayed a bit from the given topic for several pages before getting to the point. Even then, I did enjoy reading these essays.

Perhaps this gripe is a bit trivial, but I do need to mention the use of endnotes. Each essay has its footnotes and bibliography in the form of endnotes. I am firmly on team footnotes forever; I do not enjoy flipping back and forth to endnotes. The end of the book does include a pretty extensive index. There is also a section at the end of the book that has short biographies on each of the essayists.

I’m glad this book was written. I’m glad that academics are talking about science fiction more. However much bloggers, authors, and publishers scream from the rooftops about books, academia, at times, does not, which the editor mentions in the introduction. Now they have, and, perhaps, they will do so more often.

I can’t say that this book is for everyone. Lingua Cosmica does read very academically. If this isn’t something you enjoy, do be warned. Still, this is a very interesting book that talks about some very interesting authors and their work.

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This is a non-fiction book with essays about "creators in the vanguard of international science fiction" as said in the book description, 'international' being the word that makes this book an exceptional and valiant effort in the direction of calling atention to books, films, comics and other works of art from creators from all countries to a worldwide audience.
As a reader who reads also in Portuguese and German I have very often found great books which were never translated to English, or to any other language other than the one in which they were written, and therefore were known only in the country where they were published.
I hope in the future this lacking situation changes and what today is only 'regional or national' makes the leap to international more often, being translated not only in English but in other languages, so readers in the whole world become able to read books from every country.
The essays were written in academic depth, unfortunately there wasn't any about Brazil (my country, which would be ideal for me since Brazilian Portuguese is my mother language and I would be able to read or watch the works the essay mentioned immediately), but I will check the authors included in this book.
I would like to thank NetGalley and University of Illinois Press for providing me a copy of this book in exchange for an honest review.

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