The Glass Woman
by Caroline Lea
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Pub Date 26 Mar 2019 | Archive Date 27 Jan 2022
Penguin UK - Michael Joseph | Michael Joseph
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Description
1686, ICELAND. AN ISOLATED, WINDSWEPT LAND HAUNTED BY WITCH TRIALS AND STEEPED IN THE ANCIENT SAGAS.
Betrothed unexpectedly to Jón Eiríksson, Rósa is sent to join her new husband in the remote village of Stykkishólmur. Here, the villagers are wary of outsiders.
But Rósa harbours her own suspicions. Her husband buried his first wife alone in the dead of night. He will not talk of it. Instead he gives her a small glass figurine. She does not know what it signifies.
The villagers mistrust them both. Dark threats are whispered. There is an evil here - Rósa can feel it. Is it her husband, the villagers - or the land itself?
Alone and far from home, Rósa sees the darkness coming. She fears she will be its next victim . . .
Advance Praise
'Memorable and compelling. A novel about what haunts us - and what should'
Sarah Moss, author of Ghost Wall
'Utterly unputdownable. Rich in superstition and mystery, it pulled me in. An incredible novel'
Ali Land, author of Good Me Bad Me
'Haunting, evocative and utterly compelling. The Glass Woman transports the reader to a time and place steeped in mystery, where nothing is ever quite as it seems. Stunning'
Tracy Borman, author of The King's Witch
'Like a ghost story told around a winter fire, The Glass Woman is taut, haunting, and broodingly tense. Playing out against the harsh backdrop of the Icelandic winter, it kept me hooked all the way to the end'
Tim Leach, author of Smile of the Wolf
'Suspenseful, gripping and beautifully drawn'
Cecilia Ekbäck, author of Wolf Winter
Available Editions
EDITION | Other Format |
ISBN | 9780718188979 |
PRICE | CA$34.95 (CAD) |
PAGES | 400 |
Featured Reviews
First-rate historical fiction! I was thoroughly absorbed by this novel, set in Iceland in the 17th century. The characters are beautifully realized and the story is excellently plotted out. I almost wept at the end. I predict this book will be big - it has the potential to be a hit in the mould of The Miniaturist or The Essex Serpent.
A compelling, absorbing read. If the Brontes had lived in Iceland this is the sort of book they'd have written, where the brooding landscape and inclement weather are a character in themselves. Definitely one to recommend.
The Glass Woman is set in late seventeenth century Iceland, a place I’m barely familiar with beyond a short break where my tracks passed briefly across those of the protagonists and a time about which I know very little history in my own context, let alone that of anywhere else. And yet the premise was appealing — Rosa, a young woman sent to marry Jon, a rich (relatively speaking) and powerful man who is distrusted and whose first wife is dead. And from the very beginning, I was hooked.
The timeline chopped and changed a bit as the narrative switched between Rosa and Jon and that initially confused, but as I worked out what was happening it made perfect sense as their stories headed towards an inevitable collision and a subsequent separation.
In saying what I liked about it, the old problem rears its head: how do I review without giving away too much? I shall have to stay vague. The characters were fantastic — Rosa, submissive to keep herself safe and her village fed; Jon, living in fear of the consequences of a past mistake; Pal, patiently in love with another man’s wife; jealous Pedar, the sullen misfit who works on the farm… they’re just a few of a strong cast of characters.
The land and the culture are powerful players too, and the old religion resists the oncoming of the new, and where loving the wrong person or whispering an old song can lead you to death. The harshness of a land that seemingly swallows people up — and sometimes disgorges them again — is wonderfully compelling.
I really loved this book. It drew me in, kept me absorbed, reading on and on as the inevitability of human nature came up against traditional society. There’s power, there’s greed, there’s passion and there’s death, all at play in a landscape without mercy, and too many moments of sheer, gut-wrenching drama to pick one out. Wonderful.
Thanks to Netgalley and Michael Joseph publishing for the opportunity to read this book in return for an honest review.