Really enjoyed this book. Some early reviews made me question its prose, but I found the pacing really good as our narrator Juan Cameron is a photographer and the writing reminds me of how a photographer looks at things, picking up a lot of details we might miss. And that is basically the premise of this book. Juan and his father are sent to photographs architecture in Cuba right as the Spanish-American War began. Due to tragedy Juan ends up inheriting land in Cuba and Scotland where he returns. He helps police to solve a murder by the use of his camera which photographs shots of daily life at a regular interval and then can try and discern patterns that might help determine the identity of the killer.

From here he is sent to Glasgow to help their police solve a group of serial killings. He sets up his camera in two locations, with autotimer device, and from there can get an idea of who might be the killer. I know some have stopped reading the book, but I just found it an interesting use of photography and the plot gets better and better the further into the book. Who might be involved? A minister, policeman, hotel owner, store owner, etc. the list of possibly suspects is long and the ending is very well done. Having recently read Dickens and “I, Claudius” this book was a breeze for me. Very well done, I really enjoyed the plot, the characters, and the settings in Cuba and Scotland in the 1890’s. Thanks to NetGalley, as well as Allison & Busby for the free copy of this book in return for my honest review.

Kevin Sullivan's The Figure in the Photograph is a great addition to the body of historical mysteries. At the book's opening, a peripatetic, father-son team of photographers is in Cuba during the Spanish-American war photographing historic buildings likely to be slated for destruction.

When the father is killed, his son, Juan Camarón, travels to Scotland to deliver their photographs to their publisher. By chance he becomes involved in the invention of a new type of camera: one that can be set up to take a series of six pictures of a single location at regular intervals. Camarón, called Cameron in Scotland, helps solve a murder using this new technique to monitor the scene of a crime, and, as a result, is invited to work with the police in an attempt to capture a serial killer who has been active in a Glasgow slum.

That's the set up, and I leave the rest of the story for readers to enjoy unraveling for themselves.

What I want to say is that not only is this title an engaging read—it would make a solid first volume in an ongoing series, which I hope will be the case. The characters are well-drawn and complex, not stereotypes of their era, but also not inappropriately "modern" as can be the case in historical mysteries. Besides Camarón, there are several other characters worth retaining and working into future volumes.And, at the close of this novel, Camarón is thinking of leaving still photography to become in the new technology of film (the movie kind). This opens up all sorts of possibilities for new adventures—I hope they are forthcoming.

I received a free electronic review copy of this title from the Publisher via NetGalley. The opinions are my own.

The protagonist of this murder mystery novel is Juan Camerón, the son of a Cuban-born, Spanish photographer and a Scottish mother. The story begins in Cuba where Juan and his father are travelling to photograph the island’s significant buildings which they have been commissioned to do by the Scottish publishing company, William Collins Sons & Co.

This, however, is the Cuba of the Spanish American war of 1898. The pair become caught up in the dangers and turmoil of the times and this leads to the death of Juan’s father while photographing the Cathedral in the city of Santiago during its bombardment by American forces. Juan develops the last photographic plates exposed by his father before his death and learns from them that he had been murdered. It appears that the motive for the murder was that Juan’s father had inherited the plantation that was being managed by the cousins that the pair were staying with while in Santiago. The cousins are themselves killed in the bombardment and Juan is able in time, despite the disruption, to claim and dispose of his inheritance before returning to Europe.

Juan travels to Scotland in order to finalise his father’s last commission with his publisher, William Collins Sons & Co. While he is there he develops the his idea, gained from his examination of his father’s last photographs, that it is possible to learn things from a series of photographs taken of the same view over time that an observer at the scene would not notice. He helps develop a camera for just this purpose and, while testing the machine, inadvertently produces a series of photographs of a crime scene. His detailed examination of these enables him to provide evidence to the police that leads to the solving of a murder. This success leads him to being called in by the police in Glasgow trying to track down a serial killer at work in the city’s slums. There then follows a frantic effort to identify and detain the murderer.

This is an effective and well thought out murder mystery and the idea of using a photographic technique as part of a police investigation is an interesting one and allows the author to evoke a sense of Victorian Glasgow at the height of its industrial power and prestige and the scientific innovation and engineering skills that its success was built upon. The only real problem with this idea lies in the fact that the process and method that Juan has developed is inherently repetitive. The reader witnesses Juan setting up his camera, developing the photographic plates and analysing their contents several times over and there is also the problem of how Juan is to spend his time while he waits for the timed photographs to be taken over the course of the day.

Add to that the fact that we are introduced to Juan through the recounting of his experiences in Cuba and one can understand why for some readers this novel might seem a little slow in terms of the pace of the action. Personally, I did feel the plot could have moved faster in the middle of the novel but that it did repay perseverance and delivered a strong and surprising ending. The characters are engaging and well-drawn, the plot does hold the readers attention and the historical settings are evoked and described well. I enjoyed this novel very much and, as I suspect there are enough unresolved plot lines to suggest this may be the first of a series of novels, I look forward to reading of more of Juan’s adventures in the future.

I would like to express my thanks to NetGalley and Allison & Busby for making a free download of this book available to me.

I took me a bit to be involved in this story as I found the beginning a bit slot but once I was hooked I couldn't put it down.
I liked the well researched and vivid historical background, the well thought cast of characters and the plot that flow.
The mystery is solid and kept me guessing.
I look forward to reading other instalment in this series.
Recommended.
Many thanks to the publisher and Netgalley for this ARC, all opinions are mine.

1898. Juan Cameron's father, a photographer, is on assignment in Cuba to photograph the architecture, when he is killed during the war. In his last photographs his killer is revealed. But Juan travels to Scotland to deliver the remaining photographs. Having several weeks to wait for a meeting he invents a device allowing time lapse photography, which inadvertently helps solves a crime. On hearing of this Sergeant Macarthur involves him in the investigation of a series of brutal killings in Glasgow. Cameras placed in two locations with photographs taken at regular intervals may give the police a list of suspects to investigate
Quite a slow paced story but overall an interesting one with its plot and characters.