Ennemonde

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Pub Date 14 Sep 2021 | Archive Date 7 Sep 2021

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Description

One of the final novellas by the acclaimed French writer Jean Giono, Ennemonde is a fierce and jubilant portrait of a life intensely lived

Ennemonde Girard: Obese. Toothless. Razor-sharp. Loving mother and murderous wife: a character like none other in literature. In telling us Ennemonde’s astounding story of undetected crimes, Jean Giono immerses us in the perverse and often lurid lifeways of the people of the High Country, where vengeance is an art form, hearts are superfluous, and only boldness and cunning such as Ennemonde’s can win the day. A gleeful, broad sardonic grin of a novel.
 
"Roads move cautiously around the High Country..." So begins the story of Ennemonde, but also of her sons, daughters, neighbors, lovers, and enemies, and especially of the mountains that stand guard behind their home in the Camargue. This is a place of stark and terrifying beauty, where violence strikes suddenly, whether from the hand of a neighbor or from the sky itself.
 
Giono captures every wrinkle, glare, and glance with wry delight, celebrating the uniquely tough people whose eyes sparkle with the cruel majesty of the landscape. Full of delectable detours and startling insights, Ennemonde will take you by the hand for an unforgettable tour of this master novelist's singular world.
One of the final novellas by the acclaimed French writer Jean Giono, Ennemonde is a fierce and jubilant portrait of a life intensely lived

Ennemonde Girard: Obese. Toothless. Razor-sharp. Loving...

Advance Praise


"Giono's writing possesses a vigor, a surprising texture, a contagious joy, a sureness of touch and design, an arresting originality, and that sort of unfeigned strangeness that always goes along with sincerity when it escapes from the ruts of convention." --André Gide, unpublished letter
For Giono, literature and reality overlap the way that waves sweep over the shore, one ceaselessly refreshing the other and, in certain wondrous moments, giving it a glassy clearness. --Ryu Spaeth, The New Republic
Giono's voice is the voice of the realist; his accents are the accents of simplicity, power and a passionate feeling for a land and a people that he must love as well as understand. --The New York Times
Giono's prose is a singularly fine blend of realism and poetic sensibility. Essentially a poet, he has an acute faculty of penetration, a lucidity of spiritual vision, and a tender sympathy. --The Washington Post
Giono creates an atmosphere that is both contemporaneous and timeless...the epic instinct is active. --Ray C. B. Brown


"Giono's writing possesses a vigor, a surprising texture, a contagious joy, a sureness of touch and design, an arresting originality, and that sort of unfeigned strangeness that always goes along...


Available Editions

EDITION Other Format
ISBN 9781953861122
PRICE US$16.00 (USD)
PAGES 150

Average rating from 6 members


Featured Reviews

Reading this novel feels like you've just bought a ticket for a ride at an amusement park, when you're not quite sure if you want to go on this ride at all, but you get on anyway, because your friend says it's going to be so much fun, and at some point during the ride you know your friend was sorely mistaken, because you're well on your way to a vertiginous and unpleasant and embarrassing outcome if the ride doesn't end soon, but then the ride does end. and you think: wow, that was incredible, and get back in line for another turn.

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My father and I are huge Peter Mayle fans, and we travelled through Provence using his books practically as a guide. I picked up this book, set in the same region, to get a perspective from a Provencal writer about life in that golden sunlight. This couldn't be more different from Peter Mayle's accounts in the Provencal sun, peopled by quirky locals.
Giono's Provence is a difficult place to live in, with people's lives, and fortunes, driven entirely by weather conditions, where making it through the years is a struggle. Rivalries are never forgotten, and are passed on from one generation to another. In one particularly powerful paragraph, Giono writes that Sartre had no place here, only the language of the gun. Getting by is so hard, that it leaves no space in the human heart for kindness, or empathy, or even morality. There's some lyrical writing about the landscape, both its harshness and its beauty, but in Giono's Provence, a sunny day doesn't inspire you to paint, it inspires you to hunt.
I'm really glad I read this book, it's short, but thought-provoking. If I had known, however, that the quaint picturesque little towns of Uzes and Sault held such dark passions, I might have thought twice about visiting!!

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