
The Day Ends Like Any Day
by Timothy Ogene
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Pub Date 28 Sep 2017 | Archive Date 25 Sep 2017
Description
A Note From the Publisher
Timothy Ogene was born in Oyigbo, outside Port Harcourt in southern Nigeria. He is the sixth of seven children raised in a two room tenement block. He has since lived in Liberia, Germany, the US, and the UK. His poems, stories and reviews have appeared in Numero Cinq, Tincture Journal, One Throne Magazine, Poetry Quarterly, Tahoma Literary Review, The Missing Slate, Stirring, Kin Poetry Journal, Mad Swirl, Blue Rock Review, aaduna, Harvard Reviewand other places. His first collection of poetry, Descent & Other Poems, appeared this summer from Deerbrook Editions.
He holds a first degree in English and History from St. Edward’s University, a Master’s in World Literatures in English from the University of Oxford, and he is currenly working on a Master's in Creative Writing at the University of East Anglia.
Advance Praise
'A vibrant coming-of-age tale which looks back to urban Nigerian classics such as Cyprian Ekwensi’s Lokotown but also forward to an unfolding picture of African identity that is both global and cosmopolitan.' Giles Foden, author of The Last King of Scotland
'An intense exploration of beauty, friendship, and self-discovery told with compassion. The characters linger with you long after the reading.' Tendai Huchu, author of The Hairdresser of Harare and The Maestro, The Magistrate, & The Mathemetician
‘Timothy Ogene's beautiful novel is a new form of Bildungsroman, in which the theme of coming of age becomes a coming of language: Sam's story is also a journey through books and memories, so much so that a life's journey is not only oriented forwards, but also backwards.’ The African Book Review
Available Editions
EDITION | Paperback |
ISBN | 9781910688298 |
PRICE | £9.99 (GBP) |
PAGES | 268 |
Featured Reviews

I know not why this book oozes "coming-of-age," because it felt more like an awakening to me.
This is not just an outlook on Africa, more so Nigeria, but rather it's Sam's struggle with his identity and his need to understand and fully participate in his life. The tone is neither harsh nor apologetic, but when it chooses, it is more compassionate and understanding and I loved that about it.
It's a story told from Sam's perspective about his childhood, growing up in the blocks, his friendship with Pa Suku,the man who introduces him to Literature, Jazz and Poetry. His decision to study Literature and his sexuality. It is divided into three parts; the first part is centered around his childhood and life in the blocks. The second part has Sam questioning most the things he witnessed as a child and his role in them and we see him interact with creatives and get a glimpse of his decision to write. The final part is where the story is. If you ask me, (I know you didn't, but I'll tell you anyway), it is in the final chapters especially when Sam receives a letter from Pa Suku that the story did resonate with me. It felt like I was being called to judge not myself but my perception of myself and those around me and that is what stayed with me.
On characters, I'd say that I wish I had a friend like Pa Suku. His outlook on the Nigeria before and after and what their leaders are doing in the name of democracy is something that resonated with me because in Kenya, we've heard promises and 50 years later, we are yet to see them fulfilled.
I also did find the book poetic, sometimes I'd read a paragraph and let the words roll around my tongue- it'd be entertaining to have the author read out a chapter or two as though it were spoken word.
When Sam met Margaret's dad, there was a moment and this is what I found to be Sam's greatest strength; he is candid about everyone but himself. He could read people better than he could interpret himself.
Sam says it better, "Memory is ice, vulnerable to changes in temperature."
Much love to NetGalley and the Publisher for gifting me with a copy of this book and I'm looking forward to reading more of Timothy's works.