Blue Hour
by Tiffany Clarke Harrison
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Pub Date 29 Aug 2024 | Archive Date 27 Mar 2024
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Description
**ONE OF BARACK OBAMA'S SUMMER READING SELECTIONS**
What is motherhood in the midst of uncertainty, buried trauma and an unravelling America? What it's always been - a love song.
Our narrator is a gifted photographer, an uncertain wife, an infertile mother, a biracial woman in an America that's coming undone. As she grapples with a lifetime of ambivalence about motherhood, yet another act of police brutality makes headlines, and this time the victim is Noah, a boy in her photography class.
Unmoored by the grief of a recent, devastating miscarriage and Noah's fight for his life, she worries she can no longer chase the hope of having a child, no longer wants to bring a Black body into the world. Yet her husband Asher - contributing white Jewish genes alongside her Black-Japanese ones to any potential child - is just as desperate to keep trying.
Throwing herself into a new documentary on motherhood and making secret visits to Noah in the hospital, this is when she learns she is, impossibly, pregnant. As life shifts once more, she must decide what she dares hope for the shape of her future to be.
Advance Praise
'An urgent, heart-breaking and profound meditation on motherhood, art-making, uncertainty, the ongoing violence of American racism and police brutality, and the courage it takes to choose the future' - BUZZFEED
'Gasp-worthy… How did Harrison achieve this spectacular feat of emotional withholding while also making readers feel so much?' - VULTURE (A Book of the Year)
'Full of musings, debate, anger, distress and yet, ultimately, hope, Blue Hour is incredibly powerful' - GOOD MORNING AMERICA
'With every word, Blue Hour cautions against holding back: from being seen, heard and understood; from persevering in spite of forces that would see you destroyed; and from expressing love on every possible occasion, before your chances run out' - CHICAGO REVIEW OF BOOKS
'In lyrical language, Harrison skilfully explores the complex tensions that gnaw at the expectant mother... and offers an intimate view of the couple's pain. This signals the arrival of a brave new writer' - PUBLISHER'S WEEKLY
'Harrison's writing is unflinching throughout, but the depictions of miscarriage and infertility - and their effect on a marriage - are particularly haunting... In the vein of Jenny Offill and Raven Leilani, Harrison's debut offers an intimate slice-of-life portrait with no easy questions or answers. A poetic novel that dances on the edge of hope and despair' - KIRKUS REVIEWS
Available Editions
EDITION | Paperback |
ISBN | 9780857308771 |
PRICE | US$9.99 (USD) |
PAGES | 160 |
Available on NetGalley
Featured Reviews
“Blue Hour” by Tiffany Clarke Miller is a captivating journey through the complexities of human emotion and connection. Through eloquent prose and nuanced characterizations, the author navigates themes of loss, redemption, and the pursuit of truth. As readers journey through the narrative, they witness the characters’ struggles, triumphs, and moments of vulnerability, each resonating with authenticity and depth. It is a compelling read that will linger in the mind long after the final page is turned.
The unnamed narrator of Tiffany Clarke Harrison’s powerful, deeply moving Blue Hour is a photographer of mixed race whose parents and younger sister died in a car crash for which she blames herself. Her husband, Asher, passionately wants a child while she is ambivalent, her own desires overshadowed by guilt and the dangers a child of theirs would face on the streets, and when she does conceive it ends in sadness and loss. When a student on the community photography course she runs is shot, she decides to make a documentary, interviewing the mothers of children murdered because of the colour of their skin.
Harrison unfolds her brief novella in an episodic narrative flashing back and forth between past and present. Her writing is often poetically lovely, studded with vivid images that fit our narrator’s photographic eye. I found myself constantly scribbling striking quotes but hers is not a showy style, more subtly powerful underlining the narrator’s journey from intellectualising her pain to feeling and facing it. The miscarriage scenes are unflinchingly visceral - readers who have had the misfortune to lose a child or are close to someone who has might want to avoid this one. Racism and police brutality is the underpinning theme of the novel but it’s the love between our narrator and Asher, and their struggle to have a family that is to the fore. A beautifully express piece of fiction that ends in hope.