Pick a Colour

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Pub Date 25 Sep 2025 | Archive Date 30 Sep 2025

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Description

Ning is a retired boxer, but to the customers who visit her nail salon, she is just another worker named Susan. On this summer's day, much like any other, the Susans buff and clip and polish and tweeze. They listen and smile and nod. But beneath this superficial veneer, Ning is a woman of rigorous intellect and profound complexity. A woman enthralled by the intricacy and rhythms of her work, but also haunted by memories of paths not taken and opportunities lost. A woman navigating the complex power dynamics among her fellow Susans, whose greatest fears and desires lie just behind the gossip they exchange.

As the day's work grinds on, the friction between Ning's two identities-as anonymous manicurist and brilliant observer of her own circumstances-will gather electric and crackling force, and at last demand a reckoning with the way the world of privilege looks at a woman like Ning.

Told over a single day with razor-sharp precision and wit, Pick a Colour confirms Souvankham Thammavongsa's place as literature's premier chronicler of the immigrant experience, in its myriad, complex, and slyly subversive forms.

Ning is a retired boxer, but to the customers who visit her nail salon, she is just another worker named Susan. On this summer's day, much like any other, the Susans buff and clip and polish and...


Available Editions

EDITION Hardcover
ISBN 9781526610485
PRICE £12.99 (GBP)
PAGES 144

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Average rating from 7 members


Featured Reviews

I really enjoyed how this book was contained in one setting (the nail shop) with limited little calls to memories and experience outside of the shop. The interior world of the main character is interesting and complex, yet I love how simplistic and clear the prose is.
I felt immersed in the world of the nail shop, their interactions in another language, the sameness that is expected of The Susan’s and how these prototype visuals feed into the expectations that people might have of immigrants working in the service industry..
This book was highly observed and very compelling.. I wanted to read more depth other characters and especially the relationship with the other salon, I felt that could’ve been developed more. It. Says a lot that I was sad to get to the end of this book, I would’ve loved a few more chapters.

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I snapped up Pick a Colour as soon as I spotted it on NetGalley having enjoyed Souvankham Thammavongsa’s Giller-Prize-winning short story collection, How to Pronounce Knife. Her new one is set over one day in a nail salon run by Ning who, in another life, was a boxer. Everyone’s called Susan at Ning’s salon: it saves on nametags and avoids confusing the customers to whom they all look the same, anyway. Regulars and walk-ins are skilfully persuaded into extras, share their unhappiness and problems, offer unsolicited advice, unaware of the scathing, often funny back and forth between Ning’s team conducted in their own language offering their views on these entitled clients who notice next to nothing about the women who are performing intimate services for them, and care less.
Thammavongsa’s brief novella is narrated in Ning’s voice, in short, sparse prose, offering glimpses of her story as she takes us through the day. She’s a smart businesswoman, as dedicated to the success of her salon as she once was to boxing, intensely private and self-contained. Once or twice, we see the woman beneath the controlled exterior she presents to the world but she continues to withhold herself from her clients despite the intimacies and secrets which pour out of them. It’s an impressive piece of work. I’m not one for nail salons but it might make me think on my next visit if I were.

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A short but interesting and well written story, with commentary on class, labour and gender. While nothing actually happened, I really enjoyed the focus on the women (the Susans), their work life and relationships with each other. This was like being a fly on the wall with dedicated insight into Ning’s life. A great character study of a book.

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